Donald Trump‘s campaign said earlier this week they would take legal action against the filmmakers behind Cannes hit The Apprentice, and now the former Celebrity Apprentice host’s team has made their first jab.
11.05.2024 - 23:53 / nypost.com
CGI movie technology, it is getting harder and harder to deliver that true spine-chilling internal fear that makes horror films so great.Gen Z and Gen Alpha kids may arrogantly scoff at retro scary movies, but it hasn’t always been this way.There was once a time when picture-goers were so viscerally terrified by what they were seeing on the big screen that it would trigger powerful physical reactions right there in the theater.During Jaws (1975) people fainted and vomited in the cinema during some of the gruesome scenes, while others stopped going swimming in the ocean altogether out of pure fear.Alfred Hitchcock’s classic film Psycho (1960) sparked mania during the infamous shower stabbing scene, with reports of people hyperventilating and passing out in their cinema chairs.However, one of the most horrifying movies to ever hit the big screen, causing widespread panic, fear and repulsion, is William Friedkin’s The Exorcist (1973).Based on William Peter Blatty’s 1971 novel, the film follows the demonic possession of a young girl and her mother’s attempt to rescue her through an exorcism by two Catholic priests.With some wildly disturbing scenes, including some bizarre 360 degree head spinning, eerie spider-walking on the stairs and some disgusting projective lime-green vomit, it shocked those 1970s audiences to their core.One particular vulgar scene involving a crucifix — that is too crude to describe here — shocked and upset many, especially considering the percentage of people who were religious back then.The flick was so scary that even renowned Chicago Sun-Times film critic Roger Ebert was at a loss for words about how it made him feel.“I am not sure exactly what reasons people will have for seeing this movie; surely
.Donald Trump‘s campaign said earlier this week they would take legal action against the filmmakers behind Cannes hit The Apprentice, and now the former Celebrity Apprentice host’s team has made their first jab.
On the Road AgainThe New York institution Shakespeare in the Park is taking a break this year while the famous Delacorte Theater in Central Park undergoes renovations. But the Public Theater, which produces it, will still tour a bilingual, 90-minute musical version of the Bard’s “Comedy of Errors” to locations around the city as part of its Mobile Unit program.
told Variety. “Morgan gave so much through his art, ideas and generosity. Today the world has lost a true creative genius and a special man.
By the time we meet them, Chatila and Reda already are down in the lower depths. Cousins from Palestine, they have spent much of their lives living as refugees on the run. Having made it as far as Athens, a kind of holding zone for people from the Middle East trying to slip into Europe, they are trying to scrape together money to get to Germany.
Anora” on Wednesday, Sean Baker discussed his affinity for making films about sex workers — and teased his next film. “Anora,” which premiered at the film festival on Tuesday, follows a strip club worker who falls in love with the son of a Russian oligarch.
hit with sexual assault allegations, according to reports. Depardieu, 75, dined at an outside table at Harry’s Bar with two women Tuesday afternoon when the infamous Rino Barillari, 79, allegedly snapped photos at the Via Veneto-located cafe.A columnist for the newspaper La Repubblica, Gianni Riotta, who was present when the alleged attack took place, claimed that Barillari had been asked multiple times to stop taking photos, according to The New York Times.As the famed photographer went to leave the bar, one of the women sitting with the French film star, Magda Vavrusova, allegedly followed Barillari into the street while shouting at him.Depardieu then reportedly confronted Barillari “and hit him, hit him, hit him.”“There was a lot of blood,” Riotta said.Magda Vavrusova’s lawyer, Delphine Meillet, told the outlet that Barillari had “violently pushed” her, touching her chest with his arm, before the attack and that Depardieu was defending her when he fell and “slid” into the Messaggero newspaper photographer.
le town.The controversial movie “The Apprentice,” depicting the former president’s rise to fame in New York high society during the 1970s, premiered Monday at the Cannes Film Festival in France to a glamorous crowd including Cate Blanchett and Bella Hadid.The movie received a standing ovation ranging from eight to 11 minutes, according to accounts.In the drama, Sebastian Stan plays a younger Trump as he meets power lawyer and fixer Roy Cohn (Jeremy Strong of “Succession”) and first wife Ivana (Maria Bakalova of “Borat Subsequent Moviefilm”).While his political ambitions are said to be hinted at, “The Apprentice” does not cover the 2016 and 2020 presidential elections or Trump’s four years in the White House. It also has nothing to do with the NBC reality TV series he hosted.What it does have, according to viewers, are shocks aplenty.During one cringey scene, Trump is said to get liposuction and a hair transplant.And, in another jarring moment, he violently rapes Ivana.
There have been a million films about films. How many times have you seen a director make a movie about the love of movies? It’s so commonplace that it almost loses its meaning.
Owen Gleiberman Chief Film Critic Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme.
The horror genre is off to a strong start in 2024 thanks to films like “Immaculate,” “Abigail,” and “In A Violent Nature.” But 2025 is already shaping out to be a banner year, with many genre entries getting new theatrical premiere dates this week. So what’s next year’s most anticipated horror movie on the docket? It could be Sony‘s “I Know What You Did Last Summer” remake, which THR reports will hit theaters on July 18, 2025.
Owen Gleiberman Chief Film Critic Religion, Karl Marx said, is the opiate of the masses. Today, he would likely say that the opiate of the masses is fame — the desire for it, the things you have to do to get it, the fragmentary nature of it (the old “15 minutes” is now, in many cases, more like 15 seconds), and everything it’s supposed to bring you. The new fame, the lusty fickle kind bred by social media, is at the center of “Wild Diamond,” a startlingly bold and true French drama that premiered today at Cannes.
John Hopewell Chief International Correspondent Principal photography has begun on “The Captive,” a historical epic from “The Others’” Alejandro Amenábar, starring Julio Peña (“Berlin”) as “Don Quixote” author Miguel de Cervantes, a prisoner of Ottoman corsairs, seen in a very first still from the film, alongside Alessandro Borghi (“Suburra”), playing his captor, which has been shared in exclusivity with Variety. Paris and London-based production, finance and sales house Film Constellation handles worldwide sales.
Alex Ritman Bond legend Pierce Brosnan has lined up a new project, and this time it’s being directed by his own son. Thriller “Wolfland” marks the second feature from actor-turned-filmmaker Sean Brosnan (“My Father Die”), working from a script he co-wrote with Matt D’Elia.
Anya Taylor-Joy, Heidi Klum, and Helena Christensen were among the stars who arrived at the Opening Ceremony and the screening of “Le Deuxieme Acte” at the 77th Cannes Film Festival in Cannes, southern France, on May 14, 2024.This year’s jury members, including Greta Gerwig, Eva Green, and Lily Gladstone, are tasked with deciding the winners of the various awards.The Opening Ceremony was highlighted by the presentation of the Honorary Palme d’Or to Meryl Streep, awarded in recognition of her illustrious career and contributions to film.The 2024 Cannes Film Festival runs from May 14 to May 25, 2024.
All these years, there’s been a haunting, tragic story behind the glamour. And now Cindy Crawford is opening up about the emotional scars left by the death of her little brother so many years ago.
Jordan Moreau SPOILER WARNING: This story contains spoilers for the ending of “Kingdom of the Planet of the Apes,” now playing in theaters. A new decade means a new “Planet of the Apes” trilogy. The “Kingdom of the Planet of the Apes” ending teases much more story to come, and director Wes Ball has already confirmed there are plans for two more sequels. At that rate, the reboot series, comprised of two trilogies, will surpass the five-movie original series, which ran from 1968 to 1973.
Zack Sharf Digital News Director Moviegoers flocking to see “Kingdom of the Planet of the Apes” in theaters might leave with the same question: What does the cast exactly look like? In the tradition of James Cameron’s “Avatar” franchise and the last “Planet of the Apes” trilogy, “Kingdom” director Wes Ball utilized groundbreaking motion capture technology to make sure every ape character in his movie was played by a real human being. Leading star Owen Teague told Variety that he attended six weeks of “ape school” in order to help his transformation into a primate be as believable as possible. He and the rest of the film’s cast worked with a movement teacher to get in touch with their simian sides.
Lord Of The Rings fans are calling on J.R.R.
Marc Malkin Senior Editor, Culture and Events Eric Schultz knows his way around politics. The Washington, D.C. consultant served as deputy White House press secretary during the Obama Administration from 2014-2017.
Nicolas Cage has a knack for picking interesting films lately. Even if the final product isn’t so great, there’s no denying Cage likes to perform in films that are unique.