Box Office: ‘Insidious: The Red Door’ Knocking Down ‘Indiana Jones 5’ After $15.2 Million Opening Day

Naman Ramachandran Paramount’s “Mission: Impossible Dead Reckoning Part One” was the dominant force at the U.K. and Ireland box office with a mighty £10.3 million ($13.2 million), per numbers from Comscore. The Tom Cruise vehicle opened on Monday, July 10, instead of a traditional weekend slot. Even with just the July 14-16 weekend numbers, the seventh instalment in the franchise scored £6.3 million, comfortably making it the No. 1 film in the territory. In second place, Disney’s “Elemental” collected £2.4 million in its second weekend for a total of £6.6 million. Another Disney title, “Indiana Jones And The Dial Of Destiny,” whipped up £1.7 million in third place in its third weekend for a total of £16.3 million.

Rebecca Rubin Film and Media Reporter “Mission: Impossible – Dead Reckoning Part One” kicked off to $15.5 million on opening day. Paramount and Skydance’s big-budget tentpole, which is the seventh installment in the Tom Cruise-led action franchise, is projected to collect at least $60 million between Friday and Sunday.

SPOILER ALERT! This post contains details from Monday’s episode of ABC’s The Bachelorette.

Indiana Jones’ reign atop the box office was short-lived. In its second weekend in theatres, the Disney release was usurped by another franchise fifth – “Insidious: The Red Door.” The horror film starring and directed by Patrick Wilson scared up $32.7 million in ticket sales from 3,188 theatres, according to studio estimates on Sunday.

When it comes to horror movies at the box office, Sony resurrected its track record this past weekend with the opening of Blumhouse/Stage 6 Films’ fifthquel, Insidious: The Red Door which had a $32.65M domestic opening, $64M Worldwide debut.

Refresh for latest…: Busy weekend at the international box office with a strong scary new entry, some unexpected spark in holds and a milestone for a long-running franchise.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” is barely winning an unexpectedly close race with “Insidious: The Red Door” on international box office charts, with each film collecting roughly $31 million over the weekend. Based on Sunday’s estimates, “Indiana Jones 5” is ever-so-slightly ahead of “Insidious 5” with $31.8 million for Harrison Ford’s swashbuckling adventure and $31.4 million for Sony’s paranormal horror story. “The Red Door” easily took town “Dial of Destiny” at the domestic box office, with the former earning $32.6 million in its debut. It marked the second-best opening weekend of the franchise behind 2013’s “Insidious: Chapter 2” ($40 million).

Rebecca Rubin Film and Media Reporter Indiana Jones had a short-lived box office reign. Disney’s action-adventure “Indiana Jones and the Dial of Destiny” dropped to the No. 2 spot in its second weekend of release, earning $26.5 million from 4,600 North American theaters. It was dethroned by Sony’s horror-thriller “Insidious: The Red Door,” which beat expectations with its $32.6 million debut from 3,188 venues. Ticket sales for “Indiana Jones,” the fifth and final installment to star Harrison Ford’s swashbuckling adventurer, declined by 56% from its $60 million opening weekend, continuing the theatrical misfortunes for the nearly $300 million-budgeted movie. “Dial of Destiny” added $31.8 million at the international box office, bringing worldwide ticket sales to $247.9 million. It has a long and winding journey to get out of the red, at least in its box office run.

according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.

While ghosts by themselves are frightening, the idea that they can hurt the very people we love is several shades scarier. “The Conjuring” and “Insidious”—the two James Wan joints that have spun the two most successful and sophisticated supernatural horror franchises of the last decade—understood this timeless fear at a deep level.

Brent Lang Executive Editor Sony’s “Insidious: The Red Door” scared up $5 million in Thursday night screenings, a strong start for the moderately-priced horror flick. It was also nearly enough to displace “Indiana Jones and the Dial of Destiny,” which made $5.2 million on the same day. Indy may still top the box office in its second weekend of release, but “Insidious: The Red Door” is proving to be more competitive than some thought. The latest installment in the long-running horror franchise is expected to net $25 million during its debut weekend. The weekend’s other major new release, Lionsgate and Point Grey’s “Joy Ride,” earned $1.1 million in Thursday previews. The R-rated comedy is expected to generate between $7 million to $9 million in its debut. “Joy Ride” is the feature directing debut of “Crazy Rich Asians” co-screenwriter Adele Lim. It’s the story of four friends who embark on a trip to help one member of their group find her birth mother. Raunchy detours ensue. Critics have praised “Joy Ride,” providing it with a 92% “fresh” rating on Rotten Tomatoes. Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu star in the film.

Sony/Stage 6 Films/Blumhouse’s fifthquel Insidious: The Red Door nearly locked out Indiana Jones and the Dial of Destiny yesterday at the box office. The Patrick Wilson starring and directed PG-13 horror film scared up $5M in previews at 2,806 locations that began showtimes at 4PM. That amount of money is very close to what Indy grossed, early estimates showing around $5.2M for the day in an awful week that ended at $94.5M for the $300M-plus grossing Disney/Lucasfilm finale sequel.

Owen Gleiberman Chief Film Critic Halfway through “Insidious: The Red Door,” there’s a moment that encapsulates why the movie isn’t more insidious. Josh Lambert (Patrick Wilson), the father from the first two “Insidious” films (this one is number five), has just dropped his son off for his freshman year at college. The son, Dalton, is once again played by Ty Simpkins, who was just a spooked kid in the earlier films; now he’s a spooked surly emo art student draped in hippie hair. Eight years ago, Dalton and his father were hypnotized so that they would lose all memory of the Further, the spirit zone Dalton got sucked into as an astral projection of himself. The hypnosis worked; they’ve forgotten the living nightmares they saw. But now the visions are coming back.

Insidious: The Red Door, the fifth installment of the Insidious franchise and helmed by actor-turned-director Patrick Wilson, promises a dive into the haunted memories of the past, but the script by Scott Teems delivers little more than a stifling yawn. Alongside Wilson, the film stars Ty Simpkins, Rose Bryne and Sinclair Daniel. 

Insidious: The Red Door brings a sense of finality to the supernatural horror franchise.This fifth installment brings back series staples Patrick Wilson, Ty Simpkins, Andrew Astor and Rose Byrne, alongside newcomers Hiam Abbass and Sinclair Daniel.Along with reprising his role of Josh Lambert, Wilson makes his directorial debut with Insidious: The Red Door, from a screenplay by Scott Teems.This fifth entry is set 10 years after the ending of Insidious: Chapter 2, as Josh Lambert (Wilson) drops off his son Dalton (Simpkins) at an ivy-league university. Insidious: The Red Door is a direct sequel to the first two films, with the third and fourth entries, Insidious: Chapter 3 and Insidious: The Last Key, serving as prequels to the first film.An official synopsis for Insidious: The Red Door, reads: “Set 10 years after the ending events of the second film, Josh Lambert heads east to drop his son Dalton off at an idyllic, ivy-league university.

The fifth film in the franchise and a direct sequel to 2013’s “Insidious: Chapter 2,” “Insidious: The Red Door” is a confident and satisfying addition to the series.  READ MORE: The 25 Most Anticipated Horror Films Of 2023 Picking up ten years after the events of the second film, the Lamberts are a fractured family in mourning. Patrick Wilson returns as Josh Lambert, a father struggling with the loss of his mother, Lorraine, and keen to mend the relationship with his oldest son, Dalton, again played by Ty Simpkins.

hat was definitely a ghost,” she said. “Also, you were six — but I like to give my younger self the benefit of the doubt.Wilson, meanwhile, confirmed that he had experienced an otherworldly encounter, recalling it with a laugh.

Angels Studios’ Jim Caviezel thriller, Sound of Freedom, came on strong on Tuesday givingDisney/Lucasfilm’s Indiana Jones and the Dial of Destiny a run for his money, however, until actuals are reported, it remains to be seen who won July 4th, both distributors reporting $11.5M.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is stumbling in its box office debut, generating $70 million internationally and $130 million globally to start. Those ticket sales wouldn’t be bad for a film aimed at older audiences, except for the fact that Disney and Lucasfilm spent $295 million before marketing to bring the fifth and final action-adventure, starring Harrison Ford, to the big screen. “Dial of Destiny” is posting similar numbers to Warner Bros. and DC’s misfire “The Flash,” which opened to $75 million internationally and $139 million globally but cost $100 million less to make. Both tentpoles are expected to lose money in their theatrical runs.

J. Kim Murphy Indiana Jones has begun his last box office crusade, with the fifth franchise entry earning $24 million on its opening day from 4,600 theaters. It’s a figure that includes $7.2 million in previews in Thursday previews. The action-adventure film from Disney and Lucasfilm is expected to debut near the bottom of projections, projecting a three-day opening of $60 million or so. It’ll be more than enough for the Harrison Ford finale to land in the top spot on domestic charts, setting itself up to draw crowds through the Fourth of July holiday — but it’s not exactly the victorious tone-setter for one of the 20 or so most expensive blockbusters ever made. With a whopping $295 million production budget, “Indiana Jones 5” faces quite the trek to theatrical profitability.