Films Boutique Nabs Documentary ‘A Taste of Whale,’ Set in Faroe Islands (EXCLUSIVE)

Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on key executives and companies shaking up the offshore marketplace. This week, we’re talking to Carnival Films executive chairman Gareth Neame, the producer behind the global British hit franchise Downton Abbey. The company, which Neame sold to NBC Universal in 2008, continues to be one of the heavy hitters when it comes to producing high-end dramas that have global reach. 

Leo Barraclough International Features EditorChinese Berlinale Competition title “Return to Dust” has been sold to several European distributors with more about to close deals. M-Appeal is handling world sales.

EXCLUSIVE: Saban Films is continuing to expand its international footprint, having recently inked a deal with distribution partners in Switzerland and Benelux. The L.A.-based company has signed with WW Entertainment in Benelux (Belgium, Netherlands and Luxembourg) and Ascot Elite in Switzerland, which it will add to deals it already has in place in the UK and Ireland (Altitude), Germany and Austria (Splendid), France (ACE Entertainment), Spain (Key2Media), Scandinavia (Mis.Label) and Australia and New Zealand (Defiant Screen Entertainment).

Elsa Keslassy International CorrespondentRolling off its Oscar nomination in the international feature category, Pawo Choyning Dorji’s Bhutanese feature debut “Lunana: A Yak in The Classroom” has been sold by Films Boutique in further territories. Bhutan’s first Oscar entry in 23 years, “Lunana: A Yak in The Classroom” follows a young teacher who dreams of emigrating to Australia to become a singer and instead finds himself assigned to a school in the most remote village in Northern Bhutan, where he unexpectedly bonds with local children and finds happiness.Berlin-based company Films Boutique has already sold the movie in most major markets including North America with Samuel Goldwyn Films and recently closed deals with leading distributors in Spain (A Contracorriente), Benelux (September Films) and Portugal (Alambique).

Elsa Keslassy International CorrespondentLoco Films, the Paris-based world sales and production company, has unveiled the trailer for Yulia Trofimova’s feature debut “The Land of Sasha” which is premiering today at the Berlinale, in the Generation 14plus strand.“The Land of Sahsa” tells the story of an indecisive 18-year-old struggling to pursue his desire to become a painter as his mother urges him to choose a safer career path. The sudden appearance of the boy’s estranged father complicates things further. But when Sasha has an unexpected encounter with an unusual girl called Zhenia, he realizes he has no choice but to finally grow up.“The Land of Sasha” was produced by Katerina Mikhaylova and Konstantin Fam for Moscow-based Vega Film.

EXCLUSIVE: Shooting upcoming Netflix pic Against The Ice was no straightforward task, as its stars and director reveal to Deadline in a first interview as a trio.

Nick Vivarelli International CorrespondentItaly’s robust 2022 Berlinale representation of a half-dozen titles runs the gamut from the latest works by venerable veterans Paolo Taviani and Dario Argento to pics by fresh new Cinema Italiano voices including Chiara Bellosi, whose first film, “Ordinary Justice,” launched from Berlin in 2020.Taviani, who is 91, is returning to Berlin but alone this time — his filmmaker brother, Vittorio, with whom he won a Golden Bear in 2012 for “Caesar Must Die,” passed away in 2018 — in competition with surreal drama “Leonora Addio,” inspired by a short story by Italian playwright and author Luigi Pirandello. Argento, who set his 1977 chiller “Suspiria” in Germany, will be at the Berlinale for the first time as a director with Rome-set suspenser “Dark Glasses,” though he was on the fest’s main jury panel in 2001.

Elsa Keslassy International CorrespondentTrustNordisk has closed a flurry of sales on a pair of 3D-animated family features, “Little Allan — The Human Antenna” and “The Super,” underscoring the market appeal of independent youth-skewing movies.“Little Allan – The Human Antenna” marks Danish film Amalie Naesby Fick’s follow up to her commercially successful debut “The Incredible Story of The Giant Pear,” which premiered in the the Generation Kplus section at Berlin in 2018. This year, the helmer has her daring drama series “Sex” selected for the Berlinale Series.The film takes place during summer vacation, when introverted, 11-year old Allan starts acting as a human antenna for his old neighbor, who thinks a huge invasion fleet from the outer space is on its way.

Nick Vivarelli International CorrespondentItalian director Matteo Garrone, who was at the 2020 Berlinale with Roberto Benigni-starrer “Pinocchio,” is set to return to the director’s chair in March with coming-of-age adventure drama “Io Capitano,” on which France’s Pathé will be handling international distribution.Garrone’s new pic, whose title translates as “I, Captain,” will be shot in Italy, Morocco and Senegal, marking the first time, Garrone –– a two-time Cannes jury prize-winner, with “Gomorrah” in 2008 and “Reality” in 2012 –– sets a feature film outside of Italy.As is customary with Garrone, story details of “Io Capitano” are being kept under wraps, besides the fact that he wrote the screenplay with regular collaborators Massimo Gaudioso and Andrea Tagliaferri and actor Massimo Ceccherini (“Pinocchio”), who also contributed to the “Pinocchio” screenplay.

Elsa Keslassy International CorrespondentBanijay has partnered with Alain Goldman, the French producer of “La Vie en rose” to produce premium scripted series and feature films through his two production entities, Pitchipoï Productions and Montmartre Films.Goldman, whose production company was previously named Legende Films, will work alongside Banijay France. The French producer had been working with nearly every French film studios, notably Gaumont, and has also been collaborating with streamers such as Netflix with “The Spy,” starring Sacha Baron Cohen, and Amazon Prime with Caroline Vigneaux’s “Flashback” and Mélanie Laurent’s “The Mad Women’s Ball.” Besides “La Vie en Rose,” which earned Marion Cotillard an Oscar, Goldman has also produced “An Officer and a Spy” (2019), “The Connection” (2014) and “The Crimson Rivers” (2000).

Carole Horst While the Korean film business faces challenges, 2022 does offer a bumper crop of Korean movies from big-name filmmakers. Here are some of the best:The Apartment With Two Women(Finecut)Kim-se In’s debut drama unspools in the Berlin Film Festival’s Panorama section.Broker (CJ Entertainment)“Shoplifters” director Kore-eda Hirokazu examines the trade in children in his Korean-language film debut.

Nick Vivarelli International CorrespondentUndeterred by the pandemic, the wheels of Switzerland’s film production machine kept on spinning in 2021, churning out the meticulously made multicultural co-productions the country is known for that scored slots at top festivals.Works by young directors such as Elie Grappe, whose coming-of-age drama “Olga” launched at Cannes; Niccolò Castelli’s terrorism-themed “Atlas,” which bowed at Locarno; and also the VR project “Caves” by Carlos Isabel Garcìa, which premiered at Venice; provided a preamble to the exceptionally strong Swiss presence at this year’s Berlinale.Berlin sees a record-breaking two competition slots filled by new works from established Swiss directors, Ursula Meier’s “The Line” and Michael Koch’s “A Piece of Sky,” plus several more Swiss titles in other sections. “In the worst year ever we shot three productions back-to-back during the pandemic; somehow we got used to it,” says Oscar-nominated Max Karli (“My Life as a Zucchini”), who is among the producers of “The Line” via his Geneva-based Bandita Productions, in tandem with Pauline Gygax.In Switzerland, the film and TV industry held firm last year as one of the few sectors where camera crews and actors continued to work, unlike advertising, which shuttered completely for many months.“It was quite hard because we were shooting without insurance pertaining to anything linked to the pandemic,” Karli says, though some government subsidies were made available for physical productions struck by COVID infections.But, as Karli and other Swiss producers point out, Switzerland is a confederation.

here. “There have been many words to describe Dionne Warwick, however, for me, it comes down to one word: ‘genius,’” Wooley said.

Emiliano De Pablos International distribution house Pink Parrot Media has taken worldwide sales rights outside Spain and Portugal to 3D/2D animated musical film “Valentina,” the feature debut of Spanish producer-turned director Chelo Loureiro of Galicia’s Ábano Producións.Based out of Montreal and Madrid, Pink Parrot will introduce the toon feature to international buyers at Berlin’s European Film Market “Valentina” had its theatrical premiere in December on 160 screens in Spain, handled by Super8.Written, directed and produced by Loureiro and co-written by Lúa Testa, “Valentina” tells the story of a girl who dreams of becoming a trapeze artist but struggles to believe it is possible because she has Down’s syndrome.

Drake is having a father-son day!

Christopher Vourlias Loco Films has taken world sales rights on Alexander Zolotukhin’s “Brother in Every Inch” ahead of its world premiere in the Berlin Film Festival’s competitive Encounters section. The Paris-based sales agent has also acquired “The Land of Sasha,” the feature debut of Julia Trofimova, which plays in the festival’s Generation 14plus strand.Zolotukhin’s sophomore feature is the story of twin brothers whose inseparable bond complicates their efforts to fulfill their shared dream of becoming military pilots.

IFC Films has nabbed U.S. rights to “Fire,” the new drama from celebrated French director Claire Denis. The pact marks the first major domestic deal of the Berlinale 2022 competition.World premiering next week at the Berlin Film Festival, “Fire” is headlined by two of France’s biggest stars, Juliette Binoche (“The English Patient”) and Vincent Lindon (“Titane”).

With all of the buzz surrounding the Sundance Film Festival last month and with the Berlin International Film Festival poised to begin later this month, it’s easy to miss some of the smaller films released on the regular schedule. While January failed to offer many must-see titles, February looks to offer more with films such as likely Oscar nominee “The Worst Person in the World” sharing release dates with the anticipated return of Johnny Knoxville and the gang in “Jackass Forever.” Later in the month will see another attempt to adapt a video game into a series building film, Channing Tatum’s directing debut, and the return of indie favorite Josephine Decker.

With all of the buzz surrounding the Sundance Film Festival last month and with the Berlin International Film Festival poised to begin later this month, it’s easy to miss some of the smaller films released on the regular schedule. While January failed to offer many must-see titles, February looks to offer more with films such as likely Oscar nominee “The Worst Person in the World” sharing release dates with the anticipated return of Johnny Knoxville and the gang in “Jackass Forever.” Later in the month will see another attempt to adapt a video game into a series building film, Channing Tatum’s directing debut, and the return of indie favorite Josephine Decker.