‘The Mother of all Lies’ Wins Sydney Film Festival top Prize

Patrick Frater Asia Bureau Chief Kino Lorber has picked up North American rights to Pham Thien An’s debut feature “Inside the Yellow Cocoon Shell.” The Vietnamese drama appeared in Cannes’ Director’s Fortnight section and was winner of the Camera d’Or. The company plans a theatrical release as well as a digital and home video releases on all major platforms after the film makes multiple stops on the international film festival circuit. “The sudden death of his sister-in-law brings unexpected responsibilities to Thien (Le Phong Vu), who is reluctantly tasked with bringing his five-year-old nephew Dao to their countryside hometown. On the road, Thien is drawn into a search for his long missing older brother, haunted and spurred forward by a series of sublime dreams that reignite suppressed memories, forbidden desires, and specters of his own youth. What began as a journey home becomes a pilgrimage marked by visual splendor and mystical overtones, a quest for understanding and certainty in a Vietnam that seems unable to provide any clear answers. As Thien battles with his own existential question of what is worth living for, Inside the Yellow Cocoon Shell interrogates the persistence and complexity of faith, not only in the spiritual but in the delicate beauty of earthly existence,” said Kino Lorber by way of a long synopsis.

After delivering a blisteringly saucy trailer, Luca Guadagnino’s latest film “Challengers” will set the Venice Film Festival ablaze as their opening night film, screening out of competition, TheWrap has confirmed. The film follows Zendaya as Tashi Duncan, a successful tennis champ drawn to two men, played by Mike Faist and Josh O’Connor.

The Venice Film Festival will open with the world premiere of Luca Guadagnino’s Challengers.

Patrick Frater Asia Bureau Chief The Bucheon film festival’s Network of Asian Fantastic Films project market wrapped up three days of meetings and pitching sessions on Monday with a prize ceremony that disbursed cash, post-production support and invitations to related genre film events. “The Passport,” a Tamil- and English-language Malaysian project about an Indian rockstar who is forced to confront cultural expectations and her interactions with an imaginary friend, won the headline Bucheon Award for director Ananth Subramanian and producer Bel Choo Mun. It was both a popular choice among other NAFF participants and the unanimous decision of the jury. The numerical winner was “Please Bear With Me,” which saw director Gabriela Serrano and producer Gale Osorio from the Philippines collect three prizes. The project is a sci-fi and social issues mash-up about a call center operative who gets paid in dream-time and uses it to relive her glory days as a pop star. A clearly-surprised Serrano used her second visit to the stage to explain the film’s origins as a deep frustration with seeing Filipina women stuck at the bottom of society and yet apologizing for their ambitions.

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” expanded in its second week on release and gave China its third biggest box office weekend of the year. The film earned $117 million, according to data from consultancy Artisan Gateway. That was significantly up from its opening weekend of $70.7 million (RMB502 million) a week earlier and enough to make it the second biggest film on the planet, behind “Indiana Jones,” according to Comscore. After two weekends on release, it has accumulated $320 million. “Lost in the Stars” is a Chinese adaptation of a 1990 Russian movie “A Trap for the Lonely Man,” which itself was adapted from a Robert Thomas stage play. It sees a woman disappear while on an overseas trip with her husband. Just as mysteriously, she reappears at the moment that the search for her is running out of steam. But the man refuses to accept that she is the same woman and believes that she is an imposter.

Patrick Frater Asia Bureau Chief Production is under way on a second season of lesbian drama “Fragrance of the First Flower,” an Asian drama series from Taiwan’s GagaOOLala. The first season, comprising six episodes that debuted in 2021, follows the life of Yi-Ming (portrayed by Lin ZaiZai), a married woman with a son, who finds herself reunited with Ting-Ting (played by Cheng Lyan), a girl from her past. Their encounter sparks a connection that opens the door to the possibility of escaping Yi-Ming’s monotonous married life. In season two, expanded to 12 episodes, Yi-Ming embarks on a new chapter as a newly divorced single mother and a career woman. This fresh start brings challenges as she navigates the hardships of single parenthood and societal pressures. Even though Taiwan has legalized same-sex marriage in 2019, this does not mean that LGBTQ+ relationships have been fully accepted in mainstream society. Yi-Ming grapples with whether she can truly follow her heart and pursue a life with Ting-Ting. The original cast will return and new characters will be introduced.

Patrick Frater Asia Bureau Chief The members of the international juries that will decide the Magnolia prizes at the ongoing Shanghai Television Festival were Thursday made to do double duty as speakers in public masterclasses that were open to a generation of aspiring documentary and animation makers. David Stephan, jury president in the animation category, along with fellow judges Spencer Ooi and Jia Fou, spoke at length about getting their starts in the business and finding inspiration. “When I studied animation, I didn’t have a textbook available. I saw extremely limited things, so I did further research to make myself understand what I was doing in such a career,” said Jia.

Patrick Frater Asia Bureau Chief “The Twelve,” an award-winning Australian crime drama series, has been greenlighted for a second season. It is backed by the Foxtel group and its streaming brand Binge. The show follows a controversial murder trial seen through the lens of the jurors, twelve ordinary Australians who are facing their own realities and struggles. The first season received ten nominations, and won three AACTA Awards in 2022 including best miniseries. In recent days, it became the most nominated drama series at the 63rd TV Week Logie Awards. Season two of “The Twelve” will be eight 1-hour episodes written by Sarah Walker, Anchuli Felicia King, Anya Beyersdorf and Anna Barnes. Local authorities in Western Australia described it as the state’s “biggest-ever screen production,” but divulged no specifics on budget. Filming will take place in the Wheatbelt and Metropolitan regions and create over 100 local jobs, the state government said.

Patrick Frater Asia Bureau Chief NBCUniversal is to expand its One Platform advertising, technology, data and measurement system further into global markets through an alliance with international broadcast and tech partners. The move was announced on Tuesday at the Cannes Lions advertising convention in Cannes, France.International partners include Atresmedia from Spain, Bell Media from Canada, Channel 4 from the U.K., Mediaset from Italy, Seven West Media from Australia, Sky Media from the U.K., Italy and Germany, and Talpa from the Netherlands, TF1 Pub of France, Japan’s Tokyo Broadcasting Systems and Omnicom Media Group. “By bringing together leading local broadcasters and publishers across the world, NBCUniversal seeks to enhance the premium video ecosystem and build the foundation for greater industry advancement and collaboration at an international level, across data and identity, activation and automation, ad innovation, and measurement,” NBCUniversal explained in a statement.

Leo Barraclough International Features Editor U.S. actor Robin Wright will be awarded the President’s Award at the 57th Karlovy Vary Film Festival’s closing ceremony. In honor of Wright, it will screen “The Princess Bride.” Wright is best known for her performance in Netflix series “House of Cards.” She earned three Golden Globe nominations and a win in 2014. She earned five Screen Actors Guild award nominations for the show, and received five consecutive Emmy nominations. In 2017, Wright played Lieutenant Joshi in “Blade Runner 2049,” and Amazon warrior General Antiope in “Justice League” and Patty Jenkins’ “Wonder Woman.” The following year, she reprised her role as Antiope in “Wonder Woman 1984.” She will be seen this Fall starring opposite Millie Bobby Brown in the fantasy film “Damsel,” and co-starring with Tom Hanks in “HERE,” directed by Robert Zemeckis.

John Bleasdale Guest Contributor The 69th Taormina Film Festival boasts an impressive lineup of Italian and world premieres as it seeks to reboot and re-establish its status as a date to watch on the festival circuit. Located in the historical Sicilian town – its visibility recently getting an unlooked for boost with the second season of HBO’s ”The White Lotus” – will be hosting a series of screenings. The outdoor Teatro Antico will provide a suitably antique background for the Italian premiere of “Indiana Jones and the Dial of Destiny,” with Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, and Mads Mikkelsen in attendance. The directorial debut of Italian artist Marco Perego, “The Absence of Eden,” will receive its world premiere. The film stars Perego’s wife Zoe Saldaña, Garrett Hedlund and Adria Arjona. The thriller tells the story of an undocumented immigrant fleeing a drug cartel whose path crosses with a U.S. Immigration and Customs Enforcement agent in a crisis over the moral dilemmas of his job. An unlikely alliance forms as the two endeavor to save the life of a young girl.

Nick Vivarelli International Correspondent Sudanese director Mohamed Kordofani’s feature debut “Goodbye Julia,” a timely morality tale that takes place just before the 2011 secession of South Sudan and won the Un Certain Regard section’s Prix de Liberté (Freedom Prize) at Cannes, has scored a raft of sales following its launch. The first Sudanese film ever to screen in Cannes official selection, “Goodbye Julia” is the story of two women — one from the North, the other from the South — who are brought together by fate in a complex relationship that attempts to reconcile differences between northern and southern Sudanese communities in the currently war-ravaged country.

Leo Barraclough International Features Editor Karlovy Vary Intl. Film Festival’s Eastern Promises industry platform has unveiled 27 film projects that will be showcased during its Works in Progress, Works in Development – Feature Launch and First Cut+ Works in Progress presentations. The most promising projects, selected by international juries, will receive awards with a total value of 115,000 EUR.  The showcasing of projects to industry professionals will take place in Karlovy Vary, during this year’s KVIFF Industry Days on July 3 (Works in Progress and Works in Development – Feature Launch) and July 4 (First Cut+ Works in Progress). For Works in Progress, 11 fiction and documentary feature films in the late stage of production or post-production from the countries of Central and Eastern Europe, the Balkans, the former Soviet Union, the Middle East and North Africa have been selected.

Sometimes, you think you know all there is to know about classic cinema, and then someone like the cinephiles at Janus Films reminds you there are still so many hidden gems to rediscover. While not as well-known as the French New Wave icons like Jean-Luc Godard, François Truffaut, Éric Rohmer, Alain Resnais, Agnès Varda, etc., French filmmaker Jean Eustache is still a key figure in the history of the Nouvelle Vague.

Patrick Frater Asia Bureau Chief Disney is to close its six remaining linear TV channels in Southeast Asia, Hong Kong, Taiwan and Korea as the conglomerate puts a greater emphasis on direct-to-consumer streaming. The channels concerned are National Geographic, National Geographic Wild, Star Chinese Movies, Star Chinese Channel, Star Movies and Star World. Linear services will end from September in Southeast Asia, Hong Kong and Korea, and by December in Taiwan. The group expects to retain a streamlined television portfolio with channels in Japan, China, Australia and New Zealand for the time being.

Patrick Frater Asia Bureau Chief Hungarian director and screenwriter Ildikó Enyedi brought some art-house royalty to the Shanghai International Film Festival this week with a masterclass that focused on her process and the struggle to maintain a unique voice. At one point in her on-stage discussion with Chinese director Zheng Dasheng, she called filmmaking “essentially a sole desperate cry, hoping to be heard by others.” Enyedi’s voice has certainly registered and been heard at Europe’s major film festivals. She won the Camera d’Or in Cannes in 1989 for best debut feature “My 20th Century,” saw her 1994 film “Magic Hunter” play in competition in Venice and she won the top prize Golden Bear in Berlin in 2017 with “On Body and Soul.”

Naman Ramachandran International Film Festival Rotterdam (IFFR) has appointed former BFI London Film Festival director Clare Stewart to the position of managing director, taking over from Marjan van der Haar. Stewart was most recently interim CEO at Sheffield DocFest and commences in the role at IFFR on June 21. IFFR has a dual leadership structure where the managing director and festival director oversee the commercial and creative elements of the organization respectively, working in partnership. Stewart previously consulted with the IFFR board of directors in 2021 in its first phase of re-evaluation prior to her joining DocFest, with a focus on the IFFR program structure and content strategy.

Patrick Frater Asia Bureau Chief German filmmaker Wim Wenders is to be the president of the jury that decides the main competition prizes later this year at the Tokyo International Film Festival. Wenders has frequent connections with the Japanese capital and last year shot his “Perfect Days” film in the city. The film recently appeared in competition in Cannes and earned Yakusho Koji the best actor prize. The Tokyo festival confirmed plans to host a celebration of Japanese director Ozu Yasujiro, who was born 120 years ago and died exactly 60 years later. Wenders previously shot 1985 documentary “Tokyo-ga” as a tribute to Ozu.

Owen Gleiberman Chief Film Critic “Bucky F*cking Dent,” the second movie written and directed by David Duchovny (the first was “House of D,” in 2004), is based on a novel by Duchovny that was published in 2016, and whether or not the story is autobiographical, it feels autobiographical, and I mean that as a compliment. Set in the summer of 1978, it’s framed around one man’s obsession with the Boston Red Sox — meaning, of course, the curse of the Bambino, going back to 1918, the last time (until 2004) the Sox won the championship. The man is Ted Fulilove, which is a terrible last name for a movie character, though he’s played by Duchovny as a cussed crab apple with an amusing misanthropic put-down for every occasion (like: “Closure’s for morons”). “Bucky F*cking Dent” has a handful of characters, but it’s essentially a father-son two-hander — one of those dramadies in which the dad is a heartless-on-the-surface coot who was no good when it came to how he treated his family, and the son is a lot nicer and more sensitive, but maybe too sensitive (as a correction to all that paternal dickishness). Which also means that he’s lost.

For his sophomore feature, the follow-up to 2004’s little-seen indie House of D, David Duchovny serves up a similarly niche confection, a sometimes-zany black comedy based on his 2016 novel of the same name. The elevator pitch is a tough one; though it’s funny in places, the tone is all over the place, one minute aspiring for the arch, stoner laughs of PTA’s Inherent Vice, the next veering into straightforward sentiment with a rambling final section that hits a similar highway to the 2006 Sundance hit Little Miss Sunshine. There’s also the f-word: the looming curse of American baseball movies that don’t have the word Field in the title, which could hamper its commercial prospects in the wider world.