Be it slashers, possession movies, or curses like “It Follows,” teen horror endures in its many iterations. And a new high school horror movie on the way from Black Bear sounds like a fresh take on the premise of David Robert Mitchell‘s 2014 film.
30.09.2023 - 12:43 / deadline.com
“Are streamers scaling back?” and “Is this a renaissance period for indie financed films?” were two of the questions at the heart of a Zurich Summit panel this morning, featuring CAA‘s Roeg Sutherland, WME‘s Katie Irwin and Oscar-winning producer John Lesher (Birdman).
While the eye-watering streamer acquisitions of a few years ago may be fewer and further between out of markets, streamers are still essential buyers, as witnessed by splashy deals for Hit Man and Woman Of The Hour at Toronto and May December in Cannes.
“I don’t think they are retreating, I think they are being agile”, said Irwin of sales and finance operation WME Independent. “I think there’s a constant changing tack and I think they’re pointing their money in different ways.”
“Look at the deal for Hit Man“, noted moderator Sutherland who serves as co-head of CAA Media Finance. The film was acquired at Toronto for US and a handful of international markets and is due to have a theatrical component. “We’re seeing a more malleable market in which streamers are acquiring in a different way. It doesn’t only need to be worldwide.”
The panel was asked whether that appetite for streamer acquisitions could dry up if more movies are made from scratch in-house at streamers.
“I think there will always be good movies that they’ll acquire,” said Lesher, known for producing movies such as Birdman, Fury and Ferrari. “They’re developing more, which is good, but do those movies end up good? It’s a good question, and it depends how you define what is good.”
“There’s no question we’re going through a tougher period,” acknowledged Sutherland about the landscape, “after Covid, and the strikes. So we have to be good and careful with each other in the industry, we shouldn’t
Be it slashers, possession movies, or curses like “It Follows,” teen horror endures in its many iterations. And a new high school horror movie on the way from Black Bear sounds like a fresh take on the premise of David Robert Mitchell‘s 2014 film.
EXCLUSIVE: The Nun and Gangs Of London director Corin Hardy is set to direct high school horror movie Whistle, which Black Bear will be selling at AFM after soft-launching the project at TIFF.
In the latest Saturday Night Live promo, this week’s host Bad Bunny squares off against this week’s musical guest. That would also be Bad Bunny.
Addie Morfoot Contributor John Legend is lending his voice to “We Dare to Dream,” a documentary about the refugee Olympic team at the 2020 Olympics in Tokyo. Legend will write, compose and record “Don’t Need to Sleep,” an original song for the docu, which will open theatrically Oct. 20 at New York’s IFC Center.
Rolling Stones guitarist Ronnie Wood has spoken to NME about the “explosive” new songs, his final meeting with late drummer Charlie Watts and who’d play who in a biopic of the band. Watch the full video interview above.Wood, alongside Mick Jagger and Keith Richards, announced ‘Hackney Diamonds’ during a live press conference at the Hackney Empire in London last month.
Lydia Velez Gonzalez and Milton Johnson were one of only two couples who made it to the altar on season five of Love Is Blind!
Brent Lang Executive Editor Black Bear‘s management arm has signed award-winning Quebec director Sophie Dupuis for representation. Most recently, Dupuis’ third picture, “Solo,” premiered at the 2023 Toronto International Film Festival, where it won the award for best Canadian film. The film, which was written and directed by Dupuis, stars fellow Black Bear client Théodore Pellerin.
The reviews are in!
Anthony Hickox, the British director known for horrors such as Waxwork and Hellraiser III: Hell on Earth, has died aged 64.
Adam B. Vary Senior Entertainment Writer Actor Ashley Johnson — star of the popular web series “Critical Role” and video game franchise “The Last of Us” — has filed a lawsuit against Brian Foster, her ex-boyfriend and former “Critical Role” castmate, alleging domestic violence, sexual battery, assault, stalking, gender violence, intentional infliction of emotional distress and civil rights violations.
left her Malibu home to make a rare public appearance in Laurel Canyon with Coldplay frontman Chris Martin, her (and rumored fiancé) of nearly six years. The special occasion? Her 34th birthday.In pictures published by the , the two can be seen smiling with friends as they enjoyed a meal on the patio at celebrity-favorite Italian restaurant Pace.Dakota Johnson epitomized effortless fall fashion in a pair of black leather pants and an oversized denim jacket with a brown contrast collar.
Would you like a silent action film with little to no dialogue, or would you like the return of action-giant John Woo to the stage of American action cinema? And hey, how about both? Because that’s what you’ll get in Lionsgate’s “Silent Night,” a nonstop, action-packed thrill ride starring Joel Kinnaman (“The Killing,” “RoboCop,” “Suicide Squad”), with Catalina Sandino Moreno (“Barbarians,” “The Affair”), and Grammy award-winning musician and actor Scott Mescudi (aka “Kid Cudi”) READ MORE: Fall Film Preview: 60+ Most Anticipated Movies To Watch “It was a very smart script, and the story really touched me [because] I have three children,” Woo, whose legendary action bonafides include 1989’s “The Killer” and 1997’s “Face/Off,” told Entertainment Weekly this week.
While Season 48 of Saturday Night Live was cut short by the writers strike in May, it’s looking like the iconic late-night show will be set for a full Season 49 this winter, and it could get underway soon.
Addie Morfoot Contributor Independent cinema is in trouble.That’s according to Bob Berney, CEO of Picturehouse, John Sloss, founder and CEO of Cinetic Media, and Eugene Hernandez, director of the Sundance Film Festival and head of public programming. During an Oct.
told IndieWire Wednesday at the New York premiere of his new film “Killers of the Flower Moon” — the first of his films to get a full theatrical release since 2016’s “Silence.”“But also what they consider now ‘indie films.’ I don’t like that title,” continued the “Taxi Driver” director. “I think that categorizes, pigeonholes.
Ed Meza @edmezavar The changing global strategies of streamers and their impact on the independent film sector were front and center for international industry reps at the Zurich Summit on Saturday. Sasha Bühler, Netflix’s director of film for Germany, Austria and Switzerland, Patrick Wachsberger, Black Bear president John Friedberg, John Lesher, Neon CEO Tom Quinn, Focus Features’ Kiska Higgs and CAA’s Roeg Sutherland were among the participants taking deep dives into major issues facing the global entertainment market. Commenting on changing investment strategies at Netflix, Bühler stated, “We’re available in over 190 countries and we have 238 million subscribers, very diverse, around the world, and we actively produce in 50 countries, so it’s not a one-size-fits-all approach, and there are territories that are more saturated than others.” There are definite growth markets for Netflix and the company has not slowed down its investments at all, she added.
EXCLUSIVE: Neon CEO and founder Tom Quinn, Black Bear International President John Friedberg and Iconoclast‘s Head of Film and TV Robert Walak stopped by Deadline’s Zurich Summit studio this weekend to talk about current projects. Watch the video above.
Killers Of The Flower Moon at its New York City premiere, said in an interview that the term is unhelpful because it “pigeonholes” people’s work.“The thing about it is, it would be great to see not only blockbusters on a big screen, franchises on a big screen, but also what they consider now ‘indie films’. I don’t like that title,” Scorsese told IndieWire.“I think that categorises, pigeonholes.
International execs from Unifrance, MK2 and TrustNordisk kicked off the annual Zurich Summit on Saturday to discuss the importance of film festivals when promoting a title and if fests are drifting away from what works in cinemas.
Letterboxd, the global social platform that’s become a key tool for independent film discovery, promotion and conversation in the current challenging market for movies, is being acquired by Canadian technology holding company, Tiny, which is taking a majority stake.