Alice Rohrwacher & Alfonso Cuarón’s ‘Le Pupille’ Draws Inspiration From Classic Italian Cinema – Contenders Film: The Nominees

fathering 12 kids with six different women in recent years.But this time, he’s in on the joke. Cannon shocked the internet on Tuesday when he began promoting a fake game show titled “Who’s Having My Baby?” to be released on the E! network this spring.The actor shared a promo video that truly looked like an E! television commercial teasing a new show with Kevin Hart that would be “the mother of all game shows.”“We’re not kidding around,” the narrator said in the fake ad — though they were.

Nick Cannon’s new game show “Who’s Having My Baby?” sounds more like a sketch than an actual TV show… that’s because you’re right. No, there won’t be a TV show called “Who’s Having My Baby?” because, well, what would that show even look like anyway? Instead, the idea for “Who’s Having My Baby?” is actually a gag, orchestrated by comedian Kevin Hart, as a sketch for an upcoming, not-yet-announced project. According to insiders, all will be revealed as soon as tomorrow, as Hart continues to expand his empire with another comedy franchise inside the NBCUniversal universe. That doesn’t mean Hart and Cannon aren’t having some fun first with the confusion over the faux TV series. Cannon went on Twitter Tuesday to claim he would be starring in E! Entertainment’s “Who’s Having My Baby?” and even shared a teaser. (Yes, that’s a sketch, not a show.) As hosted by Hart, the fake show would appear to be a competition between single women eager to birth Cannon’s next child.

EXCLUSIVE: Lana Turner’s mobster boyfriend Johnny Stompanato was allegedly stabbed to death in her house by her daughter Cheryl Crane in 1958.

Zack Sharf Digital News Director Michelle Yeoh was already an actor star overseas by 1997 thanks to popular Hong Kong movies like “Police Story 3: Super Cop” and “Supercop 2,” but it wasn’t until the James Bond tentpole “Tomorrow Never Dies” opened that year that Yeoh had her Hollywood breakthrough. The actor played Wai Lin, a Chinese spy who is highly skilled in marital arts and bucks every “damsel in distress” and “Bond girl” stereotype. “The first movie I did after I came to America was ‘Tomorrow Never Dies’ with Pierce Brosnan,” Yeoh recently told People magazine. “James Bond at that point had only been known as macho, and the girls were just the ones with cutesy names.”

new “baby mama” in mind should he choose to welcome baby No. 13.The 42-year-old host was joined by “The Real Housewives of New York City” alum Luann de Lesseps, 57, on Wednesday’s episode of “The Masked Singer” as she provided the judges with clues to guess the identity of the masked performer Medusa.But before the cabaret singer could give her hints, Cannon told the audience that the duo “have a love thing going” — to which she replied, while caressing his shoulder, “We do, we do,” according to The Sun. Lesseps then joked to Cannon that she “wouldn’t tell — if he didn’t,” as judge Robin Thicke perfectly interjected, “We will all find out nine months later.”The remark both stunned and amused the fellow judges and live audience, the outlet reported.

Jonás Cuarón has his new Netflix project lined up. The son of revered filmmaker Alfonso Cuarón will be adapting the story of the Chupacabras, the spooky and famous folkrore tale that has haunted the dreams of many Latinos.Diego Boneta says Tom Cruise was like his mentor; does hilarious impressionBad Bunny’s Marvel movie will be directed by Jonás CuarónHere's a first look at CHUPA, an adventure-fantasy movie coming to Netflix April 7.Directed by Jonás Cuarón, the story follows Alex, a teen who discovers a young chupacabra while visiting his family in Mexico.

Nick Cannon is showing some love to his ex-wife Mariah Carey!

Jon Burlingame It’s anybody’s game: this is a rare year when any of the five original-score nominees could win the Oscar. Two of the nominees are previous winners, two more are past nominees; only one is a newcomer, and it’s a three-man ensemble. Four films are period pieces: an admired German-language war film, a character study set against the Irish civil war, an epic of late 1920s Hollywood, and a coming-of-age story for a young filmmaker in the ‘50s and ‘60s; the fifth is a wild, anarchic tale of a Chinese American family that saves the universe. And the nominees are:

Cillea Houghton Italian auteur Vittorio De Sica triumphed at the Berlin Film Festival when his 1971 masterpiece “The Garden of the Finzi-Continis” claimed the Golden Bear, on its way to the best foreign-language Oscar in 1972. “Finzi” also earned Italian film and TV star Fabio Testi an Italian Golden Globe for best breakthrough actor. A half-century later, with over 100 credits on his resume, Testi remains active and game for parts that utilize his still stunning looks and hearty appetite for performing. He’s also game for the role he seems destined to play in the Italian tabloids. A quick Google search of Testi’s current film and TV projects is dominated by stories – which Testi playfully plays along with – of current and past romantic adventures with women all over the globe.

Film Independent has announced the presenters for the Film Independent Spirit Awards.

Deadline has launched the streaming site for its Contenders Film: The Nominees awards-season event, which took place on Saturday and highlighted the cast and creatives behind 12 films that have been Oscar-nominated this year.

Colm Bairéad’s appearance at Deadline’s Contenders: The Nominees event marks a year since his film The Quiet Girl first debuted at the Berlin Film Festival. A dual release in the UK and Ireland followed in May, and a slow international rollout has kept the director busy ever since. Indeed, as the film’s Oscar campaign enters the final stretch, The Quiet Girl is only now going wide across America: not bad going for a film with no stars that’s shot almost entirely in Irish, a language spoken by fewer than 2 million people worldwide.

Making eat-the-rich comedy Triangle of Sadness, with a gross-out scene that rivals Farrelly Brothers movies, was simple for Swedish director Ruben Östlund.

When Brian Tyree Henry was approached for the Causeway role of James, a New Orleans auto mechanic “traversing this land of grief and pain and shame alone,” he found himself doing something unlike him — judging the character based on “the choices that he made,” and why he wound up where he was. 

The Oscar-nominated Argentina, 1985 shines a light on everyday people doing extraordinary things — real-life superheroes not unlike the fictional tales told by Marvel to much fanfare. The film’s protagonists are based on real-life people led by prosecutors Julio César Strassera and Luis Moreno Ocampo who took on an unwinable case against Argentina’s military junta for crimes against humanity and put on a fight that inspired a nation.

“I used to lie on my bed and stare at the ceiling and see snowfall and imagine the characters in the book moving. It was a dream of mine to take them further than the static book drawings,” said writer-director Charlie Mackesy during a panel at Deadline’s Contenders Film: The Nominees to discuss The Boy, the Mole, the Fox and the Horse.

When cinematographer Mandy Walker boarded Elvis, one of her principal goals was to make the camera “dance with” the King of Rock and Roll, as played by Austin Butler. 

“I was always a big fan of the original movie, but I did feel while watching subsequent American or British war films that is a question of perspective that I can’t tell,” All Quiet on the Western Front director Edward Berger said of his motivation in finally bringing a German version of the iconic World War I tale to the big screen. 

“I saw the Disney film when I was very, very young, and it made a huge impression,” Guillermo del Toro said during a panel for Guillermo del Toro’s Pinocchio at Deadline’s Contenders: The Nominees event, where he was joined by director Mark Gustafson. “What sat wrong with me was the idea that you needed to be obedient to be a real boy, and that you needed to be transformed into something you were not to be loved.”

Now in his mid-80s, Polish director Jerzy Skolimowski proved that age is just a number when his film EO premiered in Cannes last year, earning him the Jury Prize for this picaresque story of a donkey on the move, from good situations to bad. His lucky streak continued this year when the film was Oscar-nominated for Best International Feature — surprisingly, his first nod from the Academy in a career spanning 60 years.