How The Ho Chi Minh Film Festival Plans To Become Southeast Asia’s Top Event

CGI movie technology, it is getting harder and harder to deliver that true spine-chilling internal fear that makes horror films so great.Gen Z and Gen Alpha kids may arrogantly scoff at retro scary movies, but it hasn’t always been this way.There was once a time when picture-goers were so viscerally terrified by what they were seeing on the big screen that it would trigger powerful physical reactions right there in the theater.During Jaws (1975) people fainted and vomited in the cinema during some of the gruesome scenes, while others stopped going swimming in the ocean altogether out of pure fear.Alfred Hitchcock’s classic film Psycho (1960) sparked mania during the infamous shower stabbing scene, with reports of people hyperventilating and passing out in their cinema chairs.However, one of the most horrifying movies to ever hit the big screen, causing widespread panic, fear and repulsion, is William Friedkin’s The Exorcist (1973).Based on William Peter Blatty’s 1971 novel, the film follows the demonic possession of a young girl and her mother’s attempt to rescue her through an exorcism by two Catholic priests.With some wildly disturbing scenes, including some bizarre 360 degree head spinning, eerie spider-walking on the stairs and some disgusting projective lime-green vomit, it shocked those 1970s audiences to their core.One particular vulgar scene involving a crucifix — that is too crude to describe here — shocked and upset many, especially considering the percentage of people who were religious back then.The flick was so scary that even renowned Chicago Sun-Times film critic Roger Ebert was at a loss for words about how it made him feel.“I am not sure exactly what reasons people will have for seeing this movie; surely

Patrick Frater Asia Bureau Chief French sales agent Pyramide International has dropped a dark and subtle trailer for “Việt and Nam” a gay drama about two young miners who must complete a mission before fate pulls them apart. Directed by Vietnamese auteur Trương Minh Quý, the film plays at the Cannes Film Festival in Un Certain Regard with its world premiere on May 22. Per a synopsis from lead producer Epicmedia: “Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as, lying in a far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find.

Former WME Independent agent Nelson Mok is launching a new investment and sales company named Mokster Films, which will focus on projects from Southeast Asia, Hong Kong and Taiwan.

Patrick Frater Asia Bureau Chief Skyline Media, a leading Vietnamese studio, is getting ready for Cannes with a string of sales on its local and Southeast Asian film sales slate. Since appearing at FilMart in Hong Kong in March, Skyine has licensed Cambodian horror title “The Night Curse of Reatrei” to Taiwan’s Cai Chang International and to Exponenta Film for the CIS region.

The Chi has been renewed for a seventh season at Paramount+/Showtime!

Paramount+ with Showtime has renewed the series for a seventh season.

Joe Otterson TV Reporter “The Chi” has been renewed for Season 7 at Paramount+ with Showtime. The news comes ahead of the series’ return for the second half of its sixth season, which will debut on Paramount+ with Showtime on May 10 before its linear debut on Showtime on May 12 at 9 p.m.ET/PT.

Kate Winslet will be honored with the Munich International Film Festival’s CineMerit Award. The Oscar winner’s movie Lee will also have its European premiere at the Festival.

Archival producers spend their days immersed in history – cultural, political, or personal, depending on the project. Yet, historically, their specialized work has often been overlooked, even though it’s key to the Ken Burns canon and other great documentaries like Man on Wire, 13th, The Fog of War, Apollo 11, How to Survive a Plague, They Shall Not Grow Old, and so many others.

Elsa Keslassy International Correspondent One day after the “Sous les écrans la dèche” collective, made up of freelance festival workers, issued a call for a strike during the upcoming Cannes Film Festival, organizers have issued a joint statement where they encouraged all parties to “come together around the bargaining table.” The statement, signed by the Cannes Film Festival as well as parallel sections Directors’ Fortnight, Critics’ Week and ACID, said they acknowledge the “difficulties faced by some of their staff” due to a reform of the “French unemployment insurance scheme,” and that they “hope that solutions will be found.” The organization is protesting against a looming labor reform that will see their unemployment indemnities slashed by more than half. The org brings together hundreds of workers at festivals, from projectionists to drivers and caterers, who are threatening to strike during Cannes which could potentially cause major disruptions.

EXCLUSIVE: The Latino Film Institute has set its lineup for the 23rd Los Angeles Latino International Film Festival, which will take place from May 29th through June 2nd at the TCL Chinese Theatres in Hollywood.

Patrick Frater Asia Bureau Chief China- and Netherlands-based sales firm Fortissimo Films has picked up the international rights to new Chinese sports feature film “Wild Punch.” It will launch the film in territories outside mainland China next week at the Cannes Market. Co-directed by well-established director Yu Lik-wai and Wang Jing (“The Best Is Yet to Come”), “Wild Punch is a sports and action drama about a top mixed martial arts athlete who has passed the peak of his career and faces competition from his young and gifted trainee. Both with something to prove, the two will have to face each other in the ring. Yu has directed four feature films, including Cannes competition title “Love Will Tear Us Apart” and Venice title “Plastic City.” He is also well-established as a cinematographer who has worked on films including “Still Life,” “A Touch of Sin,” and “Mountains May Depart” by Jia Zhangke, Lou Ye’s “Love and Bruises” and Ann Hui’s “A Simple Life.” “Wild Punch” is produced by Momo Pictures, the subsidiary of the NASDAQ-listed Zhiwen Group, which is best-known for its Momo instant messaging mobile application.

Patrick Frater Asia Bureau Chief “Takano Tofu” claimed double honors on the closing night of the Far East Film Festival in Udine, Italy. It won the Golden Mulberry audience award and the MyMovies Purple Mulberry award. Directed by Mihara Mitsuhiro, “Takano Tofu” is a melodrama about an elderly tofu-making craftsman, who is stuck in his ways but is also experimental and who is kindly, but whose stubbornness brings suffering on those around him.

Addie Morfoot Contributor Producer Ina Fichman, Oscar nominated for “Fire of Love,” was at the 25th edition of Hot Docs Forum on Tuesday to pitch her latest project “Ba’s Book.” Directed by Canadian filmmaker Ashley Da-Le Duong, the hybrid docu focuses on Duong’s father and his experiences living through both the Vietnam War and the Iranian Revolution. “Let me take you somewhere for a moment,” Duong told the Forum audience and participating distributors including Arte, A24 and Al Jazeera. “It’s 1968 and a young man stands in the middle of a rice paddy field and looks up and sees a helicopter.

Alex Ritman In the coming months, British actors’ union Equity and producer trade body Pact are expected to kick off negotiations to thrash out new contracts that will cover the vast majority of U.K. TV and indie film. There’s going to be several major sticking points on the table, many that are near-identical to those that dominated the lengthy and fraught talks between SAG-AFTRA and the AMPTP in the U.S.

Patrick Frater Asia Bureau Chief Vietnamese French director and screenwriter Tran Anh Hung has been named as president of the jury for the upcoming Shanghai International Film Festival. The festival, which runs June 14 to 23, said that his works “blend the expressions of Eastern and Western cultures, with sensitivity, delicacy, and a romantic style.” His films include: 1992’s “Scent of the Green Papaya”; 1995’s “Cyclo,” starring Tony Leung Chiu-wai; 2009 English-language thriller “I Come With the Rain,” starring Josh Hartnett; and “The Taste of Things,” which earned him the best director prize at Cannes last year. The jury president role marks a return and a promotion for the director. He was previously on the Shanghai festival’s jury in 2011, when he also screened his “Norwegian Wood.” SM Cinema, the largest exhibitor in the Philippines, is to open giant screen Imax cinemas in three new venues.

Patrick Frater Asia Bureau Chief “Midnight Oil: The Hardest Line,” a documentary feature about the veteran Australian rock band Midnight Oil, has been set as the opening gala title at the Sydney Film Festival. It will have its world premiere at the State Theatre on June 5, kicking off the festival that runs until June 16. The film is written and directed by Paul Clarke and produced by Carolina Sorensen. It was executive produced by Mikael Borglund, Paul Clarke and Martin Fabinyi. It is a Blink TV and Beyond Entertainment feature documentary with principal production funding from Screen Australia and Australian Broadcasting Corporation in association with Screen NSW.

Get ready to return to the South Side of Chicago. Earlier today, Paramount+ with SHOWTIME released the first official trailer and key art for the second half of season six of their acclaimed original drama series “The Chi,” which is set to return on May 10, 2024.

Paramount+ with Showtime has released the trailer and key art for the upcoming second half of season six of The Chi, which will return May 10.

Like a macabre pilgrimage, the Overlook Film Festival summons genre film obsessives from around the country and beyond to the party-friendly streets of New Orleans, Louisiana—a city whose one-of-a-kind history with the otherworldly befits the event’s atmosphere. Dedicated to the late Doug Jones, a longtime festival programmer and esteemed member of the Los Angeles film community, the 2024 edition featured repertory presentations from his personal wish list.