‘Barbie’ & ‘Oppenheimer’ Combined Second Weekend Of $107M + Could Lock Out Disney’s ‘Haunted Mansion’ – Box Office Preview

Patrick Frater Asia Bureau Chief Lee Byung-hun-starring disaster movie “Concrete Utopia” topped the South Korean box office over the latest weekend, replacing female led crime caper “Smugglers.” Directed by Um Tae-hwa, “Concrete Utopia” is set in a Seoul that has been largely destroyed by a massive earthquake. One building stands tall among the wreckage and becomes a refuge for those already inside, but the inhabitants must fend of the unwanted attentions of outsiders. It opened on Wednesday, earning $8.40 million between Friday and Sunday and fully $11.3 million over its full opening five days, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Brent Lang Executive Editor “Barbie” continues to shatter records nearly a month after the Malibu icon first graced the big screen. The Greta Gerwig comedy has earned $1.18 billion at the worldwide box office and now ranks as the second highest-grossing release in the history of Warner Bros. Internationally, the film earned $45.1 million from 75 markets to bring its foreign gross to a sizzling $657.6 million.

Brent Lang Executive Editor “The Last Voyage of the Demeter” sank without a trace over its opening weekend, going to a watery grave with just $6.5 million. The period horror film, which centers on one chapter of Bram Stoker’s “Dracula,” namely the bit where his coffin gets transported from Transylvania to England, was distributed by Universal. It’s the studio’s second stab at reviving the world’s most famous vampire, with last spring’s “Renfield,” a campy take on the bloodsucker, also collapsing at the box office.

according to IMDB’s Box Office Mojo.This week, it surpassed the $500 million mark, making its director Greta Gerwig the highest earning female director ever at the domestic box office, beating the record held by “Frozen II‘s” Jennifer Lee.The movie is so popular that searches for the baby name “Barbie” have increased by a staggering 603% since April, when its trailer was released.“Oppenheimer,” which was in fourth place last week, moved back up to the No. 2 spot with $5.1 million in sales.This week, the Christopher Nolan filmbecame the highest grossing ever at Hollywood’s TCL Chinese Theatre in the location’s 97-year history, according to Deadline.

Patrick Frater Asia Bureau Chief Ryu Seung-wan’s female-led crime caper “Smugglers” topped the South Korean box office for a second weekend, ahead of new release title “Ransomed.” “Smugglers” enjoyed a strong hold in its second weekend of release and commanded 42% market share. It delivered $7.09 million, a drop of only 20% on its opening weekend, giving a 12-day cumulative of $26.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

The Story of Barbie and the Woman Who Created Her,” from 2017. This charming picture book, with illustrations by Amy June Bates, reminds us that Barbie isn’t just about outrageous pink outfits, tacky Dream Houses, and Malibu beach parties. Barbie contains multitudes.

Brent Lang Executive Editor “Meg 2: The Trench” sunk its pearly whites into $3.2 million in Thursday previews, as the followup to the 2018 Jason Statham hit is hoping to premiere to $30 million. Critics have feasted on the film, giving it a dreadful 28% “rotten” rating on Rotten Tomatoes, but the pulverizing reviews may not have much impact on audiences who don’t turn up to these type of movies out of a desire to see a pioneering work of cinema. Instead, they’ll get a chance to witness a 75-foot-long megalodon, and other sea creatures who prefer human flesh to plankton, make short work of a group of scientists.

Rebecca Rubin Film and Media Reporter Leonardo, Donatello, Raphael and Michelangelo are facing off against Barbie and Ken at the box office. Paramount’s animated adventure “Teenage Mutant Ninja Turtles: Mutant Mayhem” is projected to pick up $35 million to $45 million in its first five days of release. But those ticket sales won’t be enough to dethrone “Barbie,” which is expected to top the box office for a third weekend in a row.

Naman Ramachandran Former Disney India head and producer of Sony LIV hit “Rocket Boys,” Siddharth Roy Kapur has hailed the reinvigorated Indian box office and robust streaming space. Nevertheless, he sees challenges ahead.

Tim Chan If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Disney’s “Haunted Mansion” had a strong weekend at the box office, debuting with just under $25 million in ticket sales. Now, fans of the movie — and the Disneyland theme park ride of the same name — can pick up the official “Haunted Mansion” board game, on sale for $26 on Amazon.com.

Rebecca Rubin Film and Media Reporter Disney opened “Haunted Mansion” in the heat of summer and months removed from the spookiest time of year. Whether the release date is connected, ticket sales were veering on scary as the comedic thriller debuted in third place to a lackluster $24 million. Competition was heightened as “Barbie” and “Oppenheimer” remained unexpectedly strong in their sophomore outings, collecting a combined $140 million over the weekend.

Patrick Frater Asia Bureau Chief There is female empowerment in Korean cinemas, but it is coming more from local characters, than global hit “Barbie.” Female-led crime action film “Smugglers” dominated the weekend at the South Korean box office and pushed aside “Mission: impossible – Dead Reckoning Part One” which had headed the chart for the previous two sessions. “Smugglers” earned $9.31 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic), giving it a nearly 54% market share. Over its full five opening days, the film has built up a cumulative total of $13.1 million.

according to IMDB’s Box Office Mojo.The Greta Gerwig-directed flick, which opened on July 21, made more than $200 million at the domestic box office in its first five days in theaters, according to Forbes. The film The Post called “lousy” beat out “Oppenheimer,” which debuted on the same day, for the second week in a row.

J. Kim Murphy “Barbie” and “Oppenheimer” ain’t afraid of no ghost. Disney’s new “Haunted Mansion” is settling for third place behind the formidable pair of blockbusters.

Everyone didn’t stop going to the movies on Monday with Barbenheimer in full force: Warner Bros posted the best Monday at the domestic box office with Barbie grossing $26.1M while Universal’s Christopher Nolan pic Oppenheimer wasn’t shabby with $12.6M.

Patrick Frater Asia Bureau Chief Margot Robbie, America Ferrara and director Greta Gerwig visited South Korea early on the promotional tour for ‘Barbie’ (without Ryan Gosling). But their charm failed to translate into strong box office performance in the country and the film opened anonymously in fourth place over the weekend. “Barbie” earned just $1.19 million between Friday and Sunday and $1.91 million over its opening five days, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Worth just 8% of the nationwide weekend total, “Barbie’s” scores were barely better than fellow new release title “Insidious: the Red Door.” That earned $1.17 million between Friday and Sunday and $1.90 million over five days.

, Greta Gerwig's movie exceeded box-office expectations and outsold Christopher Nolan's . The trade publication projects that Barbie opened with $155 million — and is one of the biggest opening weekends of the year. With the global numbers, — starring Margot Robbie and Ryan Gosling — capped out at $337 million. It wasn't a bad weekend for Nolan's historic drama, starring Emily Blunt, Matt Damon and Cillian Murphy.

panned as a “self-absorbed and overwrought disappointment,” brought in $22.2 million in preview ticket sales on Thursday, followed by another $48.2 million with its Friday premiere on more than 4,200 screens, according to IMDB’s Box Office Mojo.Director Christopher Nolan’s biopic “Oppenheimer,” which delves into the life of the developer of the atom bomb, exploded into the number two spot, raking in $33 million in opening day sales, including $10.5 million from Thursday previews.  The historical drama, starring Cillian Murphy as scientist J.

Barbie is currently set to outpace Oppenheimer at the box office over the two films’ shared opening weekend.The films have been the subject of particular attention for coming out on the same day, with many people attempting to see both in the space of 24 hours.As things stand, Greta Gerwig’s comedy is set to bring in $110million (£86.6million) at the US box office this weekend, over twice the expected takings of Christopher Nolan’s biopic about the creator of the atomic bomb. Oppenheimer is expected to gross $50million (£38.8million).Barbie’s current takings mean it will break the record for the highest-opening film in the US by a female director. Wonder Woman previously held the title, bringing in £103million(£89.1million) in 2017.Warner Bros confirmed yesterday (July 21) that Barbie had earned $22.3million (£17.3million) in box office previews – the highest figure of any film this year.

In the battle of Barbenheimer, only one major motion picture can rule the double feature — and she’s dazzling in pretty pink plastic.Greta Gerwig’s “Barbie” raked in $22.3 million at the box office in previews, compared to $10.5 million garnered by “Oppenheimer” ahead of the films’ official debut on Friday, Variety reports.Despite Gerwig’s fears that the hyper-feminine flick would end her career, “Barbie” has turned into a summer smash.At the box office, the film out-performed the former record-holder “Guardians of the Galaxy Vol. 3,” which earned $17.5 million in previews in May.The Post has reached out to representatives for Gerwig, 39, for comment.“Barbie” is expected to reach $100 million at the box office in its opening weekend, while Christopher Nolan’s “Oppenheimer” is only anticipated to haul half of that, an estimated $50 million, per Variety.Eager audiences have long planned to view both back to back for a whopping five hours of screen time.