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Jessica Kiang How do you make something real out of something that was artificial to begin with? Should you even try? François Ozon has, with “Peter von Kant”: a deconstructed, gender-swapped and then fastidiously reconstructed overhaul of Rainer Werner Fassbinder’s “The Bitter Tears of Petra von Kant.” 50 years on, Fassbinder’s film remains as close to un-remake-able as any ever made, mainly because it remakes itself every second as it goes along. If this makes Ozon’s version, which opens this year’s Berlin Film Festival, an oddly self-invalidating proposition from the get-go, that impression only deepens as the minutes tick amusingly but inconsequentially by.For the uninitiated (who are very obviously not the audience for this inside-baseball bauble), Fassbinder’s film is the story of a sadomasochistic lesbian love triangle between a successful fashion designer, her model protégée and her mute assistant.

Peter von Kant by François Ozon Opens the 2022 BerlinaleThe 72th edition of the Berlin International Film Festival will be inaugurated by Peter von Kant  by writer/director François Ozon. The film which stars Denis Menochet, Isabelle Adjani and Hanna Schygulla is part of the international Competition and will celebrate its world premiere on February 10, 2022, at the Berlinale Palast.Artistic Director Carlo Chatrian: “We are beyond thrilled to welcome back François Ozon to the festival and are happy to launch our next edition with his new film.