Jane Campion Talks Leading by Inspiration at Sydney Film Festival Showcase: ‘I Don’t Know Where My Comfort Zone Is’

Patrick Frater Asia Bureau Chief Lee Yong-kwan, one of the original founders of the Busan International Film Festival, says he is stepping down as the event’s chairman – this time with immediate effect. He says the move is intended to defuse a morass of factional infighting and political interference surrounding Asian’s most prominent film festival. A festival spokesman told Variety that the board of directors “has decided to persuade the chairperson to return. So, the resignation has not been accepted yet.”

Patrick Frater Asia Bureau Chief Warner Bros. Discovery will rebrand its kids’ TV channel Boomerang to Cartoonito in Southeast Asia, Taiwan and Hong Kong, with effect from July 28. The company said that the “switch is a result of positive feedback to the Cartoonito-branded block on Boomerang and Cartoon Network launched in 2022, and is focused on being more inclusive to pre-school aged viewers.” Sources close to the company explained that the move is “part of a big regional and global commitment by WBD to preschool content.” It follows Cartoonito rebrands and launches in other international territories including EMEA and LatAm.

Patrick Frater Asia Bureau Chief Some 18 film industry guilds and trade associations are calling for urgent structural reform of the Busan International Film Festival. They point out that this year’s edition of the festival is looming less than 100 days away. The festival’s management has made a succession of management missteps in recent weeks, including one that resulted in an official apology. At the beginning of May, a decision to split the festival’s senior management in two by creating a new position for Cho Jongkook, was followed by consternation among guilds and the resignation of festival director Huh Moonyoung.

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” was the top-grossing film on the planet over the latest weekend – despite playing only a single territory. The film earned $70.7 million (RMB502 million) between Friday and Sunday in mainland China, according to data from consultancy Artisan Gateway. That put it far and away ahead of other Chinese new releases and Hollywood’s holdovers “Transformers: Rise of the Beasts” and “The Flash.” With the Dragon Boat Festival holiday occurring on Thursday, the film was given an unusual one-day advance on the normal releasing pattern in China. Including Thursday takings, the film made a total of $98.3 million (RMB968 million).

Patrick Frater Asia Bureau Chief Shanghai was the venue for the launch of Chinese streaming firm iQiyi’s latest venture into Virtual Reality. Its ‘Luoyang VR Project’ is a studio-based experience in which users are invited to experience up to 12 different entertainment zones in the ancient city of Luoyang in Henan province. Requiring headsets and using a physical space of some 300 square metres, the set-up stimulates the physical experience of high winds, waterfalls and explosions. IQiyi described the project as “the first attempt in the VR industry to integrate different elements from immersive theatre, VR, and original IP,” and said that it leverages “inside-out tracking” technology and other industry-leading, sensory-simulation techniques to build in cars, boats, carriages, and other props. “The upshot is a highly realistic environment that fully immerses the audience in the story,” the company said.

Patrick Frater Asia Bureau Chief The 28th edition of the Shanghai TV Festival wrapped up on Friday with its Magnolia Awards presented to a range of TV drama series, documentaries and animation programs. The drama awards were dominated by two shows “A Lifelong Journey” and “Bright Future.” “A Lifelong Journey,” adapted from a novel of the same name by Liang Xiaosheng, tells the story of three generations of one family in China’s Northeast as time moves from the late Cultural Revolution period through to the country’s reform and opening up. With a starry cast and broadcasters including CCTV-1 and Jiangsu Satellite TV, the show is reported to have attracted 310 million viewers at the beginning of 2022. In mainland China, it ran for 58 episodes, while in Hong Kong it played in 35 parts.

Patrick Frater Asia Bureau Chief The technical aspects of China’s embrace of smart broadcasting were given a thorough workout this week as part of the ongoing Shanghai Television Festival. Topics covered by keynote speakers included: future broadcasting planning; AI content generation’ big data construction; and the development of ultra-high definition broadcasting. Sun Suchuan, deputy Director-General of the Science and Technology Department of the National Radio & Television Authority explained that the national government has iterated a strategic development plan for the TV sector running until 2035 as well as medium- and long-term technological strategies.

Patrick Frater Asia Bureau Chief The members of the international juries that will decide the Magnolia prizes at the ongoing Shanghai Television Festival were Thursday made to do double duty as speakers in public masterclasses that were open to a generation of aspiring documentary and animation makers. David Stephan, jury president in the animation category, along with fellow judges Spencer Ooi and Jia Fou, spoke at length about getting their starts in the business and finding inspiration. “When I studied animation, I didn’t have a textbook available. I saw extremely limited things, so I did further research to make myself understand what I was doing in such a career,” said Jia.

Patrick Frater Asia Bureau Chief The Busan International Film Festival has apologized for its mishandling of the resignation of its executive director Huh Moon-young and related sexual harassment allegations. “We sincerely apologize over the sexual harassment case that occurred in the workplace,” BIFF said in a Korean-language statement on Thursday. (A festival spokesperson said that an English-language statement, along with an update, will be issued in the coming days.) Huh has publicly denied the allegations, though he has not replied to email and telephone requests for comment by Variety.

Patrick Frater Asia Bureau Chief Hong Kong action film “The White Storm: Heaven or Hell” will have its North American premiere at the New York Asian Film Festival, where it is a late addition to the line-up. The festival runs July 14–30, 2023 at Film at Lincoln Center (FLC). Directed by Herman Yau, the film sees Louis Koo, Aaron Kwok and Sean Lau (aka Lau Ching-wan) appear together for the first time. It is set in the ‘Golden Triangle’ region famous for drugs production and trafficking. Kwok plays an undercover cop who infiltrates a drug cartel led by a notorious Thai drug lord (Lau). In classic heroic bloodshed fashion, the two develop a bond of brotherhood. The cop’s only hope of escaping the treacherous jungle region and his ambiguous morality is to somehow contact the superintendent of the Hong Kong Narcotics Bureau, who has solemnly sworn to demolish the cartel once and for all.

Patrick Frater Asia Bureau Chief The Mother of all Lies, a docu-drama film that probes the secrets of Morocco’s 1981 Bread Riots, was Sunday named the best picture at the Sydney Film Festival. The jury, headed by Anurag Kashyap, called the Asmae El Moudir-directed film “audacious, cutting-edge and courageous.” It presented the A$60,000 ($41,100) cash prize film ahead at the State Theatre ahead of the Australian premiere screening of “Indiana Jones and the Dial of Destiny.” The film, which uses doll-like figurines, recently premiered in Un Certain Regard at Cannes, where it earned the section’s best director prize. “Juxtaposing evidence from barely existent public materials with private family memory, this film reconstructs the history of the state, the family and the individual, in three distinct levels,” said the jury of Kashyap, actor Mia Wasikowska (Australia), film curator and journalist Dorothee Wenner (Germany), writer and director Larissa Behrendt (Australia) and filmmaker Visakesa Chandrasekaram (Australia – Sri Lanka).

Patrick Frater Asia Bureau Chief After a golden age in the 1980s, Chinese filmmakers were quietly discouraged from dabbling in the sci-fi genre – it isn’t real science and authorities did not want youngsters to get confused. That stance changed during the last decade and the Shanghai International Film Festival has just hosted its first sci-fi week, comprising nearly a dozen film screenings and a trio of panel discussions featuring the new luminaries in the sector. Reasons for the revised position of China’s authorities are not hard to understand. Not only was Hollywood getting away with dominating a genre that was popular with Chinese audiences, China in the 21st century has become a global technology powerhouse. Its space program, in particular, is now among the most advanced, capable of a normalized rocket launch schedule, international co-operation and lunar and interplanetary missions.

Patrick Frater Asia Bureau Chief Japanese drama feature “Yoko” won the Golden Goblet best picture award at the Shanghai International Film Festival. The jury Grand Prix was awarded to Spain’s “Muyeres” with China’s Liu Jin winning the best director prize.The trio also collected additional prizes making them the only multiple winners in a ceremony that sprinkled its awards widely. “Yoko,” directed by Kumakiri Kazuyoshi, who earlier this year saw melodramatic “#Manhole” play in Berlin, takes the structure of a road-movie and is a journey of self-discovery of a woman who had been socially isolated in her apartment for many years. Portrayed by global star Rinko Kikuchi (”Babel,” “47 Ronin”), the woman is forced to confront the real world, and herself, when she takes a 658 kilometre cross-country journey to her father’s funeral. Without a cell phone or the money for public transport, she finds herself having to hitch hike. Kikuchi also earned the best actress award.

Patrick Frater Asia Bureau Chief Eastern Grace Film, a new production company that teased its debut production “The Sand Murmurs” earlier this month, has gone one step further. It used the Shanghai International Film Festival to unveil a slate of nine new film productions. The company is an indirect subsidiary of Baination Pictures, a Beijing-based film and TV group that is listed on the Shenzhen stock exchange. Eastern Grace is headed by president Wilson Jiang, a veteran film distributor in China.

Patrick Frater Asia Bureau Chief “Sunday,” by Uzbekistan-based director Shokir Kholikov, was Thursday named best film in the Asian New Talent section of the 25th Shanghai International Film Festival. The Asian New Talent Awards are called Golden Goblet Awards, but are separate from the festival’s official competition section, and favor new and emerging talent. The main competition jury will hand out its Golden Goblets on Sunday. The best director prize in the Asian New Talent section was shared by two helmers: China’s Luo Dong won for “May.” So too did Kazakhstan’s Aisultan Seit for “Qash.” Luo previously attended the Shanghai festival’s project market ten years ago and has since completed one other film.

Patrick Frater Asia Bureau Chief “Killing Romance,” one of the most creative Korean films of the past year, has been set as the opening night title for the upcoming New York Asian Film Festival. The deliberately multi-genre picture tells the tale of a beautiful movie star with dubious acting skills (portrayed by Le Ha-nee) who suddenly quits the industry and retires to newly-married life that turns out to be anything but bliss. When she decides to return to acting she teams up with a fan and an absurd plot to kill her absurdly rich husband. The film is directed by Lee Won-suk who previously attended the NYAFF with his first film, “How to Use Guys With Secret Tips,” in 2013 and returned with his second feature, the big-budget period drama The Royal Tailor, which earned the audience award at NYAFF in 2015.

Patrick Frater Asia Bureau Chief Hungarian director and screenwriter Ildikó Enyedi brought some art-house royalty to the Shanghai International Film Festival this week with a masterclass that focused on her process and the struggle to maintain a unique voice. At one point in her on-stage discussion with Chinese director Zheng Dasheng, she called filmmaking “essentially a sole desperate cry, hoping to be heard by others.” Enyedi’s voice has certainly registered and been heard at Europe’s major film festivals. She won the Camera d’Or in Cannes in 1989 for best debut feature “My 20th Century,” saw her 1994 film “Magic Hunter” play in competition in Venice and she won the top prize Golden Bear in Berlin in 2017 with “On Body and Soul.”

Patrick Frater Asia Bureau Chief The Skip City International D-Cinema Festival, in Saitama, on the outskirts of Tokyo, will hold its 2023 edition with both in-person and online components, long after COVID, which necessitated such hybrid formats, has retreated. The festival, which sees itself as a gateway for emerging talent, and has operated since 2004, will hold its physical edition July 15-23 and its online from July 22- 26, organizers said on Wednesday. This year, the festival will begin with the world premiere of “Confetti,” which was produced to commemorate the 20th anniversary of the festival as well as the 90th anniversary of its Kawaguchi City base.

Patrick Frater Asia Bureau Chief Seoul Metropolitan Police on Tuesday raided the offices of Korea’s three leading multiplex cinema operators and three film distributors. “The six entities are accused of obstructing the business of the Korean Film Council (KOFIC) by falsely counting the audience numbers for Korean films,” a spokesman for the police is reported to have told Korean media, according to the semi-official Yonhap news agency. The raids were conducted by the force’s anti-corruption and public crime investigation team. Local media named the companies visited by the police on Tuesday as cinema chains CJ CGV, Megabox and Lotte Cinema, and distributors Showbox, Lotte Entertainment and Kidari.

Patrick Frater Asia Bureau Chief German filmmaker Wim Wenders is to be the president of the jury that decides the main competition prizes later this year at the Tokyo International Film Festival. Wenders has frequent connections with the Japanese capital and last year shot his “Perfect Days” film in the city. The film recently appeared in competition in Cannes and earned Yakusho Koji the best actor prize. The Tokyo festival confirmed plans to host a celebration of Japanese director Ozu Yasujiro, who was born 120 years ago and died exactly 60 years later. Wenders previously shot 1985 documentary “Tokyo-ga” as a tribute to Ozu.