Berlin Title ‘The Undergrowth’ Gets Trailer as Director Macu Machín Defends Canary Islands as More Than a ‘Backdrop’: ‘There Is a Whole World in the Islands’ (EXCLUSIVE)

Nick Cave has shared a cover of Édith Piaf’s ‘La Vie En Rose’ from Jack Antonoff‘s soundtrack to The New Look – listen below.The Bad Seeds frontman’s heartfelt rendition of the song was produced by Antonoff for the new Todd A. Kessler-created historical drama, which premiered on Apple TV+ on February 14.Released as a single in 1947, the original version of ‘La Vie En Rose’ is the signature track of French singer Piaf.

Anatomy of a Fall French producer Marie-Ange Luciani put in a flying appearance at the Berlinale this week with Claire Burger’s coming-of-age drama Langue Étrangère which received a warm reception in competition.

EXCLUSIVE: Ahead of its world premiere today at the Berlin Film Festival, Cohen Media Group has secured all North American distribution rights to Made In England: The Films Of Powell And Pressburger.

It’s not often that a doc about the transformative power of cinema will deliberately use bad clips of the movies it’s talking about, but that’s part of the point of this insightful, sprawling film, corralled by director David Hinton. Though the masterpieces made by Michael Powell and Emeric Pressburger at the height of their big-screen, Technicolor powers were visually impeccable, their subversive emotional power could still pack a punch through a 16-inch TV screen, even from the most scratched, butchered, and washed-out black-and-white prints.

Christopher Vourlias Abel Ferrara has made a career out of staring unflinchingly into the abyss, interrogating man’s weakness and depravity and daring his audiences to look away. Faced with the catastrophic violence of the war in Ukraine, however, which he chronicles in the Berlin-premiering documentary “Turn in the Wound,” even the iconoclastic director finds himself at a loss — for words, and for easy answers.

Martin Scorsese was presented with the Berlin Film Festival’s Honorary Golden Bear for Lifetime Achievement on Tuesday evening, with old friend German director Wim Wenders paying a warm personal tribute to the director.

Rocco Siffredi claims that after making roughly 1,400 hardcore films — with titles like “The Ass Collector” and “Rocco’s Perfect Slaves” — over the past four decades, he has finally found “the peace of his senses.” “I could crack a bad joke and say I can’t get it up anymore,” says Siffredi, 59, speaking on a video call from the Budapest office of his Rocco Siffredi Production company, which houses the Siffredi Hard Academy, touted as the world’s first “university of porn.” “But that’s not the case. Quite the contrary,” the hardworking “Italian Stallion” hastens to add. I’ve asked Siffredi about being — or having notoriously been — a sex addict.

Joe Otterson TV Reporter The “Money Heist” spinoff series “Berlin” has been renewed for Season 2 at Netflix. The second season will once again see Pedro Alonso returning as the title character, along with fellow cast members Michelle Jenner as Keila, Tristán Ulloa as Damián, Begoña Vargas as Cameron, Julio Peña Fernández as Roi, and Joel Sánchez as Bruce. The Spanish-language series serves as a prequel to the events of “Money Heist” (a.k.a “La casa de papel”).

Money Heist spin-off Berlin has been renewed for a second season by Netflix.

“This might sound very irresponsible, but I don’t know what I’m doing,” South Korean filmmaker Hong Sangsoo told a Berlinale presser this afternoon when quizzed on his unique directing style. 

Mubi has snapped up rights across multiple territories on Made In England: The Films Of Powell And Pressburger, the Martin Scorsese-narrated doc set to debut this week at the Berlin Film Festival. 

Alex Ritman ‘Made in England: The Films of Powell and Pressburger,’ the documentary produced and narrated by Matin Scorsese, has been acquired by Mubi ahead of the film’s world premiere at the Berlin Film Festival. The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.

Christopher Vourlias Following on the heels of his Oscar-shortlisted “Refugee,” veteran U.S. producer Brandt Andersen (“Everest,” “Lone Survivor”) makes his feature directorial debut with “The Strangers’ Case,” a kaleidoscopic and deeply felt portrait of the refugee crisis that world premieres Feb. 23 as a Berlinale Special Gala.

Christopher Vourlias Greek filmmaker Yorgos Zois, who’s set to bow his sophomore feature, “Arcadia,” in the competitive Encounters strand of the Berlin Film Festival Feb. 18, is developing his first TV series. “Play” follows a lone cinephile who joins a mysterious group of strangers that reenact scenes from movies in real life.

“The first shape I had in mind for this film was fiction,” filmmaker Mati Diop told a Berlin Film Festival presser this morning when quizzed on the structure of her inventive documentary Dahomey. 

Elsa Keslassy International Correspondent Cohen Media Group, the U.S. distribution company behind Matteo Garrone’s Oscar-nominated “Io Capitano,” has acquired North American rights to “The President’s Wife,” a biting movie starring Catherine Deneuve as the former first lady Bernadette Chirac. The deal closed during the European Film Market currently taking place and running alongside the Berlin Film Festival.

“This is a very, very romantic film,” Gael García Bernal said of his Berlin competition title, Another End. 

Leo Barraclough International Features Editor Variety is premiering the trailer (below) for feature documentary “Transition,” which follows Australian filmmaker Jordan Bryon, a trans man, as he embeds with a Taliban unit as they retake control of Afghanistan. The film, directed by Monica Villamizar and Bryon, will be released in the U.S. on March 26 by Gravitas Ventures.

Callum McLennan It may not match last year’s sheer quantity in competition strands, but Spain still boasts a high quality presence at the Berlinale. Following, highlights the festival and EFM: “Every You Every Me,” (Michael Fetter Nathansky) A factory worker strives to reconnect with her distant husband, exploring the rediscovery of love within the complexities of relationships. From Contando Films, Studio Zentral, Network Movie and Nephilim, a German-Spanish production.

“It’s about a whole bunch of things,” Mexican filmmaker Alonso Ruizpalacios says when quizzed on the subject of his latest feature, La Cocina, debuting this evening at the Berlin Film Festival. “In equal parts, it explores the topic of work, the American dream, the failure of the American dream, and abortion rights. That’s a really tough question as a director.”