‘Inshallah’ Filmmaker Paula Bilbao Unveils ‘A Supermarket in Tigaday’ at Spanish Screenings on Tour, MIA, Rome (EXCLUSIVE)

Anna Marie de la Fuente In more news emerging from Spain’s San Sebastian Festival, Clara Larraín’s Clara Films has boarded Lucía Lalor’s docu-fiction hybrid “Mam” from Argentina’s Gale Cine. Described as a “thought-provoking autobiographical hybrid documentary that explores how it is to grow up with a ghost mother,” it follows a millennial in her thirties and her fantasies about her dead mother.

Anna Marie de la Fuente Underscoring its historical importance, a further production marking the 50th death anniversary of Chile’s socialist president Salvador Allende could well be in the works. The historical drama, provisionally titled “The Meeting,” details a historical encounter between the doomed president, whose downfall heralded the rise of the infamous military dictatorship of General Augusto Pinochet in 1973.

It may still be September, but that hasn't stopped John Lewis from upping the Christmas game by unveiling its lavish Beauty Advent Calendar for 2023.

Anna Marie de la Fuente Not long after the Miami episode of Netflix’s hit show “’Street Food: USA” dropped, its Emmy-nominated director Mariano Carranza received an Instagram message. It was from Gastón Acurio, Peru’s preeminent chef-restaurateur of Astrid & Gastón fame, but Carranza thought it was a prank.

Anna Marie de la Fuente In one of the first deals to emerge from the San Sebastian Film Festival, powerhouse indie studio, Filmax, which celebrates its 70th anniversary at San Sebastian Festival, has snapped up international rights to LGBTQ+ dramedy “Norbert(a)” from Imposible Films, the producers of hits “Truman,” “The People Upstairs” and “Stories not to be Told.” Directed by newcomers Sonia Escolano, who also penned the script, and Belén López Albert, it is toplined by Luis Bermejo (“Magical Girl”), Adriana Ozores (“Alba”), Mariona Terés (“The Girls at the Back”) and María Romanillos. Norbert(a) follows Norberto and María, who’ve been married for decades and live what seems like an ordinary life in their working-class neighborhood.

Marta Balaga “Death Is a Problem for the Living,” now also in Italy. The Finnish black comedy, directed by Teemu Nikki of “Euthanizer” fame, will premiere at the Rome Film Festival in October. “I am so proud of everything we have made together, especially ‘Euthanizer’ and [Venice Horizons Extra winner] ‘The Blind Man Who Did Not Want to See Titanic,’ but this one is certainly the most consistent.

Nick Vivarelli International Correspondent Italian multi-hyphenate Ilaria Borrelli’s Arabic-language feminist drama “The Goat” – featuring Mira Sorvino and John Savage, alongside a stellar Egyptian cast – is set for back-to-back launches at Egypt’s upcoming El Gouna Film Festival, followed by the closing film slot at the Rome Film Festival. A rare, if not unique, case of an Arab production directed by an Italian, “The Goat” stars young Egyptian TikTok star Jessica Hosam as an 11-year-old pregnant orphan named Hadya who after being forced into marriage becomes the target of a western corporation that seeks to control the only water source in her village.

Nick Vivarelli International Correspondent Rome’s MIA market dedicated to international TV series, animation, feature films, and documentaries is set to feature a panoply of 62 projects from 36 countries for its upcoming 9th edition. Though European content remains the core of the curated pre-Mipcom event that will run Oct.

Nick Vivarelli International Correspondent Netflix on Tuesday unveiled four new Italian originals – two feature films and two series – that confirm its continued investment in Italy as local subscribers grow. The new projects also bolster the fact that the bulk of the streamer’s Italian productions are not high end and have a primarily local focus.

Naman Ramachandran Horace Ové, director of “Pressure” (1976), the first full-length Black British film, died on Sept. 16. He was 86.

We might have only just stepped foot into autumn, but Christmas is on every beauty fan's lips as brands begin releasing their 2023 beauty advent calendars. Amongst the returning Christmas countdowns is the John Lewis Beauty Advent Calendar 2023, £195 here, which has the retailers highest ever value.

Ellise Shafer MIA, the international market held annually in Rome, has announced the first confirmed speakers for its ninth edition. This year, speakers at the industry event — which focuses on co-production, financing strategies and sales and distribution — include Nicole Clemens, president of Paramount of Paramount Television Studios and Paramount+ original scripted series; Sara Bernstein, president of Brian Grazer and Ron Howard’s Imagine Documentaries; Marge Dean, head of Skybound Entertainment’s animation studio and president of Women in Animation; “Waltz With Bashir” director Ari Folman; Nicholas Weinstock, founder and president of Invention Studios and “Severance” producer; and James Townley, chief content officer of development at Banijay.

Emiliano De Pablos Madrid-based agency Feel Sales has picked up worldwide sales rights to indie social drama film “Third Week,” by long term New York-based Catalan writer-director Jordi Torrent (“The Redemption of the Fish”). A U.S.-Spain co-production, the film is produced by Torrent, alongside Randy Simon, Maria Àngels Amorós and Toni Espinosa, for New York’s companies Duende Pictures and RFS Wolf Entertainment and Barcelona’s Toned Media.

Paramount’s Nicole Clemens, Imagine Documentaries boss Sara Bernstein and Severance producer Nicholas Weinstock are among the first tranche of speakers for this year’s MIA market in Italy.

Spanish Screenings on Tour, which unspools at Rome’s MIA forum, taking place Oct. 9-13. A platform of market premieres, projects, pics in post and potential remake titles, the Spanish Screenings also underscore the ever stronger emergence in Spain of open arthouse titles – Isaki Lacuesta’s “Saturn Return,” Arantxa Echeverría “Chinas,” Benito Zambrano’s “Jumping the Fence” and Gerardo Herrero’s “Under Therapy,” which was one of the best-selling titles at March’s Malaga Spanish Screenings.

John Hopewell Chief International Correspondent Alicia Moncholí, winner of the New Directors of Asturias Award for her latest short, “Campolivar,” is developing her first feature film, the coming-of-age drama “Weekends,” just announced as one of the five titles in development set to be presented at the Second Spanish Screenings on Tour. They unspool at Rome’s MIA forum, which takes place Oct.

Catherine Bray In a typical scene from “An Endless Sunday,” three teenage delinquents wander beside a canal. They end up killing a frog with a brick. Another group of children slightly younger than they are are also mucking about, and one of them is playing the recorder, blasting out a wobbly but recognizable version of Beethoven’s Ninth Symphony, the second movement.

Nick Vivarelli International Correspondent Italian hotshot Pietro Castellitto is in competition in Venice with his second feature “Enea,” in which he also stars as the titular character, a young Roman sushi restaurant owner and cocaine dealer whose best friend Valentino just got his license as an airplane pilot. There is a lot going on in this fresh and frenzied film lensed by ace cinematographer Radek Ladczuk (“The Babadook”). “Enea” is produced by Lorenzo Mieli’s the Apartment, which is a Fremantle company, and Luca Guadagnino’s Frenesy.

Nick Vivarelli International Correspondent Italian genre specialist Stefano Sollima – who is known in Hollywood for “Sicario: Day of the Soldado,” “Without Remorse” and the TV series “Gomorrah” – is in the Venice competition for the first time with Rome-set crime drama “Adagio.” This beautifully shot picture features an ensemble cast of Italian A-listers comprising Pierfrancesco Favino (“Nostalgia”), Toni Servillo (“The Great Beauty”), Valerio Mastandrea (“Perfect Strangers”) and Adriano Giannini (“The Ties”). It’s the tale of three old – and once mighty – mobsters searching for redemption in a cutthroat contemporary Rome that is literally burning. They find it in the form of a 16 year old named Manuel who is being blackmailed after venturing too deep in a rotting Roman underworld world that he doesn’t understand.

“I feel like there’s a sort of mouth over the city, ready to eat us up,” says Enea, sophisticated young nightclubber, tennis champion and coke dealer; if anyone is trying to swallow the Eternal City whole, it’s Enea himself. The son of intellectuals – his mother hosts a television chat show about literature; his father is a psychoanalyst – the inexhaustible Enea scoots and toots between the city’s most exclusive sports club, the city’s most exclusive parties and, even more thrillingly, rendezvous with the criminal classes, homespun proletarians to a man. “You need to marry Eva, have a child with her, make her happy. If you have no one to kiss, you go crazy,” advises Giordano (Adamo Dionisi), pusher and family man, when he learns that playboy Enea has acquired a girlfriend. Whatever. In his line of work and with the company he keeps, Giordano isn’t going to last that long.