‘Intercepted’ Review: A Portrait of the War in Ukraine Told Through Haunting Images and Soundscapes
13.04.2024 - 00:21
/ variety.com
Murtada Elfadl A sense of foreboding permeates “Intercepted” from its first few frames, cueing audiences that they are about to witness something sinister. Documentarian Oksana Karpovych shows peaceful images of children playing outside and birds chirping in the distance. Also heard on the soundtrack are ominous recordings, not exactly music but faint siren-like sounds that announce the film’s subject.
This unique film uses eerie images of destruction juxtaposed with voices on phones to document life in war for Ukrainians and the Russian soldiers who invaded their country. The principal source in Karpovych’s film are the phone calls of Russian soldiers intercepted by Ukrainian security forces between March and November 2022. Complementing these conversations are the haunting images of the abandoned buildings, empty roads and overall effects of the war in Ukraine, as captured by cinematographer Christopher Nunn.
However, what gives “Intercepted” a unique quality and makes it such a damning piece of documentary filmmaking is the audio dimension, a mix of original compositions by NFNR and haunting sound effects designed by Alex Lane. While created by the filmmakers to bolster the soundtrack and add an ominous atmosphere to the images, these effects are minimal, making the audience witness the Russian invasion of Ukraine as if we were there. The faded click and echo heard on cell phones add another layer to the soundscape.
The audience is eavesdropping on unvarnished conversations, with the talkers’ masks off, laying out their true feelings and attitudes: hope, worry, confusion, love, hate and bigotry. The soldiers talk of their anxiety about surviving the war, their concerns about returning home. There’s talk of gifts with
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