Joseph “Jo Mersa” Marley, the grandson of legendary reggae singer Bob Marley, has passed away at just 31 years old.
10.12.2022 - 19:33 / deadline.com
For the second time in a week, Broadway is losing a worthy production that attempted to find an audience that encompassed but reached beyond the usual white, middle-aged demographic: Jordan E. Cooper’s Ain’t No Mo’, the often visionary, relentlessly brilliant and forever fearless take by its Black creators and performers on the stubborn subject of race in America will close next week.
Producer Lee Daniels, who has championed the show since an acclaimed Off Broadway run in 2019, has announced that Ain’t No Mo’ will play its final performance on Sunday, December 18 at the Belasco Theatre. The production will have played just played 22 previews and 21 regular performances since its first Broadway preview on Nov. 9.
The announcement comes just days after KPOP, a musical celebrating the Korean pop musical genre known as K-pop, and featuring a young Korean cast, many making their Broadway debuts, confirmed that it would play its final performance on Sunday, December 11, at Circle in the Square Theatre. It will have played only 17 regular performances after 44 previews.
Both productions struggled at the box office in their few playing weeks. KPOP last week took in a tiny $126,493 at the Circle in the Square box office, filling about 72% of seats with ticket prices so low the average was $32.06, an unfeasible situation for a sustained run.
Ain’t No Mo’ was in a similar bind. Last week the production – a series of outlandishly funny and deeply affecting sketches that posit a future when the American government sends Black citizens back to Africa – took in only $120,901 at the box office, willing 69% of seats at the Belasco with an negligible $21.36 average ticket price.
Said producer Daniels, “When I first saw Ain’t No Mo’, it
Joseph “Jo Mersa” Marley, the grandson of legendary reggae singer Bob Marley, has passed away at just 31 years old.
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Jane Fonda’s cancer is in remission. The actress, set to turn 85 next week, called the news the “best birthday present ever” as she announced it on her blog on Thursday. (15.
Ain’t No Mo’, playwright Jordan E. Cooper’s acclaimed but struggling Broadway comedy, has extended its run for another week and will now play through Friday, December 23, at the Belasco Theatre.
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Ain’t No Mo’, the Broadway debut of author and star Jordan E. Cooper, opened at the Belasco Theatre on Dec. 1 to the sort of reviews producers and playwrights dream about. Even the few critics who weren’t completely won over couldn’t help but point out a singular brilliance at work here, not to mention a stars-in-the-making cast and more laugh-out-loud moments than most of the rest of Broadway combined. A celebrity-packed opening night, with producer Lee Daniels greeting a crowd that included Gabrielle Union, Dwayne Wade and C. J. Uzomah – who happen to be among the starry cohort of co-producers – as well as Matthew Broderick, Tamron Hall, Deborah Cox, Stephanie Mills, LaTanya Richardson Jackson, Susan Kelechi Watson, Camryn Manheim, Tony Kushner, Tituss Burgess, Gayle King, Pat Williams, Christopher Sieber, Jennifer Simard, Colton Ryan, Ari’el Stachel and Timothy Olyphant suggested nothing less than the buzzy arrival of Broadway’s next big thing, out-of-the-box division.
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KPOP, the history-making Broadway musical depicting and celebrating the Korean pop genre phenomenon of the title, will play its final performance this Sunday after a struggle at the box office.
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Roadside Attractions has acquired domestic rights to “Moving On,” the feature film starring Lily Tomlin and Jane Fonda. The production company announced the news Monday.The film, which premiered at the Toronto Film Festival, will be theatrically released on March 17, 2023.Written and directed by Paul Weitz (“About a Boy”), “Moving On” stars Fonda and Tomlin as estranged pals who reunite to seek revenge on the petulant widower (Malcolm McDowell) of their recently deceased best friend.
EXCLUSIVE: Roadside Attractions has acquired Moving On, an original comedy written and directed by About a Boy Oscar nominee Paul Weitz starring Jane Fonda and Lily Tomlin as estranged friends who reunite to seek revenge on the petulant widower (Malcolm McDowell) of their recently deceased best friend. Along the way, Fonda’s character reunites with her great love (Richard Roundtree) as each woman learns to make peace with the past and each other.
Two new productions opened on Broadway within the last few days, demonstrating that Broadway, at the very least, can accommodate works of remarkable diversity – a diversity in levels of ambition not least. One takes remarkable chances and all but announces the arrival of a singular new theatrical voice. The other, with a team of immensely talented Broadway veterans both on stage and behind the scenes that so relies on overused formula and tired tropes that it can’t even breathe life into some of the most irresistible pop songs of the last half-century.