‘In My Mother’s Skin’ Review: Kenneth Dagatan’s WWII Fairy Tale Features A Wicked Morality Not For The Faint Of Heart [Sundance]

Marie Kondo is no longer Marie Kondo-ing it!

and star of the bestseller's , said she has “kind of given up” on keeping her home completely spotless now that she has three tiny kids underfoot. I mean, she still has a flexible attitude toward the meaning of the word “tidy” and I can basically guarantee that her home is still tidier than mine, but still. “Up until now, I was , so I did my best to keep my home tidy at all times,” Kondo said in a media webinar, per . “I have kind of given up on that in a good way for me.

Every year, there are “snubs” discussed after the Academy announces the Oscar nominations. Most of the time, these snubs happen when there are just so many talented people and only five slots to recognize them.

Chinonye Chukwu, director of Till, is reacting to the Oscar snub after her film was not nominated at the Academy Awards.

There is talent to spare in Alice Englert’s feature directorial debut, Bad Behaviour, and that is its biggest problem — it’s all over the place, rather than being channeled and controlled in productive ways. A fine cast, intriguing avenues of exploration, numerous artistic outbursts and a pronounced interest in the unusual are all to be found in this compulsively creative work, but the elements are not seized and shaped in ways that might have ultimately produced a coherent and satisfying whole. This first film gumbo by the eminent Jane Campion’s daughter has enough going for it to suggest that Englert has genuine talent behind the camera, but clarity of purpose is rather lacking.

The horror genre is littered with creepy kid movies; some, like “The Babadook” and “Us,” are vastly better than others. Unfortunately, even with clear evocations of both those films, “Run Rabbit Run” by director Daina Reid (“Shining Girls”) and screenwriter Hannah Kent is not destined to be a classic of this sub-genre.

“Can people come back?” asks Mia, the cute little girl whose increasingly hair-raising antics are the crux of this atmospheric Midnight premiere from Australia. From the dead, she means, and it’s a macabre thought that Daina Reid’s effective but perhaps overlong debut feature film plays with quite tantalizingly, right until the end. Although the tease may wear down commercial audiences expecting to find out one way or the other, Run Rabbit Run will find favor on the arthouse and especially the festival circuit.

Michael Beale says he's got an increased chance of getting Ryan Kent tied down on a new deal as he begins to spark into form at Rangers.

In what reps the first acquisition of this year’s Sundance Film Festival by a streamer, Prime Video is taking global rights to Kenneth Dagatan’s Filipino horror movie In My Mother’s Skin which is premiering in the Midnight section on Friday, Jan. 20. A Q4 drop date in several countries is currently scheduled.

Ryan Kent has been told he was gambling when getting into an altercation with Aberdeen's Liam Scales during Rangers' Viaplay Cup semi-final success.

One of the main talking points among many following the Viaplay Cup semi-final between Aberdeen and Rangers on Sunday was Ryan Kent's clash with Liam Scales.

“You must show what’s unseen, but you cannot show too much either,” Mother Chiyo (Keiko Matsuzaka) explains to apprentice maiko Sumire (Natsuki Deguchi) about the delicate balance of expressing the story of a traditional mai dance. This same ethos permeates throughout the soft tone of the new Netflix series “The Makanai: Cooking for the Maiko House,” from acclaimed filmmaker Hirokazu Kore-eda.

Tosin Cole was larking about on the set of the Warner Bros  House Party reboot in Los Angeles when an email dropped from casting director Kim Coleman (BlacKkKlansman) about Emmett Till’s story.

“You must show what’s unseen, but you cannot show too much either,” Mother Chiyo (Keiko Matsuzaka) explains to apprentice maiko Sumire (Natsuki Deguchi) about the delicate balance of expressing the story of a traditional mai dance. This same ethos permeates throughout the soft tone of the new Netflix series “The Makanai: Cooking for the Maiko House,” from acclaimed filmmaker Hirokazu Kore-eda.