How Authors Like Jenny Han, Michael Connelly, Cheryl Strayed and Taffy Brodesser-Akner Are Increasingly Involved in Their TV Adaptations

Michael Schneider Variety Editor at Large When I arrived in Los Angeles and first started covering television, it was summer 1996. I was a young 22-year-old kid suddenly thrust into reporting at events like the Television Critics Association press tour, where nearly everyone else around me was a crusty newspaper journo twice my age. (And lying to network execs by telling them I was 25 — apparently, I thought that made me sound seasoned?) That first TCA was a boot camp in learning how new TV shows are launched, and I still vividly remember that freshman crop of fall 1996 series. In those hopeful months before September premieres, anyone has the chance to break out and go the distance. One of those sitcoms was ABC’s “Life’s Work,” starring a promising, brash, hysterical comic named, you guessed it, Lisa Ann Walter. She had already starred in a short-lived comedy for Fox, a midseason entry that didn’t get much attention. But this was the one that was going to be a hit, inspired heavily by her own routine as the working mother aiming to “have it all.”

Outlanderstar Caitríona Balfe has shared some very exciting news about the upcoming eighth and final season of the historical drama.  Speaking at the 2023 Austin Television Festival over the weekend, the actress revealed that she will be stepping behind the camera to direct an episode of the new season.  On how she feels about taking on the new role, she said: "Very excited…very terrified!"In prep, I've been doing a little bit of second unit stuff already.

The Lincoln Town Car is pulling back into Los Angeles.

Emily Longeretta Thirty years after “Cheers” came to an end, the cast and creatives got back together on Friday night, courtesy of the ATX TV Festival in Austin, Texas. The reunion panel, hosted by Variety‘s Michael Schneider, included co-creators James Burrows, Les Charles and Glen Charles and actors Ted Danson, George Wendt and John Ratzenberger. During the conversation, the iconic creators reflected on the making of the show and the cast opened up about how they joined the series and how it’s affected their lives over the years. “Teddy and Shelly auditioned together and they had chemistry that only makes writing better,” Burrows said of casting Danson and Shelley Long, who portrayed Diane Chambers, Sam’s love interest for five seasons.

Michael Schneider Variety Editor at Large I’ve been doing this long enough to remember the days when film folks saw doing TV as a bit of a step down, or a one-time novelty — and even TV folks felt like they were in the minors, waiting for that call to join the movie big leagues. That hasn’t been the case for a while, and I like to needle my film colleagues with the now-established fact that TV is where it’s at. The rise of streaming just cemented that. It’s still fun, though, to chat with creatives who have spent most of their career in film, and hear about their experiences in working on TV series. Inevitably, they must admit that working in TV was both gratifying — and perhaps the hardest thing they’ve ever done.

Michael Schneider Variety Editor at Large Ch-ch-check it out: Hulu’s gotta fight… for the right… to part–ake in some Emmy FYC campaigning. The streamer hopes it has a sure shot at nominations for “Only Murders in the Building,” which is why it has partnered with Yeastie Boys to give out what’cha what’cha want (what’cha want): free food. “Only Murders in the Building”-themed bagel sandwiches will be passed out by Yeastie Boys this weekend and next, prior to the start of Emmy voting on June 15. Of course, it’s only while supplies last, so no sleep till Brooklyn. Here’s why Hulu says it went with bagels for this FYC stunt: “The series takes place in a typical New York apartment building and we wanted to celebrate New Yorkers’ favorite breakfast meal.”

Michael Schneider Variety Editor at Large The simultaneous demise of both Twitter and The CW as we knew it reminds me, however, of one of my favorite industry Tweets of all time. On July 19, 2012, a sharp CW social media staffer posted this: “#Emmy nomination day! Or as we call it, Thursday.”

Michael Schneider Variety Editor at Large These are indeed the waning days of the scripted basic cable juggernaut. That may be a strange thing to point out when once again, the most-watched entertainment show of the just-completed 2022-2023 TV season was “Yellowstone,” the modern western that airs on Paramount Network. But “Yellowstone” is wrapping up sometime in the next year, and the only other scripted series from a basic cabler to consistently be ranked among TV’s top shows, AMC’s “The Walking Dead,” has already ended its run. “The Walking Dead,” of course, dominated the season-ender charts for years — even beating football in the 2014-2015 TV season with a whopping 13.2 rating among adults 18-49. But as basic cable is almost completely out of the original scripted series business now (unscripted hits like “Vanderpump Rules” still abound, of course), those brief halcyon days are coming to an end.

Michael Schneider Variety Editor at Large During the early days of the 2007-08 writers strike, even after pens went down, many showrunners were still at work. They weren’t writing, but they were handling other aspects of production as cameras continued to roll on preexisting scripts. Eventually, they realized that showrunners might take themselves out of writing, but there’s no way to take writing out of showrunner duties. “It’s obviously part of the storytelling process, because you need a showrunner to keep a sense of the overall story,” says one high-profile writer-producer. “Every decision you’re making, from a craft servicesdecision to a costume decision, is something only you can make because you’re putting it into a whole story. There’s no part of my job that isn’t storytelling.”

Ariana Madix is making new accusations against Raquel Leviss. Before the first episode of the reunion aired, Madix claimed that Leviss sent a postcard to the house that she owns with her ex, Tom Sandoval.The latest claim comes amid Scandoval, the fan-dubbed name for Sandoval's months-long affair with Leviss amid his nine year-long relationship with Madix.In the wake of the drama, both Madix and Sandoval have continued to live in their shared home, despite photos that appeared to show Madix moving out. And while Madix has moved on romantically with Daniel Wai, Sandoval and Leviss have called it quits on their romance.During an appearance on earlier this month, Madix said she doubted Sandoval and Leviss' split, telling host Andy Cohen, «I don't buy that at all.

Michael Schneider Variety Editor at Large Let’s travel back to the summer of 1989. I’m 15 years old and have just put two large movie posters on my wall: One for Tim Burton’s game-changing take on “Batman,” starring Michael Keaton, and the other for “UHF,” the theatrical comedy debut for the one and only “Weird Al” Yankovic. It’s now 2023. Keaton is back as Batman in next month’s “The Flash.” And Weird Al (always Weird Al, not just Al Yankovic!) is the front-runner for this year’s TV movie Emmy, thanks to the Roku Channel parody biopic “Weird: The Al Yankovic Story.” “1989 is back again! It’s all cyclical,” Yankovic says in his signature cheery, upbeat tone. Tell my 15-year-old self that one day he’ll be recording a podcast with Weird Al, and first he’d say, “what’s a podcast?” But after explaining that it’s essentially a radio show, my 15-year-old self would lose his mind. And ask about 2023’s flying cars. Sorry kid.

Michael Schneider Variety Editor at Large Plans have been scrapped to mark the Apple TV+ “Ted Lasso” Season 3 finale with a major Paley Center-sponsored celebration in Beverly Hills on May 30. “We are reaching out to share the news that due to unforeseen circumstances the ‘Ted Lasso’ season finale screening and event planned for Tuesday, May 30, 2023, at the Samuel Goldwyn Theater in Beverly Hills will not be taking place as scheduled,” the Paley Center said in a statement on Thursday. “All ticket buyers will automatically be issued a full refund. We sincerely apologize for any inconvenience. If you have any questions, please email [email protected] and a representative will get back to you as soon as possible.”

Michael Schneider Variety Editor at Large Hasan Minhaj is open to the idea of hosting “The Daily Show” — but it’s not a decision he would make alone. “That’s a family conversation now,” Minhaj tells Variety’s Awards Circuit Podcast. “It’s a very different conversation then when I first got hired at the show, when I was 29. My life is in a very different place. And so that’s a bigger convo.” Minhaj’s recent Netflix stand-up special, “The King’s Jester,” includes a deeply personal look by the comedian at the evolution of his family, from being infertile to eventually raising two children with his life — and how that has changed a lot of things in his life, including his career choices and his on-stage routines.

Michael Schneider Variety Editor at Large As TV Academy members toasted the stars of “Ted Lasso” on May 1, things were about to change dramatically in the Emmy campaign space. Apple TV+ was celebrating the opening of a “For Your Consideration” activation at Goya Studios, where it erected a massive tent to showcase its bevy of contenders. It’s a well-appointed and pristine space, with an almost Apple Store-meets-Emmys vibe. Displays celebrating Apple TV+ shows were front and center, along with an open bar, passed bites and a theater room for screenings and panels for celebrated shows like “Ted Lasso,” “Shrinking,” “Bad Sisters,” and more. But now here’s the problem with FYC: The writers strike has upended everything. The clouds were already forming at that “Ted Lasso” event, as the strike was called at the same moment co-creator/star Jason Sudeikis and team were celebrating the show’s Season 3 on stage. Many of the “Lasso” stars double as writers — Sudeikis, Brett Goldstein and Brendan Hunt included — so the power and importance of writers was on everyone’s minds. Sudeikis even remarked on how surreal it was to be there on stage talking about writing “Ted Lasso” just as the issues facing the town’s scribes took center stage. “Shout out to the writers,” he said. “What a day to be doing this.”

Michael Schneider Variety Editor at Large SPOILER ALERT: Do not read ahead if you have not watched the Season 9, episode 14 season finale of “The Masked Singer,” which aired May 17 on Fox. Like a river, Bishop Briggs kept a steady flow throughout Season 9 of Fox’s “The Masked Singer” — and her perseverance was rewarded with the championship. Briggs, as Medusa, won this season’s top prize and was finally unmasked on Wednesday night’s finale, along with runner-up David Archuleta, revealed as the Macaw. Briggs, who performed the most of any contestant this season, sealed her victory with performances of “Elastic Heart,” by Sia, and “Welcome to the Black Parade,” by My Chemical Romance. Although Briggs said singing under the Medusa costume was a challenge, she pointed out that it was nothing compared to what she did last year.

Michael Schneider Variety Editor at Large The Producers Guild of America will hold its next PGA Awards at the Fairmont Century Plaza hotel in Los Angeles on Sunday, February 25, 2024, presidents Stephanie Allain and Donald DeLine announced on Wednesday. The 2024 installment will mark the 35th annual PGA Awards ceremony. Here is this year’s PGA Awards calendar: Eligibility Period for 2024 Producers Guild Awards Notice of Producing Credits Form Deadline

Michael Schneider Variety Editor at Large As Amazon Freevee’s hoax reality series “Jury Duty” is currently garnering huge amounts of attention, the format originator is staging a comeback. TBS is set to announce Wednesday that it has ordered a revival of “The Joe Schmo Show,” which will air next year on the cabler. The original “Joe Schmo” premiered in 2003 on Spike TV, with a follow-up in 2004 and then a third season revival in 2013. Created by Paul Wernick and Rhett Reese (both of whom went on to a successful screenwriting career, including the “Deadpool” films), “Joe Schmo” made waves when it first debuted for parodying the then-relatively new and white-hot reality competition genre.

Michael Schneider Variety Editor at Large The Daytime Emmys are once again planning to pivot, as next month’s awards show to won’t go forward as previously planned. With the ongoing writers strike, the National Academy of TV Arts & Sciences confirmed on Tuesday that this year’s 50th Daytime Emmys would move from its planned June 16 ceremony to an undetermined later date. “The 50th Annual Daytime Emmy Awards planned for Friday, June 16 on CBS is postponed due to the WGA strike,” NATAS president/CEO Adam Sharp said in a statement obtained by Variety. “In addition, the Creative Arts & Lifestyle ceremony, planned for Saturday, June 17, has been postponed pending a strike resolution. We look forward to our community gathering together as one to celebrate our Golden Anniversary and all of the talented nominees and honorees at a later date.”

Michael Schneider Variety Editor at Large From the moment an animated “Ted” opened the NBCUniversal upfront, voiced by Seth MacFarlane prior to the writers strike, it was clear this was going to be an abbreviated event. For starters, until a week ago, this was still going to be Linda Yaccarino’s Radio City Music Hall show. But with Yaccarino off running Twitter (“Ted” making a crack about the crazies now at Twitter earned the biggest inadvertent laugh of the morning), it was up to Mark Marshall, NBCU interim chairman, global advertising & partnerships, to make the pitch to advertisers. “In all of our conversations leading up today, regardless of client or category, there has been one constant…this is going to be a very important year for your businesses,” Marshall said, counting 32 pharma launches, 60 auto releases (including 46 electric vehicles) and over 100 movie releases (“which puts us back to pre-pandemic levels”) this year. “We know this is a competitive year. And here at NBCUniversal, we are built for these moments.”

Michael Schneider Variety Editor at Large All three series are some of the most nerve-racking shows on television. Peak TV, meet Stress TV. Hold on, I’m not going to dust off the tired “what’s comedy versus drama” debate. I feel like we lost that battle long ago when hourlong comedic dramas (or dramatic comedies) like “Ally McBeal” and “Desperate Housewives” won comedy Emmys. Shows like “Beef” and Peacock’s “Mrs. Davis” have avoided the debate entirely by instead entering the limited Emmy race. And that’s perhaps for the best — Although “Beef” would seemingly land otherwise in the comedy race and “Mrs. Davis” in the drama race… I think “Mrs. Davis” may be the most lighthearted of any of the shows I’ve mentioned so far (and not nearly as stressful, despite the fact that it’s about A.I., the thing that will probably put me out of a job in a few years._