‘Absence’ Director Wu Lang on What Chinese Filmmakers Have Been Doing While the World Was Not Watching

Elsa Keslassy International Correspondent Jonah Hauer-King (“The Little Mermaid”) and Anna Próchniak (“Baptiste”) are starring in the limited event series adapted from Heather Morris’s “The Tattooist of Auschwitz” for Sky and Peacock. Now in production, the Peacock Original series is being produced by Synchronicity Films and will be entirely directed by Tali Shalom-Ezer, whose past credits include “Princess.” Claire Mundell and Jacquelin Perske are executive producers. A global bestseller, “The Tattooist of Auschwitz” has sold more than 12 million copies around the world. “In Auschwitz, a factory of death and dehumanisation, Lale and Gita’s love story is an act of defiance,” said Shalom-Ezer. “It is the choice to remain human. I’m inspired and honoured to bring this story to life, alongside the talented team of people assembled,” Shalom-Ezer continued.

Patrick Frater Asia Bureau Chief The recent reopening of the mainland Chinese box office, including a $1 billion Chinese New Year holiday season, has put a different complexion on the global theatrical industry. Few companies could be closer to that change in fortune than Imax China, a stock market-listed subsidiary of the Imax Corp. The company operates as both a supplier of screens, audio and projection equipment for premium cinemas and as a partner in making local Chinese films fit for exhibition in the giant format. During Chinese New Year, Imax was represented by “Avatar: The Way of Water” and four Chinese movies. Daniel Manwaring, CEO of Imax China, spoke to Variety in his first interview since taking on the top job in January.

Patrick Frater Asia Bureau Chief Hong Kong-based indie sales agent Good Move Media has added Japanese music drama “Plastic” to its FilMart slate. The film is directed by Miyazaki Daisuke, the Japanese helmer behind “Yamato (California),” which had festival play in 2016, and 2019 slacker youth title “Tourism” in 2019. The new picture is the story of teenagers Juna and Ibuki, who set out to find the psychedelic rock band Exne Kedy. Exne Kedy is a fictional creation from musician Ide Kensuke, who previously released punky album “Kensuke Ide With His Mothership — Contact From Exne Kedy and the Poltergeists,” but the band is actually credited as performing and providing part of the music track in the film. “Plastic” is recently completed and headed for a theatrical release in Japan in July.

Patrick Frater Asia Bureau Chief Chinese director Zhang Hanyi takes an unexpected turn with his latest feature film effort, “The Walking Bird,” which makes its appearance as an in-development project at the Hong Kong – Asia Film Financing Forum (HAF), which takes place alongside the FilMart rights market.  His previous film, 2017’s “Dragonfly Eyes,” was one of the most unusual and stylish films of the year from anywhere in the world. It told a disturbing (fictional) narrative through extraordinary found-footage obtained from hundreds of real-world CCTV cameras, and won the FIPRESCI and Ecumenical Jury prizes at the Locarno Festival that year.

Patrick Frater Asia Bureau Chief Despite a barnstorming address celebrating the re-opening of Hong Kong and China by Bona Film Group COO Jiang De Fu, it is clear that the film industry in China is still suffering its own version of long-COVID, with box office tracking at around half of 2018 levels. “The Chinese box office was RMB60.7 billion ($8.89 billion at current rates of exchange) in 2018. And 83 films made over RMB100 million. 16 films that made over RMB1 billion. Post-pandemic, in 2022, China’s box office was RMB29.9 billion. [Just] 41 films made over RMB100 million. [And] 8 films made over RMB1 billion. We are now only at 50% of the level in 2018,” said Jiang aty a presentation on the first day of Hong Kong’s FilMart.

Patrick Frater Asia Bureau Chief “Post-Truth,” a Chinese comedy film about a cemetery plot salesman trying to salvage his reputation in the face of online assaults, topped the cinema box office in mainland China over the weekend, ahead of another new release title “Revival.” Data from consultancy Artisan Gateway showed that “Post-Truth” earned $17.0 million between Friday and Sunday. Including preview, it has a cumulative of $20.3 million. Crime drama, “Revival” earned $10.3 million over the weekend and has a running total of $11.4 million including previews. The two newcomers dominated the box office and relegated Hong Kong-produced courtroom drama “A Guilty Conscience” to a distant third place. “Guilty” took $2.3 million (RMB15.8 million) for a cumulative of $23 million since releasing on Feb. 24.

As the old saying goes, write what you know and for Women Talking filmmaker Sarah Polley whose up for an Adapted Screenplay Oscar tonight, she’s been through so much of the campaign process that her next movie is set around awards season.

Patrick Frater Asia Bureau Chief Hong Kong-based indie sales agent Autumn Sun comes to FilMart with a bulging slate of new film titles from around Asia — including two animated features from mainland China. Autumn Sun, headed by sales veteran Elliot Tong, is giving a market premiere to “Planet Cat,” an animated feature by Song Yuefeng (“Ping Pong Rabbit,” “Throne of Elves”) about a chance meeting between a stray cat and a girl in a city at night. The film is produced by Nuctopus Studio and Dreamers Studio and previously won a development prize at the Beijing International Film Festival. The feature is now in post-production and a promo reel is being screened at the market.

Patrick Frater Asia Bureau Chief The much-decorated Japanese drama “Drive My Car” was named the best film Sunday at the Asian Film Awards, defeating hot favorite “Decision to Leave.” Other notable awards went to Japan’s Hirokazu Kore-eda whose “Broker” debuted at Cannes, but which was largely shunned in his home country. “Decision to Leave,” which started the evening with ten nominations, was nevertheless rewarded with three awards, best screenplay, best production design and best actress for China’s Tang Wei.

Baz Luhrmann says it would be “an amazing historical moment” if Elvis cinematographer Mandy Walker were to triumph at Sunday’s Academy Awards. To quote Lizzo, “It’s been too long,” the filmmaker tells me last night at the Australian Oscar nominees soirée held in the Chateau Marmont’s penthouse suite.

Avril Lavigne and Tyga might not have confirmed their relationship in as many words yet, but they looked like a couple when they attended the Y/Project fashion show during Paris Fashion Week on Tuesday (March 7).

Brent Lang Executive Editor William Shatner kicks things off with a compliment. We’re talking via Zoom — he’s beaming in from the sprawling kitchen of his Los Angeles home, which overlooks the San Fernando Valley. I’m dialing in from the living room of my walkup apartment in Brooklyn, a much more modest setting. But Shatner is impressed by the over-stocked bookcase behind me, as well as the paintings, a seascape and an impressionist pastoral scene that I inherited from my grandmother, that line the wall around it. “You have terrific taste,” Shatner exclaims with the kind of brio that Captain James T. Kirk, his most famous alter-ego, approached his mission “to explore strange new worlds, seek out new life and new civilizations, [and] boldly go where no man has gone before!”

Hong Chau (“The Whale,” “The Menu”), Anna Camp (“Pitch Perfect”), Melanie Lynskey (“The Last of Us”) and Sheryl Lee Ralph (“Abbott Elementary”) are among the presenters for its 38th Artios Awards taking place in both Los Angeles and New York City. Also presenting at the Los Angeles gala alongside host Yvette Nicole Brown are Utkarsh Ambudkar, Paul Walter Hauser, Andrew Leeds, Sam Richardson, Britt Robertson, Glynn Turman and Tuc Watkins. Sarita Choudhury, Jordan E. Cooper, Rory Culkin, Khris Davis, Alex Edelman, Raúl Esparza, Katie Finneran,Katrina Lenk, Nicole Ari Parker, Peppermint, Morgan Spector,  Celia Rose Goodin, Chris Sullivan and Kuhoo Verma will present at the New York ceremony, with Amber Ruffin as host.

Patrick Frater Asia Bureau Chief “Cyber Heist,” a crime thriller directed by Hong Kong’s Wong Hing-fan (“I’m Livin’ It”) and scripted by Soi Cheang (aka Cheang Pou Soi), took the top spot at the mainland Chinese box office over the weekend. It earned a very modest $6.2 million, according to data from consultancy Artisan Gateway. But that was enough to win on the quietest weekend since January’s Lunar New Year holiday season. “Cyber Heist” stars Aaron Kwok as a cyber security engineer who develops a state-of-the-art firewall that is capable of fending off online attacks against the global financial system. But he does not realize that in doing so he has stepped into a minefield that is even more dangerous. The picture also stars Lam Ka-tun and Simon Yam.

Brent Lang Executive Editor “Palm Trees and Power Lines,” the story of a teenage girl who is groomed by a man twice her age, received nearly universal acclaim when it debuted at Sundance in 2022, going on to win an award for Jamie Dack’s direction. And yet, despite all the good reviews and honors, it took months for the film to find a distributor. The reason, Dack says, is many film companies didn’t want to touch a movie that tackles such a controversial subject. “People were scared,” says Dack. “There were many companies that wanted to take meetings with me and that told me they wanted to work with me on my next project. They were blunt. They said, ‘we love this film, but we just can’t distribute it.'”

The Film Independent Spirit Awards are back, and this year, like the Academy Awards, it’s going to be an “Everything Everywhere All At Once” afternoon. The biggest independent release of 2022 ($73 million domestic), the A24 production is absolutely going to dominate the ceremony.

Francisca Alegria is an award-winning filmmaker who’s short film “And the Whole Sky Fit in the Dead Cow’s Eye” received the award for Best International Fiction Short at Sundance Film Festival. Her debut feature “The Cow Who Sang A Song Into the Future” premiered at Sundance Film Festival in 2022 and was supported by the 2017 Sundance Institute Screenwriters and Directors Lab along with the Catalyst Forum.Rita Baghdadi is an Emmy award-winning documentary filmmaker known for the intimacy of her bold, character-driven films.

Che Lingo has released new single ‘Out The Blue’ and shared details of his sophomore album ‘Coming Up For Air’.The album follows his critically acclaimed debut ‘The Worst Generation’, and will see the AIM Award-nominated south Londoner talk about mental health and anguish to the full extent“CUFA is an intimate and personal look at myself and the people like me who find it hard to see themselves sometimes,” said Che Lingo. “The CUFA album in my own way is to let people know that they aren’t alone in these trials”.In anticipation of his follow-up record, Lingo has released ‘Out The Blue’; a sombre track to help “break out of the cycle of pressures, inherited and personal, that he and so many suffer from”.Speaking of what inspired the song, Lingo talked of “Times where I felt like I was drowning, fighting things, emotionally and mentally I couldn’t even see and repeating that cycle…This is a story about times like that and how I sung and rapped my way through it.

Pet Shop Boys‘ Neil Tennant wrote and sent to the late Janice Long in the ’80s has been discovered at a record shop in Altrincham, Trafford.As BBC News reports, the frontman thanked the Radio 1 DJ for playing the synth-pop duo’s debut single ‘West End Girls’ in the note, which was found in a 12-inch vinyl edition of the track.The letter is dated “12 April, 1984” – three days after the song was released.Tennant, who worked as a journalist at Smash Hits at the time, provided some information on how he and bandmate Chris Lowe had recorded ‘West End Girls’ with producer Bobby Orlando after meeting him in New York.“We’ve now recorded over half an album and are due to go back to New York quite soon to finish it,” he continued in the unearthed letter.“Anyway, hope you like the 12″ I’ve enclosed and thanks for playing ‘West End Girls’ on Thursday. As far as I’m concerned, you’re now an honorary Pet Shop Girl!” See an image in the tweet below.A letter written by Pet Shop Boys star Neil Tennant, thanking Radio 1's Janice Long for playing the band's debut single (“West End Girls”) in 1984.

WARNING: MAJOR spoilers ahead for “Ant-Man and the Wasp: Quantumania”Kang the Conqueror made his official debut in the MCU with “Ant-Man and the Wasp: Quantumania,” but, as it turns out, it might’ve been a one-and-done situation — at least for that variant. Then again, Marvel fans have come to know the “no body, no certainty” rule at this point, so it’s hard not to wonder if he’s actually gone.