Berlin: Wowow Exec on Why Japan's Leading Pay TV Company Is Championing Moviegoing

Mark Schilling Japan CorrespondentThe 44th Japan Academy Film Prize ceremony was held on Friday at the Grand Prince Hotel New Takawana in Tokyo, despite a state of emergency still in force on the nation’s capital.One big winner was Uchida Eiji’s gay-themed drama “Midnight Swan” with took the best picture prize, while star Kusanagi Tsuyoshi was awarded best actor honors for his turn as an ageing transgender nightclub performer.Meanwhile, best actress went to Nagasawa Masami for her portrayal of

Netflix is locking down production space in Japan, as the streamer continues to expand its footprint in the developed markets of East Asia. The company said Thursday that it has inked an agreement with Japan's legendary Toho Studios, home of Godzilla and Akira Kurosawa, for access to two soundstages and additional facilities in southwest Tokyo.

Netflix has struck a multi-year deal to lease two soundstages at iconic Japanese film studio Toho.

Mark Schilling Japan CorrespondentA late addition to the Nikkatsu lineup for FilMart is “First Gentleman,” a local co-production between Nikkatsu, Toei and Nippon TV.

Relative unknown Mexican actor Diego Calva has nabbed a career-changing role and will now join Margot Robbie and Brad Pitt in Babylon, the drama set in the Golden Age of Hollywood that Damien Chazelle is directing for Paramount. Rising actors Jovan Adepoand LiJun Li will also be on the call sheet as part of the ensemble when cameras roll this summer in Los Angeles.

Mark Schilling Japan CorrespondentSales agency Pony Canyon is bringing some of the biggest upcoming Japanese live-action films to FilMart, including genre titles with global ambitions.One is “Office Royale,” whose title references the 2000 Fukasaku Kinji classic “Battle Royale,” but is an action comedy scripted by popular funnyman Bakarhythm and directed by TV drama veteran Seki Kazuaki. Nakano Mei (“Park”) stars as an ordinary “office lady” (OL or clerk) in a humdrum company.

Mark Schilling Japan Correspondent“Evangelion: 3.0+1.0 Thrice Upon a Time,” the fourth film in the Rebuild of Evangelion sci-fi anime series created and co-directed by Anno Hideaki, has earned $30.6 million from 2.2 million admissions in its first week on release, according to distributor figures released on Monday.Bowing on March 8 on 466 screens, the film has grabbed 45% more at the box office than the third “Rebuild of Evangelion” film, “Evangelion: 3.0 You Can (Not) Redo,” which had a

Mark Schilling Japan CorrespondentFollowing his win of the Silver Bear Grand Jury Prize at the recently concluded Berlin Film Festival for “Wheel of Fortune and Fantasy,” 42-year-old Hamaguchi Ryusuke suddenly finds himself catapulted to the directorial front ranks in his native Japan.It’s not that he’s exactly obscure there: Hamaguchi’s 2018 romantic drama “Asako I & II” was selected for the Cannes competition while his 2015 breakthrough, the five-hour-plus drama “Happy Hour,” won a group best

Mark Schilling Japan CorrespondentV6, a male idol supergroup associated with the once all-powerful Johnny & Associates agency, has announced its break-up, effective Nov. 1.

For Rena Owen, it was the role of a lifetime.

EXCLUSIVE: Japanese major Gaga will launch sales on 3D animated feature Ryoma! The Prince Of Tennis at the upcoming Filmart in Hong Kong (March 15-18).

Rebecca Davis editorJapanese writer-director Ryusuke Hamaguchi may be known for his deep explorations of women in love, but he never set out to specifically chronicle female intimacy.The filmmaker made his name with 2015’s epic five-hour-long “Happy Hour,” which follows the friendships and lives of four middle-class women in their thirties, followed by the unconventional love story “Asako I & II,” which competed for the Palme d’Or at Cannes in 2018.He has returned to similar territory in a new

Imax posted lower revenues during its fourth quarter, compared to pre-pandemic 2019, but an Asian box office resurgence helped the giant screen exhibitor offset a continuing hit to its North American theaters from the COVID-19 crisis. On Thursday, Imax reported a loss attributable to shareholders at $21.2 million, compared to a year-earlier profit of $18.2 million, and the adjusted loss per share was 21 cents, compared with a 35 cents-per-share profit in 2019.

Imax sales slumped last quarter but beat Wall Street estimates and it swung to a loss. The stock popped in late trading as the company highlighted a strong box office in China and Japan, upbeat outlook and continued sales of its big-screen systems despite the pandemic.

Japan, and possibly with the world.“Demon Slayer” has become the biggest grossing film for Japan, surpassing live-action films and even Hayao Miyazaki’s “Spirited Away.”The 2020 film, directed by Haruo Sotozaki, got a limited run in Miami, starting last month. A U.S.

After enthraling us all with his Oscar-winning act in Once Upon A Time In Hollywood, Brad Pitt has shifted gears to Bullet Train, David Leitch's upcoming directorial based on Kotaro Isaka's Japanese novel Maria Beetle.

Samuel Goldwyn Films has acquired North American rights to WWII drama Into the Darkness, from veteran Danish filmmaker Anders Refn and depicting the disintegration of a family unit amid Denmark's slow side into fascism under the shadow of the Third Reich.