Goteborg Film Festival Head Jonas Holmberg To Step Down

The unseen and the obscene are the subject of Pascal Plante’s disturbingly brilliant psychological horror, which takes an overused genre — the serial killer movie — and an often-misused technique — dark Lynchian surrealism — and somehow alchemizes the two into something new and original. It’s strong meat for sure (the courtroom-drama framing is deceptive, since this is not really a film about justice), but word-of-mouth cult status beckons, and a healthy nightlife on the genre circuit is assured.

Leo Barraclough International Features Editor Sales agency The Playmaker has signed with Lieblingsfilm to handle international sales for their Zlin Film Festival winner “What the Finn?!” (“Kannawoniwasein”). “What the Finn?!” is based on the children’s book by Martin Muser, which was adapted for the screen by Klaus Döring, Adrian Bickenbach and Stefan Westerwelle, who is also the director of the film. The film had its world premiere at Zlin, where it won the main prize, the Golden Slipper Award for Best Feature Film for Children. The Playmaker will present “What the Finn?!” at the upcoming German Films Previews in Potsdam (July 5 – 8), where it will screen for international buyers.

The Stockholm Film Festival has set SkyShowtime as its new official streaming partner in an agreement that will also see the streamer host the festival’s rising star award for new talent. 

EXCLUSIVE: Christine Vachon offered her outlook on some of the industry’s most pressing issues at a keynote masterclass session this afternoon at the Karlovy Vary International Film Festival.

You know the modern world is in a dark place when even a middle-aged Iranian woman says that things were better in the old days. Indeed, for his feature debut, director Behrooz Karamizade has fashioned an intelligent and thoughtful drama that should travel well in today’s climate of insecurity, offering a fresh perspective on a multiplicity of worldwide issues (trickle-down theory, the gig economy) while adding an especially nuanced subplot exploring the refugee crisis and the mechanics of people-trafficking.  

Self-seriousness is a common trait in the world of European cinema, but the opening night of the 57thKarlovy Vary International Film Festival was a wholly playful affair, starting with the most unexpected sight of a troupe of acrobatic ice-skating showgirls spinning and whirling through fake snow and dry ice. MC Marek Eben followed in a similarly feelgood vein, with a dryly witty monologue that touched on current affairs in the Czech Republic and the wider world without getting too heavily into the politics. A “surprise” appearance by festival stalwart Jiří Bartoška, whose attendance was initially in doubt, occasioned the first standing ovation of the night.

Will Tizard Contributor Spa town Karlovy Vary is known for more than healing waters to emerging filmmakers and producers from Central and Eastern Europe and the Middle East. Those on track to reach global audiences are well acquainted with the festival’s industry section, headlined by the Eastern Promises collection of development and marketing workshops and mentorship programs. Aside from packed panels and talks by international veterans, such as the masterclass by indie mogul Christine Vachon of Killer Films, one of the industry program’s most buzzworthy events is the regionally focused Midpoint Institute Feature Launch. This year-round training platform took off more than a decade ago to support emerging talents by helping them to integrate their projects into the marketplace. It provides them with international collaboration and networking opportunities which, as Sona Morgenthalova, Feature Launch program coordinator for Midpoint, says, have proven highly effective.

Marta Balaga The Karlovy Vary Film Festival, which takes place in an elegant spa resort in the Bohemian region of the Czech Republic, is set to get political during its 57th edition, but in a subtle way. “I am not sure if you can even use the word ‘subtle’ when talking about politics, but it doesn’t always have to be in your face. You can be political by showing the existential struggles of an elderly lady who gets framed by some crooks,” says artistic director Karel Och, mentioning Stephan Komandarev’s “Blaga’s Lessons,” which will vie for the Crystal Globe. While the main competition features many stories about people trying to return home or simply find their place in the world, he adds, the festival will also celebrate Iran with a separate section “Another Birth. Iranian Cinema Here and Now.” “Before our consultant Lorenzo Esposito came up with this name, we thought about ‘Iranian Underground,’ but you can be political also by being poetic. We are not telling our audience how to react. We want them to be our partners,” notes Och. Observing that satire is also making a comeback.

This year’s Edinburgh International Film Festival (EIFF) will close with the UK premiere of British Iranian filmmaker Babak Jalali’s well-received Sundance pic Fremont.

Nick Vivarelli International Correspondent Egyptian producer, director and mentor Marianne Khoury has been appointed artistic director of the El Gouna Film Festival in a clear sign that the prominent Arab event is aiming to make an ambitious comeback for its sixth edition following a one year hiatus.  The fest, launched in 2017 by Egyptian telecom billionaire Naguib Sawiris – whose brother Samih built the El Gouna resort in a swathe of Egypt’s desert near Hurghada, a tourist town 250 miles south of Cairo – was cancelled in 2022 after being held successfully for five years. Khoury will replace Amir Ramses who stepped down as El Gouna’s artistic director at the end of its fifth edition before the event took a one year pause. Ramses subsequently took the reins as artistic director of the Cairo Film Festival, which is Egypt’s oldest and preeminent film event.

The newly rebooted Taormina Film Festival kicked off on Friday night in the Sicilian city’s landmark Teatro Antico amphitheatre in an unusual but magnificent style with benefit event “Pavarotti Forever”.

Angelique Jackson “Cinnamon” and “A Song From the Dark” were two of the big winners at the “Best of the ABFF Awards” presented Saturday during the American Black Film Festival. Following its world premiere at the Tribeca Festival, “Cinnamon” continued its festival run at ABFF in Miami Beach, Fl., where it was awarded the prize for best narrative feature and best director for writer-director Bryian Keith Montgomery Jr. The Tubi original film stars Hailey Kilgore, Damon Wayans, Pam Grier, David Iacono and Jeremie Harris. Kilgore plays Jodi, a struggling small-town gas station attendant with “killer pipes and big dreams,” who falls hopelessly in love with a hustler (Iacono) and falls foul of a local crime lord (Grier) and her murderous family. The noir thriller serves as the inaugural project filmed under Village Roadshow Pictures’ Black Noir Cinema banner, co-founded by NBA all-star Kevin Garnett. Veteran producer Oz Scott oversees the content slate, which also includes “Murder City,” a film starring Mike Colter, Antonio Fargas and Stephanie Sigman that made its world premiere at ABFF.

Michael Morpurgo’s 1999 children’s book comes vividly to life in Neil Boyle and Kirk Hendry’s joint feature debut, a castaway fantasy in which a young boy learns vital lessons about the natural order of things. Seasoned screenwriter Frank Cottrell Boyce is on board too, and yet this is likely one of his sparsest screenplays yet, leaning into the subtleties of the animation: traditional hand-drawn 2D with mixed-media elements for the background. Older kids will likely love it, but a beautifully stark encapsulation of the bombing of Nagasaki in 1945 may rule it out as something for the whole family.

This year’s scaled-down, “special one-year iteration” of the Edinburgh International Film Festival (EIFF) will open on August 18 with the world premiere of Silent Roar, the debut feature from Scottish writer and director Johnny Barrington.

Sometimes it feels as though A.I. is already here, given the number of films resembling Garden State that pop up on the festival circuit every year. Robert Schwartzman’s The Good Half is only the latest, and his attempt to out-emo Zach Braff’s legacy film falls disappointingly short, given that his last Tribeca appearance was with the surreal and underrated comedy The Argument (2020), which channeled Charlie Kaufman in the story of a couple whose obsession with a petty fight spirals into absurdity. The Good Half, however, mostly serves as a decent vehicle for Nick Jonas, who seems to making a play to be the new Adam Driver, which is not as far-fetched as it might sound.

Naman Ramachandran International Film Festival Rotterdam (IFFR) has appointed former BFI London Film Festival director Clare Stewart to the position of managing director, taking over from Marjan van der Haar. Stewart was most recently interim CEO at Sheffield DocFest and commences in the role at IFFR on June 21. IFFR has a dual leadership structure where the managing director and festival director oversee the commercial and creative elements of the organization respectively, working in partnership. Stewart previously consulted with the IFFR board of directors in 2021 in its first phase of re-evaluation prior to her joining DocFest, with a focus on the IFFR program structure and content strategy.

International Film Festival Rotterdam (IFFR) has appointed Clare Stewart to the post of Managing Director, taking over from outgoing Managing Director Marjan van der Haar.

Each other’s biggest fans. Ben Stiller supported his wife, Christine Taylor, alongside their daughter, Ella, 21, at the 2023 Tribeca Film Festival.

EXCLUSIVE: In what will be her first film promotion appearance in a good long time, Amber Heard is set to appear at the 69thTaormina Film Festival for the world premiere of In The Fire. Heard will be in Sicily along with the film’s director Conor Allyn and co-star Eduardo Noriego. The film will premiere June 24 at the Teatro Antico di Taorina. The fest takes place June 23-July 1, 2023 in Sicily.

Passages, the “sexy and sad” romantic drama from writer-director Ira Sachs, and Sundance Grand Jury Prize-winning documentary Going to Mars: The Nikki Giovani Project, the festival aims to celebrate the community that’s been there for decades.Other highlights of this year’s festival include It’s Only Life After All, a newly-minted documentary about the Indigo Girls, the Argentinian drama Horseplay, and Nelly & Nadine, a poignant documentary about two women who, after their release from Ravensbrück concentration camp, forged a life of companionship and love.Cinema Art executive director Helen Chamberlin, a native Washingtonian who spent her summers as a youth in Rehoboth, has watched the area’s community evolve over the years. “I remember it was very prevalent that there was an LGBT — or LGB — community here in Rehoboth back in the mid-seventies,” she recalls.“When I looked at the original mini film festival that they did for this community — when I got here, it was called ‘LGBTQ Cine-brations’ — I thought to myself, ‘You know, Pride has become such a huge phenomenon globally…let’s get in the game here.”Getting in the game meant re-branding the festival, scheduling it during Pride Month, maintaining partnerships with organizations like festival co-presenter CAMP Rehoboth, and going after some of the most buzzed-about queer-themed titles to premiere this year at Sundance and Berlin.“When you rebrand something, you have to grow your audience,” says Chamberlin, who stepped into her role at the Cinema Art and the Rehoboth Beach Film Society a year ago.