Even by the HFPA’s eccentric standards, Todd Haynes’ May December is a wild card in the Best Musical or Comedy category. But it does feature elements of both, in a deceptively dark story that harks back to the days of Hollywood’s self-imposed censorship code, when ingenious directors found sensitive and intelligent ways to address taboo subjects in mainstream movies. Here, the inspiration is the real-life case of Mary Kay Letourneau, a 35-year-old married teacher who, in 1997, seduced a pupil and was sentenced to prison for it, twice. A year after her release in 2004, claiming their love was “eternal and endless”, Letourneau married the boy, then 21. That wedding, and their subsequent life together, was covered, flatteringly, by the media. May December is not their story, but it does address two key points. What was she thinking. And how did the media become so complicit?