Trish Deitch Before Melissa Etheridge became a stadium rock star, she spent four years playing lesbian bars in and around LA. That atmosphere—a small, rowdy roomful of happy drunken ladies—changed the way she wrote music and performed.
09.09.2023 - 02:39 / nypost.com
“Dicks: The Musical” has an extremely useful title. Your gut reaction to those three short words will help you decide whether you can stomach this loony A24 movie, which had its world premiere Thursday at the Toronto International Film Festival — or if it’ll make you retch.Trust your instincts, because the film itself, directed by Larry Charles (“Borat”), won’t change your mind. You go in either loving this sort of thing — or loathing it.This creature from the wacko lagoon has ample obscenities, constant profanity, razzmatazz songs and dances.
And, in my case, a lot of belly laughs.Running time: 86 minutes. Rated R (strong crude sexual content, brief drug use, pervasive language, graphic nudity. In theaters Sept.
29.That’s partly because I’ve followed and enjoyed the careers of its talented writers and stars, Josh Sharp and Aaron Jackson, two hilarious and high-energy New York actor-comedians who based the film on their Upright Citizens Brigade show “F–king Identical Twins.” There’s nobody else out there like them.Also it didn’t hurt that it premiered in the zany, irrepressible Midnight Madness section of TIFF, where the audiences are booze-soaked, delirious or a dangerous mixture of the two. That’s the best way to experience “Dicks” — oy vey — with a rowdy group of people in a theater. Watching this film at home alone has a whiff of illegality to it, like the cops could come and cart you off at any moment.While there are more anatomical references (and visual depictions) here than you can count, there is an actual story, about two identical twins — Craig (Sharp) and Trevor (Jackson) — who were separated at birth.
Trish Deitch Before Melissa Etheridge became a stadium rock star, she spent four years playing lesbian bars in and around LA. That atmosphere—a small, rowdy roomful of happy drunken ladies—changed the way she wrote music and performed.
More than 100 vintage motorcycles gathered in Blairgowrie recently before enjoying a run through some of east Perthshire’s beautiful countryside in what was the largest Vintage Motor Cycle Club (VMCC) event in Scotland since 2008.
Nearly two months after Angus Cloud’s death, the late actor’s loved ones are opening up about the final days leading up to his devastating loss, and his “deep troubles” battling addiction.
A trio of new shows joined Broadway last week to mostly decent box office figures as the fall season begins to take shape.
McKinley Franklin editor Taylor Swift wants to know — are Swifites registered to vote yet? Swift took to her Instagram — where she boasts more than 272 million followers — on National Voter Registration Day this Tuesday to share a message to her fans urging them to register to vote. She also shared a link to Vote.org, a non-profit voting registration platform and organization which she has previously partnered with. “I’ve been so lucky to see so many of you guys at my U.S.
Danniella Westbrook has publicly defended her friend Russell Brand after a number of allegations emerged last week accusing him of rape, sexual assault and abuse, claiming that he is a "target of lies".The 49 year old TV personality and former EastEnders star immediately jumped to support her longtime pal in the wake of the allegations, which were claimed to have taken place between 2006 and 2013 against five women. Russell, 48, vehemently denies all allegations and says every sexual relationship he has ever had has been completely consensual. Danniella branded the allegations "disgusting" and told followers that the Russell she knows is "helpful, kind and funny".
Amy Nicholson “The Royal Hotel,” the setting of Kitty Green’s ulcer-inducing thriller, is a sun-baked bar in a rural Australian mining town surrounded by terrain so monotone that Canadian backpackers Hanna (Julia Garner) and Liv (Jessica Henwick) can’t keep their eyes open on the way in. The two young women arrive at their barmaid jobs with a sense palpable disorientation. They’ve quite literally woken up in Oz, and they don’t know the people, the customs, the nicknames for the local ales, or the way out.
The cost of petrol is increasing again across Scotland and the rest of the UK.
EXCLUSIVE: A24 and Chernin Entertainment’s Dicks: The Musical, in the wake of having a rowdy world premiere at TIFF’s Midnight Madness, is tweaking its release date, now going limited on Oct. 6 instead of Sept. 29.
Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.
Erik ten Hag has already overseen plenty of change at Old Trafford and Manchester United’s squad is now full of players that could remain at the club long-term.
Clayton Davis Senior Awards Editor Lyrics that include the words “dick,” “fuck” and “pussy” are not the typical wholesome, family content the Academy’s Music Branch tends to recognize. But occasionally, they have allowed a couple to slip through. A24’s “Dicks: The Musical,” the opening night Midnight Madness at TIFF, has an onslaught of hilarious and catchy tunes that I wish the Oscars would be brave enough to nominate.
Jaden Thompson Four-time Oscar nominee and indie darling Saoirse Ronan revealed in a recent Harper’s Bazaar UK interview that she’s keen to star in a comedy soon, referencing Paul Feig’s “Bridesmaids” and the Larry David-created sitcoms “Seinfeld” and “Curb Your Enthusiasm” as her favorite comedic projects. “I would love to do something modern and funny,” Ronan said.
It is only appropriate that Sony’s terrific new comedy, Dumb Money starts with the Columbia Pictures logo. That was the studio that Frank Capra famously helped build with his movies where the little guy triumphs over the corporate bad guys. Dumb Money is positively Capraesque in the way it tells its David vs Golitath improbable story about how an internet geek started a movement that blew up the heretofore loser stock of shopping mall game store GameStop and became the toast of Wall Street while bankrupting a couple of billionaire hedge funds in the process. It had its World Premiere tonight at the Toronto International Film Festival before its theatrical release later this month.
Flesh-eating sewer monsters, genitals with wings, grave robbing, two confused “identical twins” and 90 minutes of sexual innuendo is what you can expect from comedians Aaron Jackson and Josh Sharp’s stage show-turned-movie. Directed by Larry Charles and written by and starring the duo, the film also features Nathan Lane, Megan Mullally, Megan Thee Stallion and Bowen Yang. As a viewer, I often wondered how the hell this got turned into the movie because it is so outrageous. Thankfully, it succeeds at being fun and funny because anything less would have amounted to torture.
Rebecca Rubin Film and Media Reporter A raucous, deliriously madcap midnight premiere of “Dicks: The Musical” closed out the first day of the Toronto Film Festival. A24’s first-ever musical, which leans hard into its R-rating and puts an irreverent, queer spin on “The Parent Trap,” played to laughs, cheers, audible gasps and shrieks and, yes, a few groans from the Royal Alexandra Theatre.
McKinley Franklin editor Following its world premiere at the 2023 Tribeca Film Festival, Bleecker Street has acquired the U.S. rights to Sara Bareilles and Jessie Nelson’s “Waitress: The Musical,” which is set for a nationwide release on Dec. 7, the studio announced Wednesday.
Bleecker Street has picked up U.S. rights to hit musical production Waitress: The Musical, from composer-lyricist Sara Bareilles and Jessie Nelson following its premiere at the Tribeca Film Festival in June. Bleecker Street is teaming with Fathom Events for a December 7, 2023 nationwide release of the Broadway show, which was captured live on stage in 2021 during its long stage run.
Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.
Thanks to science fiction, we all have a basic grip on the theory of the multiverse: the idea that there are innumerable parallel worlds in which the chances and choices of the past – the roads not taken, whether by ourselves or the dinosaurs – have split off into alternative stories, endlessly bifurcating into other pasts, other futures that must be peopled, most provocatively, with other versions of ourselves. It is an idea that has proved rich pickings for comic-book adventures, where peril can come from any available universe and there is always a chance of confronting a doppelganger, but German director Timm Kröger has returned to the theory – which dates back to the 1950s – to explore how mysterious, sinister and terrifyingly vast a proposal it really is. This is a theory of everything where everything – that familiar word – is infinite. Where nothing, in fact, is ever going to be “everything.”