William Friedkin Latest Celebrity News & Gossip

Brent Lang Executive Editor Christopher Storer is no slouch when it comes to orchestrating kitchen chaos, having created the hit Hulu comedy-drama “The Bear.” Now, he’ll turn his camera on “The Winter of Frankie Machine” and trade trades the tense world of short-order cooking for a mob story about a hitman who is lured out of retirement to set up a meeting between waring crime families only to turn into a target himself. It’s a mean streets saga that previously attracted attention from the likes of Martin Scorsese, who was set to make it at Paramount Pictures with Robert De Niro, only to abandon it in favor of “The Irishman”; as well as Michael Mann and William Friedkin.

EXCLUSIVE: As his series creation The Bear turned in record Season Two ratings for Hulu, Christopher Storer is set to direct at Paramount Pictures The Winter of Frankie Machine, an adaptation of the 2006 Don Winslow novel. The film will be produced by Shane Salerno and The Story Factory, and Storer will use the Brian Koppelman & David Levien draft those writers did when Martin Scorsese was going to direct Robert De Niro in the lead role.

The French Connection have taken to social media to express their anger at a scene from the film being censored without warning.Those familiar with William Friedkin’s 1971 drama, which can currently be streamed via the Criterion Channel, were surprised when a new edit approximately ten minutes into the film appeared.The scene in question involves a conversation between characters “Popeye” Doyle (Gene Hackman) and Buddy “Cloudy” Russo (Roy Scheider) and a racial slur is uttered.The sequence has been removed without a trace from the film, with the edited version cutting to the pair’s conversation mid-way through.Disney, who owns the rights to the film following its takeover of Fox in 2019, have been accused of censoring the scene in the US. On Disney+ in the UK and Canada, the film remains unedited.NME has reached out to representatives of Disney and the Criterion Channel for comment.Fans online are unhappy at the news.

Jean-Hugues Anglade became an arthouse cinema star of the ’80s and ’90s behind the potent one-two punch of international hits Betty Blue and La Femme Nikita. Playing men who loved hard and recklessly, the actor embodied onscreen a raw, alluring passion that he then upended, to powerful effect, portraying mad King Charles IX in writer-director Patrice Chéreau’s 1994 period epic Queen Margot.But a decade earlier, Anglade made his big-screen breakthrough embodying another raw, reckless lover in Chéreau’s gritty, gay, mean streets drama L’homme blessé, or The Wounded Man (★★★☆☆), earning a Most Promising Newcomer César Award nomination for his intense performance as Henri, a young man who comes of age cruising his local train station.The film — which premiered at Cannes in 1983, and had an extremely limited stateside release in 1985 — actually did win the César for its script, by Chéreau and author-activist Hervé Guibert, inspired by the street-savvy works of Jean Genet.Viewing the film now, as it arrives finally on digital home video via a brilliant, new 4K restoration courtesy of Altered Innocence and Studiocanal, other muses also spring to mind, from the slinky sailors of Rainer Fassbinder’s Querelle, released a year prior, to the pugnacious gay hustler of Wallace Potts’ sublimely sexy 1979 French erotica Le Beau Mec.Somewhere between Le Beau Mec and William Friedkin’s Cruising, we might meet Henri, looking like a sweaty, unstable young Al Pacino, as he prowls his economically depressed, French provincial town.

Naman Ramachandran U.K.-based sales and distribution outfit Blue Finch Films has boarded international sales, excluding North America, for William Shatner documentary “You Can Call Me Bill” from Legion M and Exhibit A Pictures. Written and directed by Alexandre O. Philippe, who has previously helmed documentaries such as “78/52: Hitchcock’s Shower Scene,” “Memory: The Origins of Alien,” and “Leap of Faith: William Friedkin on the Exorcist,” the film had its world premiere at SXSW 2023 as part of the Documentary Spotlight section. The film is an intimate portrait of William Shatner’s personal journey across nine decades, stripping away all the masks he has worn during his storied career – most famously the Star Trek franchise – to reveal the man behind it all. The first and only feature-length documentary dedicated to Shatner’s life, career and philosophy, it delves into his most fervent passions, hopes and concerns, through a thematic distillation of his most recent autobiographical songs and a deep dive into the farthest reaches of his filmography.

EXCLUSIVE: Republic Pictures has acquired the action thriller Air Force One Down from SP Media Group, slating it for worldwide release by Paramount Global Content Distribution next year. Katherine McNamara (Walker: Independence), Ian Bohen (Yellowstone), Anthony Michael Hall (Halloween Kills), Dascha Polanco (Orange Is the New Black) and Rade Serbedzija (Mission: Impossible II) star in the pic which wrapped production in March.

Ron Faber, an Obie Award-winning stage actor whose widest fame came from a brief but crucial scene in the 1973 horror classic The Exorcist, died March 26 of lung cancer. He was 90.

Jazz Tangcay Artisans Editor SPOILER ALERT: This story discusses major plot points, including the ending for “The Pope’s Exorcist” currently playing in theaters. Director Julius Avery has “only seen parts” of William Friedkin’s classic “The Exorcist.” “I’m not a massive aficionado of exorcist movies,” he tells Variety. Yet despite that, his latest release, “The Pope’s Exorcist,” which is based on Gabriele Amorth’s books “An Exorcist Tells His Story” and “An Exorcist: More Stories,” follows the Vatican’s chief exorcist to Spain. Played by Russell Crowe, Father Amorth teams up with a priest, Father Esquibel (Daniel Zovatto), to investigate a young mother, Julia (Alex Essoe), and her children, who have recently become possessed by a powerful demon.

It is hard to look at any movie with “Exorcist” in its title and not immediately think of William Friedkin’s eternal 1973 Oscar-winning horror classic that is celebrating its 50th anniversary this year. Nevertheless there have been dozens of films of various stripes that have tried to conjure their own magic in this sub-genre, but none that have managed to surpass what Friedkin and screenwriter William Peter Blatty did with that brilliant film.

Oscar-nominated Cinematographer Wilmer C. Butler, whose work included a series of landmark films such as The Conversation (1974), Jaws (1975) and One Flew Over the Cuckoo’s Nest (1975), has died. He was 101. The American Society of Cinematographers confirmed Butler’s passing.

was confirmed by the American Society of Cinematographers. Along with “One Flew Over the Cuckoo’s Nest,” for which he received his only Academy Award nomination in 1976, and the game-changing summer movie blockbuster, he also lensed films such as “The Conversation,” “Grease,” “Child’s Play,” “Anaconda,” “Frailty” and the first three “Rocky” sequels. Along with an Oscar nomination an BAFTA award both for “One Flew Over the Cuckoo’s Nest,” Butler won Primetime Emmys for “Raid on Entebbe” in 1977 and “A Streetcar Named Desire” in 1984.

Matt Donnelly Senior Film Writer Republic Pictures, an historic movie label founded in 1935 and shuttered in 1967, has been revived by parent company Paramount Global. The banner will function as an acquisitions play, releasing titles acquired by Paramount Global Content Distribution. “We’ve chosen to revitalize the Republic banner given its storied history of delivering popular movies to a global audience, ” said Dan Cohen, Paramount chief content licensing officer and newly-named president of Republic Pictures. “With our best-in-class global distribution teams working to identify the best homes around the world, we aim to continue that legacy by offering audiences great entertainment across all genres.”

Jenna Ortega is evidently a fan of the horror movie.

Death On The Nile and Tenet, revealed his choices in a poll for Sight and Sound magazine.Since 1952, the magazine has asked various filmmakers every decade for their lists of the greatest films of all time. As part of the Winter 2022-23 issue, directors like Branagh, Martin Scorsese, Wes Anderson, Barry Jenkins and Ari Aster were invited to contribute their favourites.Branagh’s top pick was The Godfather, while Cloud Atlas and Lady Bird also made his top 10.

EXCLUSIVE: Okwui Okpokwasili (Agatha: Coven of Chaos) is the newest addition to the cast of Blumhouse, Morgan Creek, Universal and Peacock‘s continuation of The Exorcist, eyed as the first film in a new franchise.

Russell Crowe is back and he’s got some demons to battle.“The Pope’s Exorcist,” out in April, follows Father Gabriele Amorth, Chief Exorcist of the Vatican (played by Crowe), as he takes on his most mysterious case yet – the possession of a young boy whose experience has ties to an ancient Vatican secret. And, yes, it looks pretty spooky.Amorth was a real person (he passed away in 2016), an exorcist for the Vatican who spoke openly about his work, authoring several books about exorcism and frequently offering his opinion on the subject.

EXCLUSIVE: Producer Scott Einbinder (Killer Joe) has launched LA-based management and production company 5X Media.

Owen Roizman, the Oscar-nominated cinematographer whose work was seen on The French Connection and The Exorcist, died. He was 86.

EXCLUSIVE: The Caine Mutiny Court-Martial has rounded out its cast with Monica Raymund (Hightown), Lance Reddick (Bosch), Griffin Dunne (This Is Us), Elizabeth Anweis (Batwoman), Lewis Pullman (Top Gun: Maverick), Francois Battiste (Ten Days in the Valley), and Gabe Kessler (Hightown). They join previously announced leads Keifer Sutherland, Jake Lacy, and Jason Clarke.

EXCLUSIVE: Jason Clarke (Winning Time, Oppenheimer) will star opposite Kiefer Sutherland in The Caine Mutiny Court-Martial from Paramount Global and Showtime.

EXCLUSIVE: Emmy-nominee Jake Lacy (The White Lotus) is set to star opposite Kiefer Sutherland in The Caine Mutiny Court-Martial, Deadline has learned. He is set to portray Stephen Maryk, Queeg’s (Sutherland) executive officer aboard Caine, and the officer who relieved Queeg of duty.

For many years now Venice has been a respectful platform for those big-name directors of the 1970s and early ’80s who are happy to go back into the fray long after those juicy studio budgets dried up: Brian De Palma, William Friedkin, Paul Verhoeven, John Carpenter and — to a lesser extent — George Romero all found a home here for their late-period passion projects. Walter Hill, now 80, joins their ranks with an improbably youthful horse opera, and while it shows up the limitations of both writing and shooting a Western in the modern age (concessions to modern sensitivities have to be made, and digital cinematography somehow just doesn’t cut it with the subject matter), it’s nevertheless a wickedly enjoyable genre romp and full of violent surprises.

EXCLUSIVE: William Friedkin has been plenty selective in the films he directs, but the heralded helmer of The French Connection, The Exorcist, To Live and Die in L.A. and others has found both a script and a star he could not resist.

The Exorcist is getting a remake!

Owen Gleiberman Chief Film CriticThe documentarian Alexandre O. Philippe, who was born in Switzerland and is based in Denver, has carved out a neat niche for himself. He makes movies about movies — that is, movies about our obsession with movies.

Nandor Fodor and the Talking Mongoose,” which just recently wrapped production and stars Simon Pegg, Minnie Driver and Christopher Lloyd. “From make-believe starship captain to a real-life rocketman, William Shatner has led one of the most unique and best-lived lives on the planet. While we all know him from his iconic roles, the REAL William Shatner is even more interesting.

Leo Barraclough International Features EditorEva Zaoralová, the Karlovy Vary Intl. Film Festival’s artistic advisor and its artistic director for many years, has died, the festival confirmed Friday.

The movie world is mourning the death of Peter Bogdanovich, the revered filmmaker behind such classics as The Last Picture Show, Paper Moon, Mask and What’s Up, Doc? Check out a photo gallery of his career by clicking on the image above.

in the 60s to explore his hippy side, Stockwell took a regular pay cheque in TV for the rest of his life and for all his periodic depression about the state of his movie career, found that he was continuously in demand as a rugged character actor in his middle years, achieving cinephile respect for working with Wim Wenders, David Lynch, William Friedkin, Jonathan Demme, Robert Altman and Francis Ford Coppola.