Box Office: ‘Kingdom of the Planet of the Apes’ Makes $6.6 Million in Previews

Furiosa: A Mad Max Saga has had a poor opening weekend at the cinema despite receiving rave reviews from critics.NME’s five star review of the long-awaited prequel to the Mad Max series described the film as “brilliant and unmissable” and said the film was “another extraordinary blockbuster juggernaut that in some sequences somehow excels even its predecessor, arresting viewers with its booming, utterly immersive world of grease, dust, motorbikes and carnage.”Directed by George Miller, the film stars Anya Taylor-Joy as Furiosa – a younger version of Charlize Theron’s character in Mad Max: Fury Road – and Chris Hemsworth as war lord Dementus.In the prequel, Taylor-Joy’s character is snatched as a child by the sadistic Dementus. Forced to ride through the Wastelands with a great biker horde, Furiosa must fight to find her way home while Dementus and fellow tyrant Immortal Joe battle for dominance in the desert.Despite a budget of $168million (£143million) to make, the film underperformed in its box office debut, only recouping $25.6million ($20million) between Friday and Sunday in the US.For cinemas in the US, it marked their worst Memorial Day performance in 29 years.The film did recoup an additional $33.3million (£26million) from international audiences, with a total of $58million (£45million) worldwide according to Variety.At Cannes, where the film received its premiere, it received a sx-minute standing ovation.Variety reported that Hemsworth grew emotional during the applause, while the actor was also filmed kissing director George Miller on the head.“We worked very hard on this film, and it’ll be very interesting to see what you make of it,” Miller said ahead of the screening.

Rebecca Rubin Senior Film and Media Reporter Garfield has another reason to hate Mondays. In a box office nail biter, “Furiosa: A Mad Max Saga” narrowly emerged victorious over “The Garfield Movie” on North American charts. On Sunday, Warner Bros.

Patrick Frater Asia Bureau Chief “The Last Frenzy,” a comedy film about a dying man’s last hurrah, retained the top spot in mainland Chinese cinemas for the third weekend of its four weeks on release. Other signs of theatrical malaise were plentiful. “The Last Frenzy” earned $5.8 million (RMB41.5 million) between Friday and Sunday, according to data from consultancy firm Artisan Gateway.

Patrick Frater Asia Bureau Chief Having received a rapturous reception a week earlier in Cannes George Miller’s “Furiosa: A Mad Max Saga” grabbed a more muted win at the South Korean box office. “Furiosa” opened with $3.35 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 39.5% share of the weekend’s total cinema-going market.

Rebecca Rubin Senior Film and Media Reporter “Furiosa: A Mad Max Saga” is stalling at the international box office with $33.3 million from 75 territories. The fifth entry in director George Miller’s post-apocalyptic series has generated $58.9 million globally in its first weekend of release, a rough start given its $168 million production budget. Domestically, the Warner Bros.

Rebecca Rubin Senior Film and Media Reporter Imperator Furiosa has battled ruthless kidnappers, raider attacks and maniacal warlords as she traverses a lawless Wasteland. And yet her fiercest adversary, at least today, seems to be a lazy cat who loves lasagna. The Warner Bros.

EARLY SUNDAY AM UPDATE: The 4-day fight between Warner Bros‘ Furiosa and Alcon/Sony‘s The Garfield Movie will drag out into Monday, both titles currently in a dead heat eyeing $31M over 4-days, $25M over 3 days.

Jordan Moreau Witness her: “Furiosa: A Mad Max Saga” is off to the races at the box office this holiday weekend. Director George Miller’s R-rated prequel to “Mad Max: Fury Road” has made $3.5 million in previews so far. The Warner Bros.

Rebecca Rubin Senior Film and Media Reporter “Garfiosa”? “Furiofield”? Whatever the portmanteau for this Memorial Day weekend’s dual release of “Furiosa: A Mad Max Saga” and “The Garfield Movie,” the two newcomers are aiming to jolt the sluggish summer season. (“Barbenheimer” it is not, but exhibitors will take what they can get as overall ticket sales remain roughly 20% behind 2023.) “Furiosa,” the fifth entry in director George Miller’s post-apocalyptic “Mad Max” series, looks to lead the way with $40 million to $45 million from 3,750 venues over the four-day holiday weekend. Sony’s animated “The Garfield Movie” should trail in second with $30 million to $35 million from 4,000 venues between Friday and Monday.

King Charles and Queen Camilla were charmed by two delightful new nicknames this week, bestowed upon them by children from Sulivan Primary School in London during their visit to the Chelsea Flower Show.

Patrick Frater Asia Bureau Chief Local blockbuster, “The Roundup: Punishment” extended its dominance of the South Korea theatrical box office for a fourth weekend. That lifted its cumulative total to a powerful $75 million. “Punishment,” the fourth part of a brutal action comedy film franchise produced by and starring Don Lee (aka Ma Dong-seok), earned $3.05 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (KOFIC).

Rebecca Rubin Senior Film and Media Reporter Disney and 20th Century’s “Kingdom of the Planet of the Apes” conquered the international box office again with $40.6 million in its second weekend of release. So far, the fourth chapter in the “Apes” reboot franchise has generated $136 million overseas and $237 million globally. It currently stands as the fourth-highest grossing movie of the year, behind “Kung Fu Panda 4” ($533 million), “Godzilla x Kong: The New Empire” ($561 million) and “Dune: Part Two” ($710 million).

Rebecca Rubin Senior Film and Media Reporter Not exactly the opening weekend that dreams are made of. Director John Krasinski‘s “IF,” a fantasy-comedy that promises your imaginary friends from childhood are real, fell slightly short of box office expectations with $35 million. Heading into the weekend, “IF” was expected to bring in at least $40 million in its first weekend of release.

Reflecting on her career, Lena Waithe says, “I think about legacy a lot.”  The writer-producer-actor, whose body of work includes creating Showtime drama The Chi and BET’s Twenties, has been on a steady upward trajectory since winning a primetime Emmy Award in 2017 for outstanding writing on Netflix’s Master of None. But for Waithe, success raised questions about where she was headed. “I didn’t know what I was actually trying to build. I wanted to have real agency over my career, but it was also not just about me, it’s about who I can work with.”

Jordan Moreau John Krasinski and Ryan Reynolds are imagining box office success this weekend. Their new movie “IF,” which stands for and follows “imaginary friends,” has made $1.75 million in previews so far at the box office. The family-friendly Paramount film is on track to dethrone last week’s box office champ, Disney’s “The Kingdom of the Planet of the Apes.” “IF” is projected to make around $40 million in its opening weekend, with some estimates lower at $35 million and others as high as $45 million.

CANNES – George Miller’s “Furiosa” got a warm reception from global critics and the Cannes Film Festival faithful last night, and it already has many wondering if another “Mad Max” film is in the works. Miller has often told the story about how “Fury Road: A Mad Max Saga” was only made after scripts provided the back stories for Furiosa (originally played by Charlize Theron) and Max (Tom Hardy) were completed.

Patrick Frater Asia Bureau Chief “Kingdom of the Planet of the Apes” debuted on top of the mainland China box office with an opening weekend score of $11.4 million (RMB81.1 million). That was only the fourth weekend this year that a Hollywood film has topped the China charts and the third time in 2024 that a Hollywood title has opened on top. “Apes” was also the top film this weekend in North America and international markets. Data from consultancy firm Artisan Gateway showed that the film accounted for some 30% of the theatrical total on a weekend where theaters earned a combined $38.2 million.

Patrick Frater Asia Bureau Chief “Kingdom of the Planet of the Apes” opened in second place at the South Korean weekend box office, a distance behind local holdover title “The Roundup: Punishment.” “Punishment,” the fourth part of Don Lee’s “Roundup” action franchise, dominated proceedings for the third weekend in succession. It earned $5.53 million and advanced its cumulative total to $67.7 million, according to Kobis, the tracking service operated by the Korean Film Council (Kofic).

Rebecca Rubin Senior Film and Media Reporter Primates ruled over the North American box office as “Kingdom of the Planet of the Apes” collected $56.5 million in its first weekend of release. Those ticket sales were a hair above early projections of $50 million to $55 million and were easily enough to tower over the nonexistent competition.

Kingdom of the Planet of the Apes” isn’t monkeying around. The latest “Apes” entry from 20th Century Studios earned $22.2 million from 4,075 theaters on its opening day, a figure that includes $6.6 million in previews. “Kingdom of the Planet of the Apes” is estimated to make between $52 million and $56 million in its debut, which about the same as the last three installments.