Elizabeth Berry Latest Celebrity News & Gossip

Ellise Shafer Natalie Portman and Benjamin Millepied have officially divorced after 11 years of marriage. According to People, a rep for Portman confirmed that the Oscar-winning actor quietly filed for divorce from the French choreographer in July in France, where the couple resided with their two children. The divorce was finalized last month.

Todd Gilchrist editor The creative process can sometimes be highly organized, and others completely ephemeral: for every story that’s been mapped out beat by beat there’s another that arrived completely intact from a writer’s fingers in a feverish outpouring of inspiration. Somewhere in between these extremes is the unglamorous, frequently tedious work of chipping away at an idea, a sequence, or line of dialogue that gets to the heart of what a scribe wants to say — or more precisely, hopes to communicate.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. “May December” co-stars Julianne Moore and Charles Melton have not shied away from showing their love for each other during this year’s awards season. The pair, who play a controversial married couple at the center of Todd Haynes’ latest film, showed up to the Critics Choice Awards on Sunday night with fan-made t-shirts of each other.

Charles Melton has had a good year; although saying farewell to Riverdale hit him hard, he went head-to-head with Natasha Lyonne for an episode of Poker Face and earned a Golden Globe nomination for his role in Todd Haynes’ May December. Sandwiched between Natalie Portman and Julianne Moore, the U.S.-born actor with Korean roots handled himself impeccably, playing the husband of Gracie (Moore), an older woman once sent to prison for molesting him as a minor. Melton brings a diffident grace to the part, which is crucial to the film’s unfolding when actress Elizabeth Berry (Portman) turns up.

The late Mary Kay Letourneau‘s former partner Vili Fualaau is reacting to May December.

Even by the HFPA’s eccentric standards, Todd Haynes’ May December is a wild card in the Best Musical or Comedy category. But it does feature elements of both, in a deceptively dark story that harks back to the days of Hollywood’s self-imposed censorship code, when ingenious directors found sensitive and intelligent ways to address taboo subjects in mainstream movies. Here, the inspiration is the real-life case of Mary Kay Letourneau, a 35-year-old married teacher who, in 1997, seduced a pupil and was sentenced to prison for it, twice. A year after her release in 2004, claiming their love was “eternal and endless”, Letourneau married the boy, then 21. That wedding, and their subsequent life together, was covered, flatteringly, by the media. May December is not their story, but it does address two key points. What was she thinking. And how did the media become so complicit?

Even by the HFPA’s eccentric standards, Todd Haynes’ May December is a wild card in the Best Musical or Comedy category. But it does feature elements of both, in a deceptively dark story that harks back to the days of Hollywood’s self-imposed censorship code, when ingenious directors found sensitive and intelligent ways to address taboo subjects in mainstream movies. Here, the inspiration is the real-life case of Mary Kay Letourneau, a 35-year-old married teacher who, in 1997, seduced a pupil and was sentenced to prison for it, twice. A year after her release in 2004, claiming their love was “eternal and endless”, Letourneau married the boy, then 21. That wedding, and their subsequent life together, was covered, flatteringly, by the media. May December is not their story, but it does address two key points. What was she thinking. And how did the media become so complicit?

Charles Melton is opening up about wearing a prosthetic for a scene in his new movie May December.

Clayton Davis Senior Awards Editor SPOILER ALERT: This story contains spoilers for Netflix’s “May December” In Netflix’s “May December,” one of the most memorable scenes features Joe Yoo (played by Charles Melton) arriving at the hotel to deliver a letter from his wife Gracie (Julianne Moore) to actress Elizabeth Berry (Natalie Portman). Their encounter leads to a brief yet intense sexual liaison on the floor, culminating in a conspicuous silhouette shot of Joe’s penis. Amid Samy Burch’s narrative brilliance and Todd Haynes’ tantalizing direction, one might imagine Melton — known for his role in The CW’s “Riverdale” — felt immense pressure acting opposite Oscar winner Portman, who also produced the film.

Ethan Shanfeld In Todd Haynes’ Netflix drama “May December,” the subject of a decades-old tabloid sex scandal is visited by a famous actress set to portray her in a film. Julianne Moore plays Gracie Atherton-Yoo, who was 36 years old when she was caught having sex with Joe, a 13-year-old boy who worked with her at a pet store. After having his first child from behind bars, Gracie began her life with Joe (Charles Melton), who is now the same age Gracie was when they first met.

May December and Chicken Run: Dawn Of The Nugget are among some of the most anticipated additions to Netflix UK this month.Directed by Todd Haynes (Carol), May December is a drama film loosely inspired by the story of Mary Kay Letourneau. The film follows Elizabeth Berry (Natalie Portman), an actress who travels to Georgia to meet and study the life of Gracie Atherton-Yoo (Julianne Moore) who is in a controversial relationship with husband Joe Yoo (Charles Melton).Other highlights include the sequel to Chicken Run, which is set to arrive on December 15.

May December, the title of Todd Haynes’s latest drama, reflects the director’s dance card for the year: having opened in Cannes, the Netflix title has been a festival favorite ever since, and will likely hang in there until voting closes after Christmas. Its two star names, Natalie Portman and Julianne Moore, have been getting curious audiences through the doors, but what keeps the film playing in everyone’s minds is the moral maze of questions it poses.

Clayton Davis Senior Awards Editor Natalie Portman calls Todd Haynes’ new film, “May December,” a “dream role.” “May December” stars Portman as actress Elizabeth Berry (Portman), who is set to portray Gracie Atherton-Yoo (Julianne Moore) in a movie. Gracie is a Georgia woman who became a notorious tabloid figure when she engaged in a sexual relationship with a 12-year-old boy, Joe. (Yes, this is loosely based on the story of teacher Mary Kay Letourneau, who had an affair with and married her teenage student, Vili Fualaau.) Twenty years have passed, and Gracie is trying to move on from the scandal.

BreAnna Bell Without rehearsals, Natalie Portman had a special challenge ahead of her as she took on her latest role in Todd Haynes’ latest drama, “May December.” Portman stars opposite Julianne Moore as Elizabeth Berry, an actress set to portray Gracie Atherton-Yoo (Moore), a woman whose life became the subject of tabloid fodder when she began a sexual relationship with a 12-year-old boy, Joe. Two decades later, Elizabeth studies Gracie and Joe (now a 36-year-old man) as she preps for her role, analyzing the cracks in their façade.

The official trailer for Todd Haynes’ upcoming film, May December, explores a twisted personal drama, reminiscent of the real-life scandal between former teacher Mary Kay Letourneau and her 13-year-old student, Vili Fualaau.

Sophia Scorziello editor Cannes darling “May December” has unveiled its first trailer starring Natalie Portman, Julianne Moore and Charles Melton. Directed by filmmaker Todd Haynes, the film first premiered back in May and is set for a limited theatrical release before hitting Netflix. “May December” is based loosely on the true story of Mary Kay Letourneau, an American teacher charged with having a sexual relationship with one of her 12-year-old students.

Clayton Davis Senior Awards Editor Natalie Portman and Julianne Moore are splitting up their Oscar campaigns for awards season. Although Todd Haynes’ delicious drama “May December” is interpreted by many as a two-hander, Netflix confirms to Variety exclusively that Portman will be submitted for lead actress consideration, while Moore will vie for supporting actress. Co-leads from awards contenders are seldom campaigned alongside one another.

Elsa Keslassy International Correspondent Natalie Portman may be an outspoken feminist and co-founder of a female-driven soccer club (Angel City FC), but she isn’t a believer in the so-called “female gaze.” In an interview with Vanity Fair France for the magazine’s 10-year anniversary issue, conducted prior to the SAG-AFTRA strike, Portman argued that “to say that a female director has a particular gaze is reductive of women’s individuality and points of view.” The Harvard-educated actor also said that gender isn’t a factor when she chooses projects. “Female directors should have the same opportunities as their male counterparts.

Natalie Portman rocks a chic tweed look for her appearance at the IAA Conference on Affordable Sustainable Mobility during the 2023 IAA MOBILITY show on Tuesday (September 5) in Munich, Germany.

The first teaser trailer for May December has been released.

Natalie Portman has called out “the different” ways men and women are still expected to act in society and at events like the Cannes Film Festival.

Clayton Davis Senior Awards Editor Todd Haynes is the latest auteur to use Cannes as a launching pad for a potential Oscar contender, debuting his delicious dramedy “May December” at the festival on Saturday. Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons away from taking in the Haynes movie. And not just because the movie reunites the director with his muse Julianne Moore, who he worked wonders with on “Safe” (1995) and “Far from Heaven” (2002), the latter which earned an Oscar nomination for Moore’s performance and one for Haynes’ script.

Todd Haynes has a way with female stars. I would even call him the new-age George Cukor in that regard. Whether in Carol with Cate Blanchett and Rooney Mara, or his HBOlimited series Mildred Pierce with Kate Winslet, or his homage to the director of so many so-called “women’s pictures” of the ’50s Douglas Sirk in Far From Heaven with Julianne Moore, he seems to be in his comfort zone with women. That has never been more apparent than his latest, May December, a deliciously entertaining showcase for Natalie Portman and Moore (her and Haynes’ fourth film together), which just had its world premiere Saturday in competition at the Cannes Film Festival.