Documentary ‘On the Adamant’ Wins Top Award at Berlin Film Festival

Patrick Frater Asia Bureau Chief The Asian premiere of Soi Cheang’s “Mad Fate” is just one of three locally-produced movies that have been set as the opening and closing titles of the upcoming Hong Kong International Film Festival. “Mad Fate” is joined in the festival opening slot on March 30 by “Elegies,” Ann Hui’s documentary portrayal of the topography of contemporary local poetry, which will have its world premiere. The closing film, another world premiere, is “Vital Sign,” an affecting drama directed by Cheuk Wan-chi and starring Louis Koo, Yau Hawk-sau, and Angela Yuen, which will wrap up proceedings on 10 April. In total, the festival has programmed some 200 films from 64 countries and territories. These include nine world premieres, six international premieres, and 67 Asian premieres.

This year’s Hong Kong International Film Festival (HKIFF) will open with two local films – Soi Cheang’s noir thriller Mad Fate and the world premiere of Ann Hui’s Elegies, a documentary about contemporary local poetry.

Nick Vivarelli International Correspondent The Locarno Film Festival is launching a first-of-its-kind contest, offering a free complete restoration service to a selected vintage cinema classic. The contest is part of The Swiss fest’s Heritage Online program that was launched in 2021 when its Locarno Pro industry side branched out into vintage cinema creating a platform that serves as a database of film titles that premiered prior to 2005. The goal of the fest dedicated to indie cinema is to play an active role in restoring older films to their former glory and also to become a business facilitator between rights holders and classic film distributors, streaming platforms and other outlets.

Bill Murray and star Jeannie Berlin set foot on the red carpet of the 2023 SAG Awards holding hands.Murray and Berlin appeared quite close when they arrived together for Sunday's soiree at the Fairmont Century Plaza in Los Angeles. The star wore a black tuxedo with a colorful bow tie, while Berlin sported an all-black suit and shades.Berlin, who portrayed Hadassah Fabelman in the Steven Spielberg film, was there for the film's nomination in the Best Ensemble Cast in a Motion Picture category.

Christopher Vourlias The Thessaloniki Documentary Festival kicks off its 25th edition Thursday at a time when the nonfiction genre has arguably reached unprecedented heights. This year’s festival, which takes place March 2 – 12 in the seaside Mediterranean city, unfolds just days after veteran French docmaker Nicolas Philibert won the Golden Bear in Berlin for his documentary about a Paris mental health care facility, “On the Adamant.” The award capped a fortnight in which Sean Penn’s gonzo doc about Ukrainian president Volodymyr Zelenskyy, “Superpower,” also generated plenty of buzz (albeit lukewarm reviews). Meanwhile, Cameroon’s Cyrielle Raingou took home Rotterdam’s Tiger Award just a few weeks earlier for “Le Spectre de Boko Haram,” a riveting view of terrorism seen through children’s eyes. And one summer ago, Laura Poitras triumphed on the Lido with “All the Beauty and the Bloodshed,” her docu-portrait of the photographer and activist Nan Goldin, which won the Venice Film Festival’s Golden Lion award.

Top Gun: Maverick, Elvis and Guillermo del Toro’s Pinocchio were among the big film winners at the Motion Picture Sound Editors’ 70th Golden Reel Awards, which were handed out Sunday night at the Wilshire Ebell Theatre in Los Angeles. See the full list below.

Nicholas Philibert, whose film On the Adamant won the Golden Bear at the 73rd Berlinale on Saturday, has made a lifetime commitment to observational documentary, moving between interviews and long, patient takes of his subjects pursuing what it is that they do. The best known of these is Etre et Avoir (2002), which followed a year in the life of a tiny rural school where the single teacher – kindly but exacting, in the French manner – taught several grades at once. Thanks to the magnetism of this committed teacher – and of his delightful enfants, of course – Etre et Avoir became an unlikely but enduring arthouse hit.

Guy Lodge Film Critic Veteran French docmaker Nicolas Philibert was the surprise winner of the Golden Bear at this year’s Berlin Film Festival, taking the prize for his film “On the Adamant,” a poignant observational study of a Paris mental health care facility. He received the award from jury president Kristen Stewart, after the star offered an extended and plainly heartfelt ode to the film’s humanity and simplicity: “People have gone in circles for thousands of years trying to pin down what can be deemed art, who’s allowed to do it and what determines its value,” she said, citing the boundary-pushing nature of the festival, and namechecking such opposing philosophers on the matter as Aristotle, Barthes, Sontag and Beavis & Butthead, before concluding, “For all of us, you just know it when you see it.”

Guy Lodge Film Critic The official awards ceremony of this year’s Berlin Film Festival is under way, with Kristen Stewart’s jury set to announce their winners from the Competition selections. This post will be updated as they’re announced.Previously announced: AUDIENCE AWARDS Panorama Audience Award: “Sira,” Apolline TraoréSecond Prize: “The Burdened,” Amr GamalThird Prize: “Midwives,” Léa Fehner Panorama Documentary Audience Award: “Kokomo City,” D. SmithSecond Prize: “The Eternal Memory,” Maite AlberdiThird Prize: “The Cemetery of Cinema,” Thierno Souleymane Diallo

The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.

Naman Ramachandran Berlin’s just concluded European Film Market (EFM), which had a physical edition this year after two online editions in 2021 and 2022 due to the pandemic, has reported “record results” according to the organizers. There were 230 stands and 612 companies from 78 countries and more than 11,500 market participants from 132 countries. Some 773 films were shown in 1,533 screenings, including 647 online screenings and 599 market premieres. The total number of buyers also rose to 1,302. 629 film projects were presented on the new Producers & Project Pages. “After the past two irregular years, we’re pleased to return to the physical in full force, and with a vibrant, bustling and strong market. The exhibition areas at Gropius Bau and the Marriott Hotel were sold out, and the exhibitors reported strong sales and good business. The decision to group all the market happenings together with the Berlinale Series Market and the market screenings at Potsdamer Platz, and to provide the industry with an efficient infrastructure, was extremely well-received by our market participants,” said EFM director Dennis Ruh.

Makoto Shinkai’s latest pic Suzume is the first Japanese animated picture to play in competition at Berlin in two decades. However, Shinkai told a press conference in Berlin that a successful festival run has never been high on his list of priorities.

A cottage in the woods: isolated, idyllic and unavoidably reminiscent of some half-forgotten fairy tale. Unfortunately, Leon (Thomas Schubert) is not a country person. When his friend Felix’s car breaks down on the forest road on the way to the family holiday house where they both plan to work in peace and quiet, all Leon can hear are unnerving crackles in the undergrowth. Wild boar. Leon is definitely not a wild boar kind of guy.

Doctor Zhivago, Casablanca, Amour. Over the decades, cinema has produced some fictional love stories of enduring beauty and resonance. But for sheer emotional force, even those classics may not rival the true love story told in The Eternal Memory.

Steven Spielberg was presented with the Berlin Film Festival’s Honorary Golden Bear for Lifetime Achievement by U2 frontman Bono, who made a surprise appearance at the rousing special ceremony on Tuesday.

Danish actor Nikolaj Lie Kaas is best known for his work on-screen with filmmakers such as Lars von Trier and Anders Thomas Jensen, but he’s in Berlin this week with Agent, his first project as a writer-director.

Leo Barraclough International Features Editor The Berlin Film Festival has returned to its first fully in person edition since 2020. But this year, the Berlinale has come back with a vengeance, and added something that it wasn’t especially known for in its pre-pandemic days: star power. Indeed, it’s been hard not to bump into a famous person in the German city — almost giving this previously mostly auteur driven gathering a vibe that more closely resembles the latest versions of Sundance or Toronto. Artistic director Carlo Chatrian told Variety Sunday that A-list names help raise awareness for the festival’s core mission – to celebrate movies and encourage audiences to return to theaters.

Israeli film producer Yoav Roeh spoke passionately at the Berlin Film Festival on Sunday about the threat to freedom of speech in Israel under a proposed overhaul of the country’s judiciary by Benjamin Netanyahu’s hard-right government.

Marta Balaga Director: Vita Maria Drygas Producer: Vita Żelakeviciute Production companies: Drygas Film Production Sales: Dogwoof Documentary is a journey to places devastated by military conflicts, seen through the eyes of thrill-seeking tourists. (Generation 14plus) Director: Asaf Saban

Sydney Sweeney passed through the Berlin Film Festival Saturday evening alongside playwright and director Tina Satter to debut their new feature Reality.