Berlin Film Festival Awards (Updating Live)

Nick Vivarelli International Correspondent Chilean filmmaker Maite Alberdi’s documentary about love, memory and Alzheimer’s disease “The Eternal Memory” has scored a slew of international sales after making a splash at Sundance and Berlin. Dogwoof, the British sales company specialized in high-profile docs, has announced multiple deals on “Eternal Memory,” which won the Sundance Grand Jury Prize for World Documentary in January and was a recent standout at the Berlinale where it had its European bow. The hot doc is screening later this week at the CPH:DOX documentary film festival in Copenhagen. Dogwoof partnered with MTV Documentary Films to represent “The Eternal Memory” for international sales soon after its Sundance premiere. They have now scored sales on the doc to: Edge Entertainment (Nordics); Madman (Australia and New Zealand); Sherry Media (Canada); I Wonder Pictures (Italy); BTeam Pictures (Spain); Periscoop (Benelux); Atnine Film (South Korea); Synca (Japan); LEV (Israel), and Restart (Former Yugoslavia).

Sideshow and Janus Films have acquired North American rights for German director Christian Petzold’s new film Afire, following its award-winning world premiere in competition at the Berlin Film Festival.

with a bang.On February 25, the 32-year-old Berlinale jury president arrived on the red carpet for the festival's closing ceremony wearing a sheer gown with knitted black accents, including strategically. placed pockets.

can be found here.MAIN COMPETITIONGolden Bear for Best Film: “On the Adamant” (“Sur l’Adamant”), Nicolas PhilibertSilver Bear Grand Jury Prize: “Afire” (“Roter Himmel”), Christian PetzoldSilver Bear Jury Prize: “Bad Living” (“Mal Viver”), Joao CanijoSilver Bear for Best Director: Philippe Garrel, “The Plough”Silver Bear for Best Leading Performance: Sofia Otero, “20,000 Species of Bees”Silver Bear for Best Supporting Performance: Thea Ehre, “Till the End of the Night”Silver Bear for Best Screenplay: Angela Schanelec, “Music”Silver Bear for Outstanding Artistic Contribution: Hélène Louvart for the cinematography of “Disco Boy”ENCOUNTERSBest Film: “Here,” Bas DevosBest Director: “The Echo,” Tatiana HuezoSpecial Jury Award: “Samsara,” Lois PatiñoSpecial Jury Award: “Orlando, My Political Biography,” Paul B. PreciadoGWFF Best First Feature Award: “The Klezmer Project,” Leandro Koch, Paloma SchachmannSpecial Mention: “The Bride,” Myriam U.

Guy Lodge Film Critic Veteran French docmaker Nicolas Philibert was the surprise winner of the Golden Bear at this year’s Berlin Film Festival, taking the prize for his film “On the Adamant,” a poignant observational study of a Paris mental health care facility. He received the award from jury president Kristen Stewart, after the star offered an extended and plainly heartfelt ode to the film’s humanity and simplicity: “People have gone in circles for thousands of years trying to pin down what can be deemed art, who’s allowed to do it and what determines its value,” she said, citing the boundary-pushing nature of the festival, and namechecking such opposing philosophers on the matter as Aristotle, Barthes, Sontag and Beavis & Butthead, before concluding, “For all of us, you just know it when you see it.”

The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.

Guy Lodge Film Critic Trends in documentary-making have shifted radically since Nicolas Philibert’s “Être et Avoir” was a surprise arthouse hit two decades ago: That sweetly observational little film, following the ins and outs of a village elementary school over the course of a year, seems a quaintly modest proposition beside today’s more slickly immersive and narrativized nonfiction breakouts. If times have changed, however, Philibert has not. “On the Adamant,” his first feature in 10 years, finds him once more examining the human workings of a care-based institution from a reserved but compassionate distance, avoiding commentary and editorialization in favor of real-life character portraiture. It turns out to be the right approach for the institution under scrutiny: The Adamant, a day-care center in central Paris for adults with a variety of mental disorders, offering its visitors a range of therapy, education and cultural activity. The human subjects here are both expressive and highly vulnerable, open to the low-key, non-invasive presence of Philibert’s camera, and the film is content to be an undulating patchwork of their everyday moods and moments, rather than anything more strenuously conceptual. Suited to specialist distributors and streaming platforms, “On the Adamant” might not achieve the crossover success Philibert has found in the past, but it’s a warm reminder of his perceptive gifts: A premiere slot in Berlin’s main competition, alongside much sleeker, more formally ambitious fiction fare, effectively welcomes him back to the auteur leagues.

Makoto Shinkai’s latest pic Suzume is the first Japanese animated picture to play in competition at Berlin in two decades. However, Shinkai told a press conference in Berlin that a successful festival run has never been high on his list of priorities.

The Berlin Film Festival has made one of its highest priorities this year to stand with “the courageous protesters in Iran as they defend themselves against a violent, undemocratic regime.”

A cottage in the woods: isolated, idyllic and unavoidably reminiscent of some half-forgotten fairy tale. Unfortunately, Leon (Thomas Schubert) is not a country person. When his friend Felix’s car breaks down on the forest road on the way to the family holiday house where they both plan to work in peace and quiet, all Leon can hear are unnerving crackles in the undergrowth. Wild boar. Leon is definitely not a wild boar kind of guy.

Doctor Zhivago, Casablanca, Amour. Over the decades, cinema has produced some fictional love stories of enduring beauty and resonance. But for sheer emotional force, even those classics may not rival the true love story told in The Eternal Memory.

Dame Helen Mirren ditched her signature bob for ageless platinum waves as she attended the Berlin premiere of Golda.The actress, who last year admitted to still loving her former boyfriend, Liam Neeson, stunned as she attended the 73rd Berlin International Film Festival in Germany on Monday and was pictured with long flowing hair extensions. Helen, 77, sported an off-the-shoulder floor-length black dress that featured a low-cut ruffled neckline, which she paired with gold chandelier earrings as she walked the red carpet.

Guy Lodge Film Critic On stage, drag artist Aphrodite Banks is a femme fatale: Caked in war paint, with a waterfall of braids whipping around her waist, she’s possessed of the white-hot glare and forthright confidence to match her Amazonian height and bearing. Off stage, as Jules, he’s simply femme: that term for gay men who present or express themselves in a more feminine way, too often used as a slur or a dismissal even by their community brethren. (Open up a cruising app like Grindr and see how frequently “no fems” comes up as a requirement.) The former identity connotes swaggering strength; the latter, to many, delicate weakness. How those associations and stigmas battle each other in one man’s body is the driving conflict in “Femme,” a tense, sometimes startling revenge drama from British freshmen Sam H. Freeman and Ng Choon Ping.

Leo Barraclough International Features Editor The Berlin Film Festival has returned to its first fully in person edition since 2020. But this year, the Berlinale has come back with a vengeance, and added something that it wasn’t especially known for in its pre-pandemic days: star power. Indeed, it’s been hard not to bump into a famous person in the German city — almost giving this previously mostly auteur driven gathering a vibe that more closely resembles the latest versions of Sundance or Toronto. Artistic director Carlo Chatrian told Variety Sunday that A-list names help raise awareness for the festival’s core mission – to celebrate movies and encourage audiences to return to theaters.

Israeli film producer Yoav Roeh spoke passionately at the Berlin Film Festival on Sunday about the threat to freedom of speech in Israel under a proposed overhaul of the country’s judiciary by Benjamin Netanyahu’s hard-right government.

Marta Balaga Director: Vita Maria Drygas Producer: Vita Żelakeviciute Production companies: Drygas Film Production Sales: Dogwoof Documentary is a journey to places devastated by military conflicts, seen through the eyes of thrill-seeking tourists. (Generation 14plus) Director: Asaf Saban

Sydney Sweeney passed through the Berlin Film Festival Saturday evening alongside playwright and director Tina Satter to debut their new feature Reality.

Nick Vivarelli International Correspondent The Berlinale red carpet on Saturday became a protest platform against Iran’s repressive regime when a group of Iranian filmmakers and talents, joined by jury president Kristen Stewart, chanted “Women, Life, Freedom!” and demanded the release of imprisoned journalists and an Iranian rapper. Actress Golshifteh Farahani, who is also on the jury; “Holy Spider” actress Zar Amir Ebrahimi; and “The Siren” director Sepideh Farsi were among dozens of Iranian film professionals participating in the protests hosted by Berlinale co-directors Mariette Rissenbeek and Carlo Chatrian. Protesters with signs demanded freedom for female Iranian journalists Niloofar Hamedi and Elaheh Mohammadi who are behind bars, accused of “conspiring against national security” for being the first to report on Mahsa Amini’s death, and for the release of dissident Iranian hip hop artist Toomaj Salehi who has been accused of spreading propaganda and could face the death penalty.

Kristen Stewart joined Iranian filmmakers in a demonstration showing solidarity for Iran’s Women Life Freedom protests on the red carpet of the Berlin Film Festival on Saturday.

Who knew a Canadian biopic of an infamous smartphone could be this entertaining, even poignant and moving? I am here to tell you today’s World Premiere Berlin Film Festival competition entry, BlackBerry is all that and more.