Korea Box Office: ‘IF’ and Other New Releases Make Little Impact as ‘The Roundup: Punishment’ Hits $75 Million

In A Violent Nature, an undead murderous monster’s slow striding through the woods, has generated IFC Films’ second-best opening ever since its indie horror hit Late Night With The Devil in March.

Rebecca Rubin Senior Film and Media Reporter “The Garfield Movie” clawed its way to first place, overtaking last weekend’s champion “Furiosa: A Mad Max Saga” at the domestic box office. This weekend (unlike last) wasn’t a nail-biter as “Garfield” effortlessly pulled ahead with $14 million from 4,108 theaters in its second weekend of release while “Furiosa” trailed in third place with $10.7 million from 3,864 venues in its sophomore outing. Now, Sony’s “The Garfield Movie” has grossed $51.5 million in North America and $152 million globally to date.

Patrick Frater Asia Bureau Chief Joel Pearlman, one of the best-known names in Australian cinema, is to step down from his role as CEO of Roadshow Films after 30 years with the Village Roadshow organization. Pearlman’s tenure saw him oversee the organization as built a diverse slate from local and global studios, licensors, and production companies including Warner Bros, Lionsgate, Village Roadshow Pictures, A24, FilmNation, Made Up Stories and Arenamedia.

It could be the end of the Vanderpump Rules cast as we know it!

Patrick Frater Asia Bureau Chief Los Angeles- and Bangkok-based film sales joint venture EST N8 is expanding into theatrical distribution in parts of Southeast Asia. As a first step, it will release the Michael Mann-directed “Ferrari” in Thailand on Thursday and in Myanmar on June 21. The film, which premiered in Venice in September last year, was released in other territories between December and February.

Patrick Frater Asia Bureau Chief Two South Korean superstars Gianna Jun and Gang Dong-won head the cast of “Tempest,” an espionage action drama series being readied by streaming service Disney+ for release next year. The contemporary Korea-set story sees Jun portray a highly-accomplished diplomat and former ambassador to the U.S.

Naman Ramachandran Sony’s “The Garfield Movie” and Warner Bros.’ “Furiosa: A Mad Max Saga” enjoyed a fruitful long May bank holiday weekend at the U.K. and Ireland box office. “The Garfield Movie” debuted with £2.1 million ($2.7 million) and “Furiosa” with £1.9 million ($2.5 million), per numbers from Comscore.

Patrick Frater Asia Bureau Chief Having received a rapturous reception a week earlier in Cannes George Miller’s “Furiosa: A Mad Max Saga” grabbed a more muted win at the South Korean box office. “Furiosa” opened with $3.35 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 39.5% share of the weekend’s total cinema-going market.

Patrick Frater Asia Bureau Chief Fresh from its Cannes premiere George Miller’s “Furiosa: A Mad Max Saga” dashed into the lead at the South Korea cinema box office. In doing so, it deposed “The Roundup: Punishment,” the local crime actioner that has dominated Korean cinemagoing for the past month. “Furiosa” earned $575,000 from 75,400 ticket sales on Wednesday, giving it a Korean total of $597,000, including a sprinkling of preview showings, according to data from the Kobis tracking service that is operated by the Korean Film Council (Kofic).

Naman Ramachandran It was a neck-and-neck battle atop the U.K. and Ireland box office between Paramount’s “IF” and Disney’s “Kingdom of the Planet of the Apes.” While Disney’s simian saga won the three-day weekend, Paramount’s Imaginary Friend tale was the winner including previews. “IF” bowed with £2.4 million ($3 million), while in its second weekend, “Kingdom of the Planet of the Apes” grossed £2.1 million ($2.7 million) for a total of £7.6 million ($9.7 million), per numbers from Comscore.

Patrick Frater Asia Bureau Chief Recently, confirmed to star in Park Chan-wook’s new film “The Ax,” Korea’s Son Ye-jin is set as the subject of the Bucheon International Fantastic Festival (BiFan)’s annual actor focus. Previous honorees include Jeon Do-yeon, Jung Woo-sung, Kim Hye-soo, Seol Kyung-gu, and Choi Min-sik.

Patrick Frater Asia Bureau Chief “Delivery Man,” the next film project for hit-making Thai director Kongkiat Komesiri has been picked up by Los Angeles- and Bangkok-based EST N8. The company is launching it at the Cannes Market, adjacent to the Cannes Film Festival. Komesiri, known for his hit “Khun Pan” film trilogy, popular BL series “KinnPorsche” and horror films including “Slice” and “Art of the Devil II.” The new film, which he also wrote, is pitched as “a spine-chilling horror experience [..

Patrick Frater Asia Bureau Chief The 27-member European Film Agency Directors Association and the Asian Film Alliance Network, which was established this time last year and currently has seven members, have agreed to work together on topics of common interest and to jointly develop a better world film ecosystem. At a meeting this week held on the sidelines of the Cannes Film Festival, EFAD and AFAN promised to enhance understanding and collaboration between Asian and European national film agencies. Topics included: dialog on policy and regulations; the development of the film industry in both regions; and addressing new media and challenges ahead. Separately, the founding AFAN members convened for a closed-door roundtable discussion on May 16.

EXCLUSIVE: Out at the Cannes market, LA-based production company Convergence Entertainment Group is launching There There, which is being written and directed by the Polish brothers in their first collaboration in more than a decade.

Patrick Frater Asia Bureau Chief Hit crime thriller “The Pig, The Snake and The Pigeon” received 13 nominations for the upcoming Taipei Film Festival’s Taipei Film Awards. These include nominations for best feature, best director, best screenplay, best actor, best supporting actress, and best supporting actor.

Patrick Frater Asia Bureau Chief Los Angeles- and Bangkok-based sales firm EST N8 has bulked up its Cannes Market film sales slate with a trio of completed Asian titles. “Mash Ville” stars Jeon Sin-hwan (“The Housemaid,” “Time Renegades”) and Park Jong-hwan (“Concrete Utopia,” “Hell Is Other People”) and weaves together the lives of pseudo-religious believers and eight strangers in a rural area. When their paths cross they must fight for survival.

Patrick Frater Asia Bureau Chief Seoul-based film sales company, Finecut has notched pre-sales for its upcoming action-comedy “The Desperate Chase, which it is launching this week at the Cannes Film Festival‘s Cannes Market,. The film is an action comedy featuring a hot-blooded detective and a swindler who is also a master of disguise who team up to combat an evil mafia. Early rights buyers include Rights Cube for Japan, Apex Success Global for Taiwan and Mockingbird Pictures for Vietnam. Screening as a rough cut in the Cannes Market, the film is the second feature by Kim Jae-hoon, known for his debut with the body-switch action thriller “Devils,” which released in South Korea last year.

Patrick Frater Asia Bureau Chief Asian audiences are increasingly turning to homegrown content in their streaming choices. Asian titles powering 80% of premium VOD engagement and customer acquisition, according to new research from research and consultancy firm Media Partners Asia. “The Rise of Asian Content” is based on passive tracking of 40,000 users by sister company AMPD in nine major Asian markets – Japan, Korea, Singapore, Taiwan, Indonesia, Malaysia, Philippines and Thailand – over 15 months between Jan.

Naman Ramachandran Disney’s “Kingdom of The Planet of the Apes” debuted atop the U.K. and Ireland box office with £3.8 million ($4.7 million), according to numbers from Comscore. Universal’s “The Fall Guy” dropped down to second place with £948,970 and now has a running total of £6.7 million.

Patrick Frater Asia Bureau Chief “Kingdom of the Planet of the Apes” opened in second place at the South Korean weekend box office, a distance behind local holdover title “The Roundup: Punishment.” “Punishment,” the fourth part of Don Lee’s “Roundup” action franchise, dominated proceedings for the third weekend in succession. It earned $5.53 million and advanced its cumulative total to $67.7 million, according to Kobis, the tracking service operated by the Korean Film Council (Kofic).