Hong Kong Passes Article 23 National Security Law

Patrick Frater Asia Bureau Chief “Snow in Midsummer,” which quietly probes the 1969 massacre of Malaysian Chinese during post-election turmoil, was named the winner of the best film for young cinema competition (Chinese-language) at the Hong Kong International Film Festival. Liang Ming was named best director for “Carefree Days,” while the film’s female lead Lyu Xingchen collected the best actress award.

Malaysia-Singapore-Taiwan co-production Snow in Midsummer and Swedish title Sons took top prizes in the Young Cinema Competition at the 48th Hong Kong International Film Festival (HKIFF).

“Godzilla x Kong: The New Empire” easily swatted away a pair of challengers to hold on to the top spot at the box office for the second week in a row, according to studio estimates Sunday.After its above-expectations $80 million launch last weekend, the MonsterVerse mashup brought in $31.7 million over its second weekend, a 60% drop from its debut.The Warner Bros. and Legendary Pictures release, directed by Adam Wingard, has thus far outperformed any of the studio’s recent monster films except for 2014’s “Godzilla.”But with $361.1 million worldwide in two weeks, “Godzilla x Kong” could ultimately leapfrog the $529 million global haul of 2014’s “Godzilla.”The latest installment, in which Godzilla and Kong team up, cost about $135 million to produce.“Godzilla x Kong” extended its box-office reign as another primate-themed movie arrived in theaters.

Refresh for latest…: A busy holdover weekend for wide studio releases was led by the trio of Godzilla x Kong: The New Empire, Kung Fu Panda 4 and Dune: Part Two. And, in a soaring performance, Hayao Miyazaki’s Oscar winner The Boy and the Heron swooped into China helping the market set a new Qingming holiday record. 

Rebecca Rubin Film and Media Reporter After three days of release, “Godzilla x Kong: The New Empire” stands as the third-highest-grossing movie of the year. It has collected a mighty $194 million globally in its opening weekend, ranking behind only “Dune: Part Two” ($626 million after five weeks of release) and “Kung Fu Panda 4” ($347 million after four weeks of release) in terms of overall ticket sales. The monster mashup, from Warner Bros.

Rebecca Rubin Film and Media Reporter “Godzilla x Kong: The New Empire” stomped to the top of box office charts, collecting a better-than-expected $80 million from 3,861 North American theaters in its debut. Heading into the weekend, the monster mashup was projected to earn $50 million to $55 million to start. But “Godzilla x Kong,” which sees the two otherworldly beasts team up to save the planet, trounced those projections after benefitting from several factors, including audience enthusiasm (it landed an “A-” CinemaScore”) and premium large formats (accounting for 48% of ticket sales).

whopping $37 million during its first week in theaters, according to IMDB’s Box Office Mojo. The Rebecca Hall-helmed big budget beastly buddy film, which The Post said has “a brain-busting plot,” opened in 3,861 theaters, and follows 2021’s “Godzilla vs.

Warner Bros/Legendary Entertainment’s Godzilla x Kong: The New Empire is out and roaring at the international box office, generating $15.9M from 49 markets through its first two days overseas (Wed/Thurs). Not included in that total is the strong China opening day today which came in at an estimated RMB 96.9M ($13.4M).

Brent Lang Executive Editor “Godzilla x Kong: The New Empire” is looking mighty as it heads into its opening weekend, earning an impressive $10 million in Thursday previews. The muscular results come despite the fact that the film suffered meh reviews — critics faulted the latest clash of the primordial beasts for hectic pacing and overstuffed plotting. Variety‘s Owen Gleiberman, for instance, dismissed the film as “overly busy boilerplate” (though he liked the finale).

Universal Pictures and Amblin are quickly moving forward with a fourth “Jurassic World” movie, securing filmmaker Gareth Edwards (“Rogue One: A Star Wars Story,” “The Creator”) in the director’s chair after talks with contender David Leitch (“The Fall Guy”) broke down.

Patrick Frater Asia Bureau Chief Thailand’s Nation Group news media conglomerate is investing in a forthcoming feature film “Nak Ruk Mak Makk Mak,” the company said. The film is a romantic comedy inspired by Thai ghost tale “Mae Nak Phra Khanong.” Buoyed by a string of recent successes and a government initiative to bolster national soft power and the creative industries, Thai film is attracting new investors.

With a solid offshore hold, Denis Villeneuve’s Dune: Part Two is closing in on $500M globally. The overseas weekend brought in $51.2M across 73 markets, a 40% drop versus last session (-37% excluding China). The international box office cume through Sunday is $289.4M, and worldwide the running total is $494.7M. The latter figure means the film has already surpassed Villeneuve’s 2021 Dune worldwide.

Faye Bradley Actor Louis Koo is a household name in Hong Kong but off-screen, he’s an influential entertainment industry investor, producer and entrepreneur. Rising to prominence during the “golden age” of Hong Kong cinema, Koo built a respected career over the decades but less flashy are his businesses and investments. One Cool Group is one such revenue stream.

Variety Lounge at the 2024 Hong Kong International Film & TV Market (FILMART) emerged as a dynamic hub of creativity and insight. The studio played host to a series of illuminating interviews featuring prominent figures in the global film industry including European filmmaker Cristiano Bortone, producer and co-founder of boutique studio S11 Partners Ltd.

We’re back again, Insiders. Jesse Whittock with you this week, as Netflix showcased its latest wares, Hong Kong welcomed the entertainment world and Argentinian film was plunged into crisis. Here we go. Sign up to the newsletter here. 

Patrick Frater Asia Bureau Chief Linmon Pictures, one of the most outward-looking mainland Chinese entertainment firms, is preparing premium series “Hate Coin.” The show is being produced in association with Jonathan Wong and Justina Shih’s production company Octagon Metatainment, a Hong Kong-based multimedia studio. “Hate Coin” is based on international best-selling novel “Second Sister,” by successful Hong Kong novelist Chan Ho Kei, whose previous book “The Borrowed” was a crime story that panned five-decades. The story follows the activities of a young woman whose school-age sister appeared to have committed suicide. Suspecting foul play, the woman trams up with a manipulative hacker and cybersecurity expert to try to dig deeper. “What follows is a cat and mouse game through the city of Hong Kong and its digital underground, especially an online gossip platform, where someone has been slandering Siu-Man.

Patrick Frater Asia Bureau Chief Hong Kong’s Film Development Council has unveiled the first shortlisted projects under its new scheme to develop content for streaming platforms. The Content Development Scheme for Streaming Platforms was announced last year. It aims to nurture cross-sectoral production teams and expand new distribution market and takes the form of a competition to recruit participating teams that develop a mini-series for streaming platforms.

Faye Bradley Faye Bradley Hong Kong Design Institute has announced the opening of a new virtual production studio at Shaw Studios, one of the biggest and most comprehensive film facilities in the Greater Bay Area. It is intended to support professional education in the sector and enhance filming facilities in the city.

Naman Ramachandran Shreyom Ghosh’s “The Vampire of Sheung Shui” is unique in that it is a Hong Kong-set horror-comedy with a protagonist of Indian origin. It has been selected for the 22nd Hong Kong — Asia Film Financing Forum (HAF), the project market that operates concurrently with FilMart. Written by D.F.W.

Naman Ramachandran Acclaimed filmmaker Hong Khaou‘s “Walled City” has been selected for the 22nd Hong Kong — Asia Film Financing Forum (HAF), the project market that operates concurrently with FilMart. Khaou’s debut, “Lilting” (2014), starring Ben Whishaw and Cheng Pei-pei, premiered in the world cinema dramatic competition at Sundance, winning best cinematography. “Monsoon” (2019), his second feature, starred Henry Golding and premiered in competition at Karlovy Vary.