Richard Kuipers Folklore, feminism and film noir come together in Pushpendra Singh’s meticulously crafted fourth feature “The Shepherdess and the Seven Songs.” Set in the disputed Jammu and Kashmir region in Northwest India, this moody fable about an unhappy young bride plotting her escape from tradition and patriarchy is a gripping character study that stutters slightly in the latter stages before producing a magical finale that no-one will forget in a hurry. Singh’s beautifully shot film has traveled extensively on the festival circuit and picked up awards at Hong Kong and Jeonju since debuting at Berlin in 2020.