Habanero Film Sales Pounces on Magma Cine Docu ‘I Trust You’ at Ventana Sur (EXCLUSIVE)

Cuckoo (above) from filmmaker Tilman Singer and Johan Renck’s Spaceman with Adam Sandler, a Netflix film for which a trailer just dropped.The seven films are as follows.Cuckooby Tilman Singer | with Hunter Schafer, Dan Stevens, Jessica Henwick, Marton Csókás, Jan Bluthardt Germany 2024Berlinale Special Gala | World premiereDostoevskij (Dostoevsky)by Damiano & Fabio D’Innocenzo | with Filippo Timi, Gabriel Montesi, Carlotta Gamba, Federico Vanni Italy 2024Berlinale Special | World premiere | SeriesSasquatch Sunsetby David & Nathan Zellner | with Riley Keough, Jesse Eisenberg, Nathan Zellner, Christophe Zajac-Denek USA 2024Berlinale Special | International premiereSeven Veilsby Atom Egoyan | with Amanda Seyfried, Rebecca Liddiard, Douglas Smith, Ambur Braid, Michael Kupfer-Radecky Canada 2023Berlinale Special Gala | International premiereSpacemanby Johan Renck | with Adam Sandler, Carey Mulligan, Kunal Nayyar, Isabella Rossellini, Paul Dano USA 2024Berlinale Special Gala | World premiereTreasureby Julia von Heinz | with Lena Dunham, Stephen Fry, Zbigniew Zamachowski Germany / France 2024Berlinale Special Gala | World premiereWu Suo Zhu (Abiding Nowhere)by Tsai Ming-liangTaiwan / USA 2024Berlinale Special | World premiere | Documentary FormArtistic Director Carlo Chatrian announced seven films in all for next year’s festival with the remaining line-up due in mid-January.“It is with special pleasure and pride that we welcome back directors who have presented their work at the festival in the past. Berlinale Special will be home for new films by Julia von Heinz (Treasure) and Tilman Singer (Cuckoo), both with projects involving American stars, for the irreverent comedy by the Zellner brothers (Sasquatch Sunset) and the dark

Holly Jones A remote and dilapidated lighthouse proves an increasingly sinister backdrop for newly widowed father, Pablo (Hugo Silva) and his adolescent daughter Lidia (Zoe Arnao) in the first international teaser trailer for the upcoming Ángeles Hernández thriller “Restless Waters, Shivering Lights” (“El Faro”). Distribution in Spain is handled by Alfa Pictures with an expected release date of Jan.

We’re just a few days away from the holidays and Netflix has a ton of holiday movies that are ready to stream!

K.J. Yossman “Degrassi” fans have a reason to celebrate: a three-part documentary series is in the works about the iconic Canadian teen soap.

Leo Barraclough International Features Editor MAD Solutions has acquired world sales rights to OSN’s first-ever original feature, “Yellow Bus,” which world premiered at the Toronto Film Festival. As well as world sales, MAD Solutions will handle Middle East and North Africa theatrical distribution, while OSN will handle all other MENA rights.

John Hopewell Chief International Correspondent In bigger picture terms, the major highlights of Ventana Sur were a masterclass by Cannes head Thierry Frémaux and an impromptu speech by San Sebastián director José Luis Rebordinos, heads of the most important film festivals in the world and Spanish-speaking world, supporting the continued existence of INCAA. There words came after Argentinian President elect Javier Milei had vowed on the campaign trail to shutter Argentina’s state-backed film-TV agency if voted into power. In industry terms, never has Ventana Sur, Latin America’s most important film-TV market, been this big, its final attendance numbers sky-rocketing to 4,300, some 30% up on 2022, beyond even the wildest expectations of organizers, Cannes Marché du Film and the INCAA.

Ventana Sur’s coveted Paradiso WIP Award, made up of a $10,000 cash prize, went to Brazil’s “The Cuban Doctor.” Its director, Bernard Lessa, reflected on the significance of the award: “It’s a very important initiative and a partner in the cause of Brazilian cinema,” he said, as he expressed his joy at receiving the accolade. Lessa’s story turns on Akin, a Cuban doctor working in Brazil during former President Jair Bolsonaro’s controversial tenure, who faces political headwinds while he’s simply trying to do his job with the respect and kindness his patients deserve.

John Hopewell Chief International Correspondent Mexican Rigoberto Pérezcano’s “Lovers Fare Goodbye,” a poignant, exquisitely shot tale of star-crossed young love dominated prizes at Primer Corte, Ventana Sur’s key arthouse pic competition. The prize and dozens of others were announced Friday at Latin America’s most important film-TV mart-meet.

John Hopewell Chief International Correspondent BUENOS AIRES — In one of the first deals to close at this week’s Ventana Sur market, Spain’s Latido Films has boarded “Lo Que Quisimos Ser,” written-directed by Alejandro Agresti, produced by Fernando Sokolowicz at Aleph Media, and Gastón Duprat, who have teamed as producer and co-writer-director on “The Distinguished Citizen,” “The Man Next Door,” and “The Artist.” “Lo Que Quisimos Ser” marks the latest film from Agresti, one of Argentina’s most international talents best known for a Hollywood sojourn which saw him directing Sandra Bullock and Keanu Reeves in “The Lake House” and writing Argentina-set, English-language “No somos animales,” with John Cusack. Of his Argentine film, “Valentín” weighs in as a big-hearted coming of age tale of a cross-eyed and very lonely young kid.

Anna Marie de la Fuente Colombian sales and distribution company Doc:Co is venturing into the global sales arena with its first international pick up, Chilean-Colombian co-production “Otra Piel.” The debut feature documentary of Patricia Correa, “Otra Piel” is co-produced by Colombia’s Romeo, 235 Digital and Sonata Films alongside Chile’s Cine Matiz, founded by producer Gabriela Sandoval who co-runs another, more established label, Storyboard Media. The doc revolves around Miguel, who at 38, is not just a taxidermist but also an accomplished hunter.

John Hopewell Chief International Correspondent It’s proving a huge and busy Ventana Sur in terms of deal announcements, both sales deals and most especially co-pro pacts across the several hundreds of titles now platformed at Ventana Sur. If you haven’t been able as yet to read the first two Variety Dailies, or haven’t seen them in your inbox, just click on the photos to access Variety’s Ventana Sur Daily One and Two: Variety Ventana Sur Daily One, Monday Nov. 27, 2023 Variety Ventana Sur Daily Two, Tuesday, Nov. 28, 2023 Enjoy!

Holly Jones “Lonely Hearts,” the highly-anticipated third feature from Brazil’s Berlinale-winner Caru Alves de Souza (“My Name Is Baghdad”), named among 10 Next Gen Talents to Track from the country by Variety in February, and a pair of additional homecoming narratives from burgeoning creatives, Uruguayan director Paula Botana’s“The Burned Women” and Dora Gomez’s “Blanca” out of Paraguay, are among the titles selected for Ventana Sur’s 2023 Punto Genero pitching sessions. Histories unearthed and intimate interpersonal relationships are dominant themes in the remaining selections with films like Argentina-Spain co-production “Brücher.

Callum McLennan Milena Times’ debut feature “November” joins two further titles from Brazil as part of Primer Corte and Copia Final, Ventana Sur‘s pix-in-post industry showdown. It participated in various development guises including BrLab – Audiovisual Project Development Laboratory in 2017, and as a finalist for the Cabíria Screenplay Award, also participating in Cabiria Lab 2020. Fully funded at both state and national levels in Brazil, “November” is a testament to the burgeoning film industry in the country.

Anna Marie de la Fuente Madrid-based Sideral, a production-distribution-sales label launched by Spain’s Elamedia Estudios early this year, has boarded Uruguayan Ventana Sur-Blood Window project “Capital Variable,” the feature debut of Uruguayan helmer-scribe Marco Caltieri. Elamedia Studios CEO Roberto Butragueño will produce the thriller/dark comedy with Sideral’s Paola Botrán and Uruguay’s Clara Charlo of To Je To serving as executive producers. Sideral will be handling international sales on the project, which was pitched at genre forum Blood Window at Ventana Sur, the preeminent annual film-TV market in Buenos Aires, co-organized by Cannes Festival and Marché du Film and by Argentina’s INCAA film institute.

a few months back. “There’s just tremendous opportunities now as the market’s tightening to find source IP where, you know, there’s an installed audience,” he added.

Ventana Sur has added this year a big spread from Chile’s TV agency Consejo National de Televisión, which could be a reaction to global platforms pulling out of Chile. In terms of original titles there’s good word on Colombia’s Laura Otálora (“Impermanence”) and Argentina’s Carlos Lascano (“Lina”).

John Hopewell Chief International Correspondent Jointly organized by Cannes’ Marché du Film with a Thierry Fremaux Cannes Film Week adding star auteur glamor, Ventana Sur turns 15 this week unspooling Nov. 27-Dec.1 at its usual venue of the Universidad Católica Argentina in Buenos Aires’ Puerto Madero, its most modern and most chic of districts.

Anna Marie de la Fuente With Brazil under focus at Ventana Sur’s this year, highlighting the work of Spcine, Cinema do Brazil and Projeto Paradiso, São Paulo film-TV commission Spcine has organized a series of panels and other events to signal Brazil’s return to normal after the devastating tenure of Jair Bolsonaro. With President Lula da Silva back in the saddle since his stunning re-election in October 2022, confidence in Brazil as a partner in film and TV investments is awakening large expectation.

“Hyperballad,” Sophia Mocorrea’s “Marriage by Abduction” and Theo Court’s “Three Dark Nights” feature in a 15-title lineup of Ventana Sur’s Proyecta project lineup which is emerging as Ventana’s industry centerpiece as international co-production becomes vital to more ambitious arthouse filmmaking. Organised by Cannes Marché du Film and the San Sebastian Film Festival, Proyecta received 200 submissions this year, up from 170 in 2022.

During this year’s Star Wars Celebration, Lucasfilm finally gave some definitive news about what to expect on the big screen with the galaxy far, far away. We have a movie from Dave Filoni, which is expected to be an “Avengers”-style convergence of all the live-action TV shows.