‘A Haunting In Venice’ Box Office Prediction: Hercule Poirot Franchise Expected To Earn Less Than Predecessors

Broadway‘s starry Merrily We Roll Along revival had another strong run of previews last week, grossing a hefty $1,471,644 and setting another house record at the Hudson Theatre.

Naman Ramachandran Disney sci-fi epic “The Creator” and Lionsgate U.K.’s horror franchise entry “Saw X” debuted atop the U.K. and Ireland box office — and the race was almost too close to call. “Saw X” won the three-day total with £1.92 million ($2.31 million), while “The Creator” was just behind with £1.89 million ($2.27 million).

Merrily We Roll Along, the new Broadway revival of the Sondheim classic musical starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, broke the six-performance house record at the Hudson Theatre with a $1.3 million gross in its first week of previews.

Naman Ramachandran Disney’s Agatha Christie adaptation “A Haunting in Venice” stayed atop the U.K. and Ireland box office for the second successive weekend with £1.4 million ($1.8 million), per numbers from Comscore. The film, directed by Kenneth Branagh, where he plays detective Hercule Poirot, now has a total of £4.9 million after two weekends in release.

While a fairly quiet frame overall, there were some significant milestones this international box office session. To wit: New Line/Warner Bros’ The Nun II topped the $200M mark worldwide and Shah Rukh Khan’s Jawan became the highest-grossing Bollywood movie ever in India, overtaking the star’s earlier 2023 movie, Pathaan.

Patrick Frater Asia Bureau Chief Locally-made fantasy drama “Sleep” headed the Korean box office charts for the third successive weekend. But theaters were comatose ahead of bigger new releases timed for the Chuseok holiday season. “Sleep” earned just $1.06 million between Friday and Sunday, with a 27.5% market share, according to data from Kobis the tracking service operated by the Korean Film Council. Its cumulative after 19 days in cinemas now stands at $9.50 million. The film’s three weekends at the top of the chart have coincided with low power competition and a month-long decline in cinema attendance.

David Byrne met A24’s young fans as the Talking Heads Stop Making Sense is set to gross $800,673 from 264 Imax screens in North America this weekend. Its cumulative gross of $1.43 million includes Thursday screenings and a live event at TIFF for this remastered version of the 1984 Jonathan Demme-directed concert film ranked by critics as one of the best ever.

Rebecca Rubin Film and Media Reporter “The Expendables 4,” an action-thriller starring Sylvester Stallone and Jason Statham, misfired in its box office debut, tumbling to a franchise-low $8.3 million. It landed in ever-so-slightly second place behind “The Nun II,” which collected $8.4 million in its third weekend. It’s possible the order could flip by the time the final tally is revealed on Monday.

J. Kim Murphy Audiences don’t seem to intend to attend the latest “Expendables.” The fourth entry in the ensemble action franchise is notching a series-low opening day from 3,518 theaters with about $3 million, a figure that includes a meagre $750,000 in Thursday previews. Produced by Millennium Media and released by Lionsgate, “Expend4bles” is projecting a debut that’ll fall well short of the $15 million to $17 million range that had been expected heading into the weekend, and also behind the $15.8 million sum that “The Expendables 3” put up nine years ago.

Matt Donnelly Senior Film Writer Kenneth Branagh’s latest Agatha Christie adaptation “A Haunting in Venice” has been rattling North American theaters for a week now, signaling the start to spooky season with a packed ensemble cast featuring the likes of Tina Fey, Jamie Dornan, Oscar winner Michelle Yeoh and “Yellowstone” star Kelly Reilly. Branagh’s players (and the director himself) weren’t able speak on behalf of the moody chamber piece due to the WGA and SAG-AFTRA strikes. Variety caught up with veteran producer Judy Hofflund (who made the first two Poirot films with Branagh, “Murder on the Orient Express” and “Death on the Nile”) to discuss Fey’s journey to leading lady status in a film from this era, as well as the future of Branagh’s mustachioed sleuth.

Rebecca Rubin Film and Media Reporter “Expend4bles,” the fourth action-thriller starring Jason Statham and Sylvester Stallone as elite mercenaries on a mission, is expected to top the box office in its debut. It’s aiming for $15 million in its opening weekend, which would be the lowest of the franchise. There’s a chance, though, it could slightly exceed expectations with $17 million.

Naman Ramachandran Disney’s Hercule Poirot film “A Haunting in Venice” debuted atop the U.K. and Ireland box office with £2.1 million ($2.7 million), according to numbers released by Comscore. In its second weekend, in second place, Warner Bros.’ “The Nun II” collected £1.1 million for a total of £3.8 million.

Naman Ramachandran Shah Rukh Khan blockbuster “Jawan” has crossed the $100 million box office milestone. The film has now grossed $103 million worldwide, according to numbers released by producers Red Chillies Entertainment. In India, the film has grossed $68.5 million.

Patrick Frater Asia Bureau Chief ‘Expendables 4’ narrowly took top place at the mainland China box office on a quiet weekend preceding the National Day holiday season at the end of the month. “A Haunting in Venice” opened outside the top five. Data from consultancy firm Artisan Gateway shows “Expendables 4” earning $10.9 million (RMB78.6 million) over its debut weekend.

Patrick Frater Asia Bureau Chief Two Hollywood new releases, “A Haunting in Venice” and “Teenage Mutant Ninja Turtles Mutant Mayhem” failed to make much of an impression on the South Korean box office in their opening weekend. Instead, local fantasy drama “Sleep” headed the chart for a second time. “Sleep” earned $2.38 million in its second weekend, a creditably modest 20% weekend-on-weekend decline, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far.

Rebecca Rubin Film and Media Reporter It’s another close race at the box office. The Warner Bros. thriller “The Nun II” is projected to ever-so-slightly outpace the competition with $14.7 million in its second weekend.

J. Kim Murphy Hercule Poirot is back on the case this weekend, with Kenneth Branagh’s “A Haunting in Venice” hoping to best a very quiet box office in its opening. The horror-tinged whodunnit scored$5.5 million from 3,305 theaters on its opening day, a figure that includes $1.2 million in Thursday previews.

Jazz Tangcay Artisans Editor Hildur Guðnadóttir grew up on Agatha Christie mysteries. “I totally lived for those novels,” the composer says. Ever since then, she has wanted to sink her teeth into story by the famous author.

Jordan Moreau Kenneth Branagh is suiting up as Detective Hercule Poirot once again, with the actor-director’s latest movie, “A Haunting in Venice,” opening in theaters this weekend. The 20th Century Studios movie made $1.2 million in Thursday previews at the box office. The supernatural whodunnit is expected to open between $13 million and $15 million, which would land it between the franchise’s previous two entries, “Murder on the Orient Express” from 2017 and last year’s “Death on the Nile.” All three movies are based on Agatha Christie’s murder mystery novels, with the first “Murder on the Orient Express” standing as the most successful with a $28.6 million opening.