Entertainment Community Fund Has Provided Financial Assistance To More Than 400 Non-Writers Affected By Its Strike

Manori Ravindran Executive Editor of International The documentary “This Changes Everything” is getting a Canadian adaptation. Geena Davis and New York-based production house CreativeChaos will again partner for a new edition of their Gracie Award-winning film, which premiered at the Toronto International Film Festival, and was released in U.S. cinemas in 2019 and globally distributed by Starz and Netflix. The doc included interviews with top women in Hollywood discussing discrimination and the #MeToo movement, which was still in its nascent stages at that time. Actors involved in the original film included Davis, Meryl Streep, Natalie Portman, Taraji P. Henson, Reese Witherspoon, Cate Blanchett, Tiffany Haddish, Jill Soloway, Shonda Rhimes, Jessica Chastain, Yara Shahidi, Chloe Grace Moretz, Amandla Stenberg, Alan Alda, Sandra Oh, Anita Hill, Rashida Jones, Rose McGowan, Judd Apatow, Rosario Dawson and Maria Giese.

Lea Michele has enjoyed monumental success since formally joining the cast of the Broadway hit Funny Girlin September 2022.But while she's earned praise for deftly portraying the coveted role of the beloved character Fanny Brice, there's a simple reason why she's not eligible for a Tony Award.According to the Tony Awards' rules and regulations under eligibility requirements, «in order to be eligible, an actor or actress must perform in the role on the production's opening night and must perform in the minimum number of performances to which the producer of such production must invite and make tickets available to Tony voters as required by Rule 2(a)vi).»And therein lies the issue — the original actress who performed on opening night was Beanie Feldstein, who left in the wake of the show being at risk of closing due to poor reviews and lackluster ticket sales. That all changed after Michele formally replaced Feldstein in September.The former star's debut came on Sept.

IATSE’s general executive board has unanimously approved $2 million to be distributed to the union’s members who are in need of financial assistance due to the Writers Guild strike, which is in its 39th day.

The day that SAG-AFTRA began its talks with Hollywood studios over its own film and TV contract with a strike authorization in hand, picketing Writers Guild members on Wednesday hit up Disney and Warner Bros in Burbank.

Jennifer Maas TV Business Writer Filming permit requests for TV and film projects in New York City were down 13% in April and 31.5% in May as the Writers Guild of America (WGA) strike raged on, Variety has confirmed. According to information obtained by Variety, 760 requested shooting permits were issued to 177 projects by the Mayor’s Office of Media and Entertainment in 2022, and 801 permits were granted to 227 projects in May last year. Comparatively, only 662 shooting permits were issued to 187 projects this April and 549 permits to 181 projects in May. The writers strike began May 2, following the WGA’s inability to ink a new contract with the Alliance of Motion Picture and Television Producers (AMPTP) before the previous agreement expired May 1. Between April and May, the filming permits requested for shoots in NYC fell 17%, while in 2022 they had increased just over 5% between the two months.

Cruel Summer, that is. from executive producer Jessica Biel is with a new cast, a new mystery, and a new location. This time Sadie Stanley (The Goldbergs), (Little Fires Everywhere), and Griffin Gluck (Red Band Society) are the new kids on the block, but they more than hold their own in this complex and twisty drama.

When Ellen Pompeo sees Katherine Heigl before our photo shoot, she offers a greeting worthy of Barbra Streisand. “Hello, gorgeous!” Pompeo exclaims, giving Heigl a hug. And suddenly, it’s like no time has passed since “Grey’s Anatomy” premiered as a midseason replacement in 2005 — after ABC executives considered not airing the show at all — in the time slot after “Desperate Housewives.” Ultimately, these two women somehow not only surpassed the ladies of Wisteria Lane, they redefined pop culture. Throughout this reunion, we seriously take you back to the first days of TV’s longest running primetime medical drama. As “Grey’s Anatomy” became an overnight sensation, Pompeo and Heigl were launched into the stratosphere of fame together, for better and for worse. On the plus side, the Shonda Rhimes-created series revolutionized television, with women and actors of color leading the show. Yet the sudden, sometimes toxic attention — as well as spending those long days and nights on the infamously grueling set during the early years — taught both of them hard-won lessons. “If you cannot stand up for yourself in this industry, very few people will stand up for you,” Heigl says to Pompeo. “So you’d better learn how to, and you’d better be OK with them not liking you for it. ”

One month into the writers strike, there’s little for a bystander to add about the issues, prospects or relative staying power of the opponents. Deadline’s reporters and contributors have done an admirable job on that score.

Netflix’s head of U.S. and Canada scripted series executive Peter Friedlander gave an insightful interview that subscribers might be interested in.

EXCLUSIVE: Count Leslie Bibb in for Clint Eastwood’s growing jury in his Warner Bros. movie, Juror #2.

As one of Reality TV’s royal family crossed the line, striking film and television writers joined forces on Wednesday in New York City with another group of culture workers involved in a pay dispute: musicians. 

Michael Schneider Variety Editor at Large The simultaneous demise of both Twitter and The CW as we knew it reminds me, however, of one of my favorite industry Tweets of all time. On July 19, 2012, a sharp CW social media staffer posted this: “#Emmy nomination day! Or as we call it, Thursday.”

EXCLUSIVE: Warner Bros Discovery promised to give writers and directors proper credit on its Max streaming service, but don’t expect the fix to happen anytime soon.

is coming back. Following 's landslide success after its May premiere, the beloved Regency romance is now in post-production on its anticipated third season.

Oscar-winning actress Jennifer Lawrence (“Causeway“) looks to continue a run of comedic roles after Adam McKay‘s cheeky environmental apocalypse satire “Don’t Look Up” opposite Leonardo DiCaprio for Netflix. Next in line? “No Hard Feelings,” from director Gene Stupnitsky (“Good Boys“), and Sony Pictures has a new trailer for the awkward sex comedy.

EXCLUSIVE: Actress and model Kaia Gerber signs with Entertainment 360.

Michaela Zee editor Paramount Pictures has released a new trailer for “Mission: Impossible – Dead Reckoning Part One,” teasing Tom Cruise’s seventh, and likely penultimate, mission as IMF agent Ethan Hunt. In addition to Cruise, Ving Rhames, Simon Pegg, Rebecca Ferguson, Henry Czerny, Vanessa Kirby and Frederick Schmidt reprise their roles from previous “Mission: Impossible” films. “Part One” also stars series newcomers Hayley Atwell, Pom Klementieff, Cary Elwes, Rob Delaney, Indira Varma, Shea Whigham, Mark Gatiss, Esai Morales and Charles Parnell. The first trailer for “Dead Reckoning” included a shot of Cruise driving a motorcycle off a cliff. Paramount Pictures offered a deeper look at the impressive stunt with a behind-the-scenes featurette released in December.

Joe Otterson TV Reporter For the second year in a row, Fox is not releasing a fall schedule ahead of its upfront presentation. Fox did the same thing in 2022, opting instead to announce their content slate for the upcoming broadcast season but holding off on announcing a formal schedule until a later date. Last year, the move came as the network was still waiting on decisions on the dramas “9-1-1” and “The Resident.” But with the latter show canceled and the former moving to ABC, this year’s move comes as the writers’ strike enters its third week. Networks like CBS and NBC have already announced their fall lineups, but whether or not any primetime scripted shows across all the networks debut as scheduled remains to be seen as the strike drags on.

Shonda Rhimes, the creator of Grey’s Anatomy and Queen Charlotte: A Bridgerton Story, is opening up about the differences between working for a network like ABC and a streaming platform like Netflix.

Billy Ray and Todd Garner recap the second week of the WGA standoff on Deadline’s Strike Talk podcast. They then interview with John Wells, producer of shows from ER to The West Wing and former chief negotiator for the WGA.