The Girl with the Dragon Tattoo is being made into a TV series.
07.10.2023 - 13:03 / deadline.com
In the David Fincher-directed film, The Killer, from a screenplay by Andrew Kevin Walker, and based on a graphic novel, Michael Fassbender stars as an assassin battling his employers when a hit goes terribly wrong.
Speaking during a panel at Deadline’s Contenders London event, editor Kirk Baxter addressed a rumor that the role required Fassbender to not blink at all.
There were many times watching the dailies where he heard Fincher’s voice saying, ‘That’s terrific, but let’s see that once again without the f—ing blinking.’ Baxter added, “Not so much that Fassbender needing that direction, it’s just been a thing.”
He added, “I’ve always been opposed to that idea, that if somebody’s delivering a key moment in a scene, especially if it comes with dialogue and this is the reason they did it, and if you want them to have gravitas and it’s up close, and it’s closing a scene, and if that same line is blinking all the way through the delivery it’s diluted of any power.”
Asked how much the original graphic novel of the same name was referenced, cinematographer Erik Messerschmidt said, “We really looked at it from a place of composition and story structure and how we would use the frame. The film is very much, I think, about process and procedure and state of mind and graphic novels have a lot in common with cinema in terms of how they tell a story visually. We certainly used it as a place to start.”
Speaking on the experience of working with Fincher, Messerschmidt said it was “a joy” because the director’s “decisions are immediate”, which is “great when you’re under the pressure a cinematographer is under.”
And Baxter joked of the way he and Messerschmidt work together: “Whenever Erik’s able to he pops into the cutting room…
The Girl with the Dragon Tattoo is being made into a TV series.
Once upon a time, David Fincher‘s follow-up to 2014’s “Gone Girl” would have been a sequel to the 2013 blockbuster “World War Z.” But Fincher’s entry into blockbuster filmmaking never happened, with Paramount eventually scrapping the project by 2019. But what did one of Hollywood’s most distinct visual stylists have in mind for the sequel? Deadline reports (via GQ UK) that Fincher described his take as similar to a hit HBO series with a similar backdrop.
David Fincher has revealed that he’s “glad” his planned World War Z sequel was never made, comparing it to HBO‘s The Last Of Us adaptation.Speaking to GQ Magazine UK, Fincher spoke of his cancelled World War Z sequel and explained the similarities between his vision for the film and this year’s The Last Of Us live-action series based on the video game of the same name.“It was a little like The Last Of Us,” Fincher said. “I’m glad that we didn’t do what we were doing, because The Last Of Us has a lot more real estate to explore the same stuff.”Fincher went on to explain: “In our title sequence, we were going to use the little parasite… [The Last Of Us] used it in their title sequence, and in that wonderful opening with the Dick Cavett, David Frost-style talk show.”The filmmaker was also asked if his original vision for the now-cancelled sequel was closer to the original World War Z novel rather than an original take on it, to which he said that it wasn’t close to the original book but “there is some talk of doing that”.Fincher’s next film will be the assassin film, The Killer starring Michael Fassbender.
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Matthew Vaughn returns to theaters next February with “Argylle,” his latest loony spy feature. But in the build-up to his new film, the director has been candid about his career’s earlier work, particularly a film he walked away from: “X-Men: The Last Stand.” Vaughn was initially scheduled to direct the film, but he bailed on it after concerns about the budget and how fast producers wanted it (ironically, he did the same thing on Marvel’s “Thor” before Kenneth Branagh took over).
Zack Sharf Digital News Director Gwyneth Paltrow briefly entered the “nepo baby” discourse in January when she commented on an Instagram post of Hailee Bieber wearing a shirt with the moniker on it and wrote: “I might need a few of these.” Now Paltrow, the daughter of actor Blythe Danner and director/producer Bruce Paltrow who is an Oscar winner in her own right, entered the discourse more forcefully by telling Bustle the term “nepo baby” is an “ugly moniker.” “Now there’s this whole nepo baby culture, and judgment that exists around kids of famous people,” Paltrow said when her 19-year-old daughter Apple got brought up. “She’s really just a student, and she’s been very…She just wants to be a kid and be at school and learn.
The Egyptian Theatre in Hollywood turned 100 last year — and now the venue is ready for its closeup. Netflix said today that the storied movie palace and birthplace of the red carpet will reopen next month after a three-year renovation and retrofit.
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Zack Sharf Digital News Director David Fincher is known for doing lots of takes while filming, but Michael Fassbender upped the ante while filming “The Killer” by apparently never blinking when the camera was on him. The film’s cinematography Erik Messerschmidt revealed the detail in the latest issue of Empire Magazine.
Brent Lang Executive Editor Sideshow and Janus Films have acquired all U.S. rights for “The Beast,” which was written and directed by Bertrand Bonello, the filmmaker behind “Saint Laurent.” The film is an adaptation of Henry James’ novella “The Beast in the Jungle.” It features a glossy cast that includes “No Time to Die” star Léa Seydoux and “1917” breakout George MacKay, along with Guslagie Malanda, Dasha Nekrasova, Martin Scali, Élina Löwensohn, Marta Hoskins, Julia Faure, Kester Lovelace, Félicien Pinot, and Laurent Lacote. The film is a Les Films du Bélier, My New Picture and Sons of Manual Production, and is produced by Justin Taurand and Bertrand Bonello.
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