Cannes Movie ‘Corsage’ Starring Vicky Krieps Debuts First Clip (EXCLUSIVE)

The first teaser for the upcoming The Hunger Games prequel series, The Ballad of Songbirds and Snakes, has been released!

Jury Prize: “Joyland,” directed by Saim SadiqBest Director Prize: Alexandru Belc for “Metronomes”Best Actor Prize (jointly awarded):Vicky Krieps in “Corsage”Adam Bessa in “Harka”Best Screenplay Prize: “Mediterranean Fever,” directed by Maha HajCoup de cœur Prize: “Rodeo,” directed by Lola Quivoron

Guy Lodge Film CriticFrench film “The Worst Ones (Les Pires)” is the surprise winner of the top prize at this year’s Un Certain Regard awards ceremony, with Italian actor-director Valeria Golino and her fellow jurors also handing prizes to Pakistani breakout “Joyland,” Romanian drama “Metronom” and “Corsage” star Vicky Krieps.

Manori Ravindran International EditorOn the heels of Critics’ Prize wins for Andres Ramirez Pulido’s “La Jauria,” Variety can reveal an exclusive clip from the Colombian film.The pic on Wednesday won the Grand Prize at Critics’ Week, the Cannes Film Festival’s sidebar dedicated to first and second features. It also picked up the SACD prize.“La Jauria” centers on Eliu, a country boy, who is incarcerated in an experimental young offenders institution, deep in the heart of the Colombian tropical forest, for a crime he committed with his friend El Mono.Every day, the teenagers perform hard manual labor and endure intense group therapy, under the menacing gaze of the camp guard Godoy.

Elsa Keslassy International Correspondent“The Three Musketeers,” Pathé Films’s $75-million two-part adventure epic saga based on Alexandre Dumas’s masterpiece, has been bought in major international territories rolling off a busy Cannes market. Pathé unveiled a sprawling 15-minute promoreel for both “The Three Musketeers” – D’Artagnan” and “The Three Musketeers – Milady” at Cannes Marché du Film. Both movies are directed by Martin Bourboulon and boast a star-studded cast, including Vincent Cassel, Eva Green, Vicky Krieps, Romain Duris, Pio Marmaï, François Civil, Lyna Khoudri and Louis Garrel.

Leo Barraclough International Features EditorWhen filmmaker Marie Kreutzer was writing “Corsage,” which chronicles a critical period in the life of Empress Elisabeth of Austria, also known as “Sissi,” she had in mind the experience of other women in the public eye, in particular Princess Diana and Meghan Markle. In recent weeks, she has been mulling the treatment of Amber Heard as well.

Director Emily Atef’s Cannes Un Certain Regard drama More Than Ever is a careful, fastidious, Tradition of Quality film about impending death that’s easy to admire but won’t exactly pack ‘em in.

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review, Nicholas Barber wrote that “Corsage” stylistically resembles the dreamy Kristen Stewart film “Spencer.” “Whenever the film seems to be settling into an atmospheric but conventionally good-looking period piece, Kreutzer throws in an amusing and jarring reminder of the modern world, as if Elisabeth were breaking out of her allotted role by time-traveling, momentarily, to the present day,” Barber wrote. “Corsage” follows Elisabeth around her 40th birthday at a time when her role in the empire is slowly becoming more performative and has to fight to maintain her public image by lacing her corset ever tighter and tighter.

For all their faults, the 2020s are shaping up to be a welcome celebration of actor Vicky Krieps. The Luxembourg actress is perhaps best-known with domestic audiences for her performance in Paul Thomas Anderson‘s “Phantom Thread,” but with 2021’s “Bergman Island” and a pair of 2022 Cannes Film Festival titles (“Corsage,” “More Than Ever“) under her belt, she seems poised to enter that rare stratosphere of performers who move between national cinema and Hollywood with ease.

IFC Films has nabbed North American rights to “Corsage,” Marie Kreutzer’s bold costume drama starring Vicky Krieps as the Empress Elisabeth of Austria known as Sissi. Represented in international markets by MK2 Films, the movie world premiered at Cannes’ Un Certain Regard and earned unanimous praises.

Here are some of the key talking points from the Cannes Film Festival and market at half-way.

Inspired by her own late mother’s long battle with multiple sclerosis, writer/director Emily Atef’s (“Molly’s Way,” “3 Days in Quiberon”) latest work, “More Than Ever,” delivers a poignant and well-acted story. Featuring Gaspard Ulliel’s last performance, the film asks its audience to face the reality of and ponder the inevitability of death as well as the line between those who have experienced a type of suffering and those who haven’t.

Leo Barraclough International Features EditorLeading arthouse sales company the Match Factory has acquired the rights to “Bachmann & Frisch,” a biopic about the radical Austrian writer and poet Ingeborg Bachmann, directed by Venice Golden Lion winner Margarethe von Trotta. The film stars Vicky Krieps — who appears in two Cannes Film Festival films this year, “Corsage” and “More Than Ever” — as the poet, and Ronald Zehrfeld (“Barbara,” “Phoenix”) as her partner, the Swiss writer Max Frisch.The pickup follows the international sales success for the Match Factory with Von Trotta’s “Hannah Arendt” in 2012.

There’s a lot happening at the 2022 Cannes Film Festival right now and so many big stars stepped out for photo calls during day five.

A silver spoon clunks loudly inside a bowl of beef broth. The meal — well, barely a meal — is served to Empress Elisabeth of Austria (Vicky Krieps) twice a day, her diet a strict combination of insipid soup and wafer-thin slices of lemon.

Jessica Kiang The Empress is unimpressed. Introduced to us at the beginning of Marie Kreutzer’s sneaky and terrific Un Certain Regard premiere “Corsage,” submerged in a bathtub during one of her many self-imposed endurance training rituals, Duchess Elisabeth Amalie Eugenie in Bavaria, Empress of Austria and Queen of Hungary, is holding her breath underwater for as long as she can.

It took the Empress Elisabeth’s strongest lady’s maid an hour every morning to lace her stays. The Emperor Franz-Joseph’s wife Sisi, as she was fondly known to the subjects of the Austro-Hungarian empire, was famous for the narrowness of her waist, which reputedly measured 19 and a half inches; the slightest weight gain was a matter of seething public interest. It looks very much as if Vicky Krieps, who brings great complexity to her portrait of the empress in Marie Kreutzer’s Un Certain Regard title Corsage, shares the imperial measurements. Let’s hope that is just a trick of the camera. So much corsetry — or corsage, the word we hear much used in the royal dressing-rooms of 19th-century Vienna — doesn’t leave much room for little things like ribs.

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