‘Jane Got A Gun’: Brian Duffield Recalls The “Traumatic & Terrible” Experience Of Lynne Ramsay Leaving His Western

Chilean filmmaker Pablo Larraín is in the sweetest of positions. He doesn’t really do one for them or one for him since all his films are artful and uncompromising, but he does have this kind of track going where he does dramas with American stars—most of them non-traditional biopics (“Jackie,” with Natalie Portman, “Spencer,” with Kristen Stewart) and then goes off and makes less commercial work that is more personal and without major stars (“No,” “El Conde,” but even the former starred Gael Garcia Bernal).

In the David Fincher-directed film, The Killer, from a screenplay by Andrew Kevin Walker, and based on a graphic novel, Michael Fassbender stars as an assassin battling his employers when a hit goes terribly wrong.

George Clooney‘s The Boys in the Boat is getting a first look!

Saw and Carrie.In a thread started by Redditor Chocolate-lord69420 on the “horror” subreddit, fans were asked to name the movie with the most distressing ending sequence or shot.“For me it’s the ending of Saint Maud,” the original post read. “I don’t know why that did so much to me but… I’m pretty new to the genre.”The thread has since received over 1,400 comments, with other films listed including 2000’s Requiem For A Dream directed by Darren Aronofsky and James Wan’s Saw.“I am super obsessed with this franchise but nothing beats the first movie,” a commenter wrote regarding 2004’s Saw.

George Clooney is set to bring an inspiring true story to the big screen with “The Boys in the Boat”.

Rebecca Rubin Film and Media Reporter The show must go on! New York Film Festival opened its 61st edition with “May December” as planned, despite a massive rainstorm that’s left streets and subways flooded across the five boroughs. “Thank you all for braving the weather and making it here tonight,” director Todd Haynes told the mostly full theater. “We didn’t know what to expect.” On one of the wettest N.Y.

Brent Lang Executive Editor Alamo Drafthouse is closing its New York City locations due to a rainstorm that’s left streets and subways flooded across the five boroughs. The theater chain said its venues in Brooklyn, Manhattan and Staten “will be closed until further notice.” On social media, the company said, “Please everyone stay dry & stay safe, and we hope to have you back at the movies very soon.” Rain has blanketed the tri-state region throughout much of the week, but it intensified significantly on Friday, making the city and its surrounding area difficult to navigate and bringing traffic to a standstill.

No One Will Save You after it was released on Hulu this month.The author, who is best known for penning horror classics such as The Shining and It, described the film as “brilliant” and “daring” in a post on X (fka Twitter).“NO ONE WILL SAVE YOU: Brilliant, daring, involving, scary,” King wrote. “You have to go back over 60 years, to a TWILIGHT ZONE episode called ‘The Invaders’ to find anything remotely like it.

David Fincher has a strong relationship with The New York Film Festival; he made the world premiere debuts of “The Social Network” (2010) and “Gone Girl” (2014). “Mindhunter” screened at the 2017 edition, and if the filmmaker has a new film in the wings, it’s generally in the wings for an NYFF discussion, at least.

William Earl SPOILER ALERT: This article discusses plot points in “No One Will Save You.” Horror Film School is a new feature in which talent in front of and behind the camera share the ins and outs of creating the biggest onscreen scares. “No One Will Save You,” out Friday on Hulu, is an incredibly lean genre movie: Aliens come down and invade the house of reclusive loner Brynn Adams (Kaitlyn Dever), and she must defend her property and warn her small town that extraterrestrials are trying to assimilate. Writer and director Brian Duffield pulls off two difficult things in his creature feature: The characters speak very little dialogue, and the aliens stalking Brynn are seen early and often — and they’re actually scary.

Oasis brothers Liam and Noel Gallagher.The actor, who is best known for roles in Arrested Development and BoJack Horseman, was asked to choose his favourite Gallagher brother by a fan during an appearance on Johnny Vaughan’s 4-7 Thang on Radio X.In response, Arnett said: “I know that they’re both friends of the programme and I’ve heard them both on the programme, so I don’t want to pick sides, but I did hang out one evening for a couple of hours with Noel… I think Noel because his quotes are just off the charts. Unbelievable.”When Vaughan said Liam’s quotes were on “a different level”, Arnett replied: “Than Noel’s? He once described his brother as a man with a fork in a world of soup.

“No One Will Save You,” the 20th Century Studios alien/home invasion thriller, is one of the year’s most strangely curious, oddly shaped films. Also acting as a thinly drawn character mystery, it’s bold and risk-taking in its structure.

Brian Duffield’s No One Will Save You, now streaming on Hulu, unfolds as a haunting symphony of silence, highlighted by Kaitlyn Dever’s silent acting. Also written by Duffield’s, the meticulous direction of his own script shapes a heightened sense of paranoia, striking the connection between effective visual storytelling and a nuanced narrative. 

Peter Debruge Chief Film Critic Got trauma? A global alien invasion is all it takes for emotionally scarred Brynn (Kaitlyn Dever) to sort through her issues in “No One Will Save You,” an extra-terrestrial creature feature cut from the same cloth as M. Night Shyamalan’s “Signs,” where the jump scares are secondary to an earnest (but far less effective) portrait of coping with guilt and grief. Building on the novelty value of 2020 debut “Spontaneous” (in which a bunch of teenagers inexplicably start to pop like pimples), director Brian Duffield sets multiple creative challenges for himself and mostly succeeds — well enough to attract eyeballs to this buzz-worthy Hulu release, at least.

Writer/director Brian Duffield has only directed two films so far, but he’s already starting to carve out a specific niche. He’s a filmmaker who loves to take these character-driven, emotional stories and put them against the backdrop of genre.

This might be TMI for some people, but some famous men have been open about the size of their manhood in interviews over the years. Some of them have revealed they are packing while others weren’t afraid to admit that there’s not much there.

Kylie Minogue and Jodie Comer sit front and center for Burberry’s Summer 2024 show during UK’s London Fashion Week on Monday (September 18).

Elsa Keslassy International Correspondent Natalie Portman may be an outspoken feminist and co-founder of a female-driven soccer club (Angel City FC), but she isn’t a believer in the so-called “female gaze.” In an interview with Vanity Fair France for the magazine’s 10-year anniversary issue, conducted prior to the SAG-AFTRA strike, Portman argued that “to say that a female director has a particular gaze is reductive of women’s individuality and points of view.” The Harvard-educated actor also said that gender isn’t a factor when she chooses projects. “Female directors should have the same opportunities as their male counterparts.

Jazz Tangcay Artisans Editor Kaitlyn Dever is battling an alien invader in the trailer for Brian Duffield’s thriller “No One Will Save You,” which is set to premiere via Hulu on Sept. 22. Dever stars as Brynn Adams — a woman who comes face to face with an alien home invader.

It surprised no one earlier this year when Trent Reznor & Atticus Ross officially came on board to score David Fincher‘s “The Killer.” After all, the pair have scored all of Fincher’s films since 2010’s “The Social Network.” But it surprised audiences at the movie’s world premiere in Venice last weekend when Reznor & Ross’ work didn’t feature prominently in “The Killer” at all.