Gavin Newsom drew attention Wednesday to what he sees as serious moment in U.S. politics in which some right-leaning politicians are “on the spectrum of authoritarianism.”“It is about liberalism versus illiberalism.
19.08.2022 - 00:07 / variety.com
Gene Maddaus Senior Media WriterCalifornia is poised to add a diversity requirement to its $330 million tax incentive for film and TV production, as lawmakers seek to use their leverage to make the industry better reflect the state’s demographics.Gov. Gavin Newsom is expected to sign a bill, SB 485, that will extend the tax credit through 2030.
On Wednesday night, the bill was amended to require productions that receive the credit to set hiring goals that are “broadly reflective of California’s population, in terms of race, ethnicity, and gender.”Diversity in Hollywood has been a topic of discussion for years, but until recently there were few incentives to promote it. In 2020, the Academy of Motion Picture Arts and Sciences adopted inclusion standards to be eligible for best picture.
A few other states — including Illinois and New Jersey — have added diversity criteria to their film credit programs. “There comes a point where you can’t just talk about it any more — you have to show action,” said Assemblywoman Wendy Carrillo, D-Los Angeles, one of the key advocates for adding a diversity requirement to California’s film incentive.California is 40% Latino, 35% white, 16% Asian American, and 6.5% Black, according to the most recent Census estimates.
In 2020, the California Film Commission reported that the state’s film and TV workforce — for those whose race or ethnicity could be determined — was 70% white, 17% Latino, 7% Black and 4% Asian American. That data came from projects that received a tax credit from 2015 to 2020.The report also showed a vast gender disparity, with 75% of film and TV jobs held by men, and 25% held by women.Under the bill, which would take effect on July 1, 2023, recipients of the state’s film
.Gavin Newsom drew attention Wednesday to what he sees as serious moment in U.S. politics in which some right-leaning politicians are “on the spectrum of authoritarianism.”“It is about liberalism versus illiberalism.
Nick Vivarelli International Correspondent The Saudi Film Commission (SFC) has announced that four feature film project that are winners of its Daw Film Competition to discover new local talent and champion the next generation of filmmakers have finished principal photography. These works, which are likely to surface on the festival circuit, are a tangible sign that Saudi Arabia’s nascent local industry is fostering local films with potential to travel as well as to play for local audiences. The films are: “Within Sand,” a first work by Moe Alatawi inspired by the true story of a 23-year-old tobacco merchant ambushed by thieves in the desert who leave him to fend for himself with only a dagger. The film, produced by Reem Alatawi and Riyadh-based Alsarid Films, features an all-Saudi cast, while 70% of its film crew hails from Saudi Arabia. This is the first homegrown production to shoot in the unique landscapes of NEOM, the futuristic megacity in-the-making where the $100 million U.S./Saudi actioner “Desert Warrior” was shot. NEOM is situated along the kingdom’s Red Sea coast in Tabuk, in the northwest of the kingdom.
Gene Maddaus Senior Media Writer A man who met writer-director Paul Schrader at a campus event at their Michigan alma mater has filed a lawsuit alleging that Schrader later stole his ideas and used them in the film “The Card Counter.” Mark Vanden Berge alleges in the suit that he met Schrader after a screening of “First Reformed” at Calvin University, a Christian college in Grand Rapids, in February 2018. He says he told Schrader about a treatment he was working on for a film called “Blown Odds,” about a gambler’s search for redemption, and asked Schrader for help developing it into a marketable screenplay. According to the suit, Schrader told him to email him the treatment. Vanden Berge sent it to him, according to the suit, but never heard back from Schrader directly, though he says he was told that Schrader had received it.
EXCLUSIVE: Rosa Salazar (Alita: Battle Angel), Bobby Soto (Narcos: Mexico), Julio Cesar Cedillo (Narcos: Mexico), Veronica Falcón (Ozark), Sarayu Blue (I Feel Bad) and Eric Johnson (Fifty Shades franchise) are among the newest additions to Prime Video’s Michael Peña starrer A Million Miles Away, which has entered production in Mexico City. Others rounding out the ensemble of the Alejandra Márquez Abella-helmed film include Jordan Dean (Harry & Meghan: Escaping the Palace), Ashley Ciarra (Chupa), Michelle Krusiec (Hollywood), Emma Fassler (Recovery Road), Michael Adler (Super Pumped), Carlos S. Sanchez (Chicago Fire) and Isaac Arellanes (Ghostwriter).
Angelique Jackson Netflix’s restructuring continues with the impending departure of one of the streamer’s top film executives, Tendo Nagenda. The veteran executive, who joined Netflix from Disney in 2018, shepherded such movies as “The Harder They Fall,” “Da 5 Bloods” and the upcoming “Glass Onion: A Knives Out Mystery” for the streamer. Variety can confirm that Nagenda’s last day in his role will be Sept. 1. “Tendo joined the company four years ago and helped to build out our studio film team, who delivered movies such as ‘The Harder They Fall,’ ‘Glass Onion: A Knives Out Mystery,’ ‘The Old Guard,’ ‘Da 5 Bloods’ and ‘Hustle,'” Scott Stuber, Netflix’s head of global films, said in a statement. “He was integral in our evolution from acquiring and licensing films to making movies ourselves. We wish him all the best for the future.”
Gene Maddaus Senior Media Writer A judge on Monday denied a defense request to postpone Harvey Weinstein’s trial in Los Angeles in order to avoid publicity for “She Said,” a feature film about the exposure of sex abuse allegations against him. Weinstein is set to go on trial on 11 counts of rape and sexual assault on Oct. 10, and the case is expected to last at least through the end of November. “She Said,” a film based on the book by New York Times reporters Jodi Kantor and Megan Twohey, is due out from Universal on Nov. 18. The film is also expected to have its world premiere at the New York Film Festival, which runs from Sept. 30 to Oct. 16.
Gene Maddaus Senior Media Writer Talks between the Motion Picture Association and the Hollywood labor unions have failed to produce an agreement on a new law that would address firearm safety on movie sets. The two sides backed competing proposals earlier this year in Sacramento in response to the fatal shooting of cinematographer Halyna Hutchins on the set of “Rust” in New Mexico last October. Both bills would have established a training standard for film armorers — a job that is currently almost entirely unregulated. The union proposal would have been more sweeping, however, establishing the role of a “set safety supervisor” who would have the power to shut down productions. Both bills stalled in the legislature in May, but the two sides continued to talk in hopes of reaching an agreement before the Aug. 31 legislative deadline.
“Time to make Ron DeSantis a one-term governor,” California Governor Gavin Newsom wrote today of the Florida leader. Newsom proposed to do so by donating $100,000 to DeSantis’ opponent in the November midterm, Rep. Charlie Crist (D-Fla).
A California Senate bill extending the $330 million annual film and TV tax credit until 2030 was today placed in the inactive file for this legislative session at the request of its lead author, Senator Anthony Portantino (D- Burbank).
Portantino, who authored the bill and is a major player when it comes to film industry legislation in California, said that the delay was done to give lawmakers time to iron out late amendments added to the tax program, including a diversity amendment added by Los Angeles Assemblywoman Wendy Carrillo requiring productions that receive a tax credit to hire a cast and crew that is “broadly reflective” of the state’s demographics. With the current tax credit program not expiring until 2025, Portantino expressed confidence that the extension can be finalized in time.
Gene Maddaus Senior Media Writer A bill to extend California’s film and TV tax incentive program through 2030 has been placed on hold, as lawmakers continue to work on elements of the bill, including a new diversity mandate. The state’s $330 million tax credit for Hollywood is currently set to expire in 2025. Sen. Anthony Portantino has worked on a bill, SB 485, that would add another five years to the program. Last week, a new provision was added requiring that productions that receive a tax credit adopt hiring goals that are “broadly reflective” of the state’s demographics. Assemblywoman Wendy Carrillo, D-Los Angeles, led the effort to include that provision, which also adds an extra 4% subsidy for projects that meet their diversity targets.
Gene Maddaus Senior Media Writer“Joker” was a very New York movie — so much so that tourists flocked to the Bronx staircase where Joaquin Phoenix danced in a montage.But the sequel, “Joker: Folie á Deux,” will shoot in Los Angeles, thanks to $12.6 million in tax credits to Warner Bros. from the state of California.The California Film Commission announced its latest round of credit allocations on Monday morning, awarding $93.7 million to 18 projects.
Hollywood soon might be required to do more than just talk about the importance of diversity in the industry, if a new addition to an extension of California’s lucrative film and television tax credits becomes law.
Downtown Los Angeles is going through a transformation and East End Capital is planning on building 16 soundstages in the Arts District. The 720-square-foot development would be close to the infamous 6th Street Bridge.
Gene Maddaus Senior Media WriterSAG-AFTRA announced on Monday evening that it has reached a tentative agreement with the major studios on actor exclusivity periods, an issue that has become a top priority for the union in recent years.The issue affects actors on TV series, who can find themselves barred from working on other projects for many months or even years between TV seasons. The union has said that the issue has grown acute in the streaming era, with seasons getting shorter and with longer delays between seasons.The union backed a bill, AB 437, in the California legislature, which aims to eliminate exclusivity periods from actors’ contracts.
Anne Heche's director and co-star are opening up about her impact on her upcoming project, the Lifetime film DirectorElisabeth Rohm and Larissa Dias, who stars as Heche's character's daughter, spoke with ET on Thursday about the TV movie -- part of Lifetime's «Ripped From the Headlines» franchise — that tells a harrowing story of a recovering addict who becomes trapped in the world of human trafficking.«I know all of us at Lifetime, myself, Larissa, everybody is devastated,» Rohm said of Heche's hospitalization. The actress has been in a coma in Los Angeles since a fiery car crash last Friday.«We are praying for her and the victims of this horrible tragedy,» the director continued. «I know that Anne really was passionate about this film. She gave it everything that she had, she brought a phenomenal performance and force to this project and she was really committed to stopping violence against women.
Kelli Evans has been nominated as a California Supreme Court associate justice. If confirmed, she will be the first self-identified lesbian and second Black person to serve on the bench. Photo: Office of Gov. Gavin Newsom.