SATURDAY PM UPDATE: Facts are facts, and Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One set a 5-day opening domestic record for the franchise with $80M, we hear.
01.07.2023 - 14:51 / deadline.com
SATURDAY AM: Refresh for chart…and more analysis Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is still bound to open at the bottom of end of tracking’s projection of $60M as this morning. I saw an estimate in The Flash vicinity of $55M last night and took an Alka Seltzer out of shock. Hopefully Dial of Destiny doesn’t fall apart tonight and at least stays on course for a Mission: Impossible – Fallout type opening in the $60M range over three days. That figure might be good for exhibition and popcorn sales over the five-day holiday weekend, but it stinks for a movie that has a reported cost of $250M to near $300M before P&A.
However, since the movie world premiered to lackluster reviews at Cannes, and landed like a wet towel on tracking three weeks ago and didn’t budge its projections despite having significantly louder marketing and publicity global campaign than The Flash, including $90M from promotional partners — it’s been baffling how a storied franchise can end a downer note at the box office in its finale. I found the movie out of Cannes to be too plug-and-play, laden in tropes of the franchise from the kid sidekick to videogame like action; completely lacking the breath and nuance Steven Spielberg provided in action scenes of the older films. And I’m a James Mangold fan! He knows how to make a styled and dramatically charged movie just like Spielberg whether it’s Logan, Ford v. Ferrari and Walk the Line.
I’m not too far off in my take on the film: CinemaScore audiences gave Dial of Destiny a B+, which isn’t that far from the previous unloved 2008 installment, Indiana Jones and the Kingdom of the Crystal Skull which landed a B.
So what the hell went wrong here with Indiana Jones and the Dial of
SATURDAY PM UPDATE: Facts are facts, and Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One set a 5-day opening domestic record for the franchise with $80M, we hear.
Harrison Ford was not completely impressed when he was presented with the costume he would be wearing as Indiana Jones for Raiders of the Lost Ark.
Karen Allen is best known to fans as Marion, the longtime love of Harrison Ford‘s title character in the long-running Indiana Jones franchise.
"Indiana Jones and the Raiders of the Lost Ark" star Karen Allen was hoping her final bow in the franchise with Harrison Ford would be a little bigger than what audiences saw. But the actress is grateful she appeared in the final movie. In an interview with The Hollywood Reporter, Allen explained changes with the story after Steven Spielberg stepped down from directing.
Indiana Jones franchise, “Dial of Destiny,” finally swung its way into theaters late last month.While series stars such as Harrison Ford and John Rhys-Davies came back for large portion of the action-adventure flick, one returning alum only had a sliver of time on the silver screen.Karen Allen — who portrays Indy’s longtime love Marion Ravenwood — made a quick, blink-and-you-missed-it cameo appearance at the end of the 154-minutes-long movie.The 71-year-old got candid with the Hollywood Reporter recently and expressed her disappointment with her lack of camera time.She previously had larger parts in 2008’s “Crystal Skull” and 1981’s “Raiders of the Lost Ark.”Allen admitted that when she read the script for “Dial of Destiny,” she had expected that she would play a major role.However, she noted that it “was just not the direction” that the producers decided to go with.In the franchise, Marion and Indy have a son together, named Mutt Williams. Mutt was played by Shia LaBeouf in “Crystal Skull” and did not return for the latest film in the series.LaBeouf’s character actually died before the movie’s events (which occurred in the late 1960s).Allen explained how the filmmakers had issues with the story because LaBeouf, 37, was not making a comeback, and they had the character killed off-screen in the Vietnam War.
Angels Studios’ Jim Caviezel thriller, Sound of Freedom, came on strong on Tuesday givingDisney/Lucasfilm’s Indiana Jones and the Dial of Destiny a run for his money, however, until actuals are reported, it remains to be seen who won July 4th, both distributors reporting $11.5M.
J. Kim Murphy “Indiana Jones and the Dial of Destiny” is staying in line with some tempered box office expectations, still tracking to fall in line with estimates that had pegged the film with an opening between $80 million and $85 million through the Fourth of July holiday. The Harrison Ford finale earned $11.8 million on Monday, pushing its domestic total to $71 million. Unlike some other holidays, Independence Day isn’t exactly the largest box office booster — with families hitting the beach, barbecuing red meat and waiting for fireworks, filmgoing isn’t exactly at the top of the agenda for most Americans. Rather, it’s the time off around the Fourth that can offer some extra lift to studio tentpoles.
Refresh for chart…On the bright side for Independence Day bomb Indiana Jones and the Dial of Destiny, its first five days at the box office of $82M aren’t as bad as Paramount/Skydance’s Terminator Genisys.
Shia LaBeouf‘s character Mutt Williams is not featured in the new movie Indiana Jones and the Dial of Destiny and director James Mangold is explaining why the character was killed out of the franchise.
Mads Mikkelsen stars opposite Harrison Ford in Indiana Jones and the Dial of Destiny playing Nazi scientist Dr. Jürgen Voller. The actor recently opened up about the roles that he likes to play opting to play “losers” on-screen versus “cutie pie” characters.
Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections.
J. Kim Murphy Indiana Jones has begun his last box office crusade, with the fifth franchise entry earning $24 million on its opening day from 4,600 theaters. It’s a figure that includes $7.2 million in previews in Thursday previews. The action-adventure film from Disney and Lucasfilm is expected to debut near the bottom of projections, projecting a three-day opening of $60 million or so. It’ll be more than enough for the Harrison Ford finale to land in the top spot on domestic charts, setting itself up to draw crowds through the Fourth of July holiday — but it’s not exactly the victorious tone-setter for one of the 20 or so most expensive blockbusters ever made. With a whopping $295 million production budget, “Indiana Jones 5” faces quite the trek to theatrical profitability.
Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot developments, including the final scene, in “Indiana Jones and the Dial of Destiny,” currently playing in theaters. When Lucasfilm announced in 2016 that Steven Spielberg was making a fifth “Indiana Jones” movie with Harrison Ford, fans naturally wondered how much of a role Karen Allen’s Marian Ravenwood — Indy’s spitfire equal from 1981’s “Raiders of the Lost Ark” and the love of his life — would play in the new film. The last time audiences saw Marian, she was getting married to Indy at the end of 2008’s “Indiana Jones and the Kingdom of the Crystal Skull,” after she revealed to Indy that they’d had a child together, who Indy meets as teenage greaser Mutt Williams (Shia LaBeouf). So any follow-up movie would at the very least need to address the fact that Indy is married with a (grown) kid.
Indiana Jones and the Dial of Destiny does not feature Indy’s son, Mutt Williams, but his absence doesn’t go unexplained. [Spoilers ahead!]
EXCLUSIVE: Disney/Lucasfilm’s Indiana Jones and the Dial of Destinyis posting an estimated $6M-$7.5M Thursday night per sources, which is where previous older skewing action guy comps live.
It’s time for one last adventure with Indiana Jones, and a few new faces are joining our favorite archaeologist — including Shaunette Renée Wilson‘s Agent Mason.
Tom Cruise is showing off his support for all the major movies coming out this summer in theaters.
Goodbyes don’t tend to mean much in the Hollywood franchise system. Death isn’t a reliable end for characters or, lately, even actors. Technology, nostalgia and the often-inflated value of brands and IP have created a nightmarish cycle of resurrection and regurgitation, curdling what we love most.
Indiana Jones And The Dial Of Destiny has arrived in cinemas – but should you remain seated for the credits?The latest offering marks the fifth and final instalment of the franchise, and sees acting legend Harrison Ford reprise his role as the daring adventurer.With the first part of the movie being set in 1944, Dial Of Destiny kicks off with the whip-cracking archaeologist looking to retrieve one half of the Antikythera – an ancient dial built by Archimedes – from a Nazi scientist (played by Mads Mikkelsen).The remainder of the film ventures forward to 1969, where Jones partners up with his goddaughter Helena (Phoebe Waller-Bridge) to locate and retrieve the other half, and potentially alter the course of history.The Dial Of Destiny has very much been pitched as Indy’s final adventure, but fans will still be curious to know if a post-credits scene teases future possibilities for the franchise.Unlike other Disney titles, this Indy offering doesn’t feature a post-credits or mid-credits scene. So once the film ends, you’re safe to leave.The lack of any teasers perhaps shouldn’t come as a surprise, given that Ford himself has made it clear on numerous occasions that this is his final outing as Indiana Jones.“This is it! I will not fall down for you again,” the actor joked at D23 last year.“I’ll miss the people who I’ve worked with on the film – everyone at Lucasfilm, at Disney, [director] Jim Mangold, and the actors.
Facing the worst reviews ever for an Indiana Jones movie, the Lucasfilm franchise finale, Indiana Jones and the Dial of Destiny, is hoping to gain traction with audiences and best its $60M-$65M domestic start, $140M global opening.