William Friedkin Latest Celebrity News & Gossip

The plan was for renowned director William Friedkin to be appearing at the Venice Film Festival presenting the out of competition World Premiere of his latest production, an adaptation of Herman Wouk’s 1954 play The Caine Mutiny Court-Martial. Unfortunately Friedkin died August 7th, but the show goes on anyway.

A quote by William Friedkin himself opens “The Caine Mutiny Court-Martial,” describing the film, as well as all the filmmaker’s other works, as being about “the thin line between good and evil.” This line is all the thinner here, in the American director’s final feature, for it is entirely a matter of opinion. We are not given to see the facts of this story as they unfolded; we cannot watch and make up our own minds as to whether the people involved were right or wrong to act the way they did.

The late William Friedkin’s last project, The Caine Mutiny Court-Martial, will have its world premiere out of competition at the Venice Film Festival this evening. This afternoon, collaborators on the Showtime/Paramount Global film including producer Annabelle Dunne and editor Darrin Navarro, offered insight into Friedkin’s style of working and what it was like during the shoot. Dunne also spilled more details about Guillermo del Toro’s involvement in the project.

Nick Vivarelli International Correspondent Guillermo Del Toro acted as back-up director for his friend, the late great William Friedkin, during the shoot of Friedkin’s last movie “The Caine Mutiny Court-Martial,” which world premieres on Sunday at the Venice Film Festival. Friedkin, who died on Aug. 7 in Los Angeles at age 87, contractually needed a back up in order for the movie to be made.

Paramount+ has announced it will premiere William Friedkin’s last film The Caine Mutiny Court-Martial in all international markets where the service is currently live.

The 80th Venice Film Festival officially kicked off Wednesday evening with the world premiere screening of Edoardo De Angelis’ Italian World War II submarine drama Comandante. Running in competition, the film took over the slot vacated by Luca Guadagnino’s tennis drama Challengers, which backed out of the spot amid the actors strike.

Nick Vivarelli International Correspondent It’s official: Adam Driver, Caleb Landry Jones, Mads Mikkelsen and Jessica Chastain are among the stars set to attend the upcoming Venice Film Festival. Following multiple unsourced reports, the festival has confirmed that Driver is expected on the Lido’s red carpet to promote Micheal Mann’s “Ferrari,” in which he plays the titular character, Italian car racing pioneer Enzo Ferrari; Landry Jones is coming for Luc Besson’s “Dogman”; Mikkelsen will make the trek for Danish director Nikolaj Arcel’s “The Promised Land” and Chastain for Mexican auteur Michel Franco’s “Memory,” her first role since her Oscar-winning performance in “The Eyes of Tammy Faye.” Also expected on the Lido are Cailee Spaeny and Jacob Elordi, who play Priscilla and Elvis Presley in Sophia Coppola’s “Priscilla.” as well as Priscilla Presley herself.

“The Exorcist Legacy: 50 Years of Fear” (Citadel), it could have called for its own exorcism. The same kind of crazed scenes were happening nationwide at almost two dozen theaters where thousands would turn out for the premiere of what was being billed as one of the most frightening horror movies ever made — and accurately so.As Segaloff puts it, when the film opened, “the bedlam began.”At the Savoy Theater in Boston, “People were running up the aisles and into the lobby, some of them making it out to the street before vomiting, while others did it en route.”“I couldn’t imagine people being affected like that.

Film director William Friedkin, who died Monday at age 87, was best known for “The French Connection” and “The Exorcist,” but he also directed two high-profile and controversial gay-themed movies — “The Boys in the Band” and “Cruising.”

Brent Lang Executive Editor William Petersen was a theater actor from Chicago when William Friedkin changed the course of his life. In 1984, the Oscar-winning director tapped the then-unknown performer to play Richard Chance, a Secret Service agent willing to bend rules and break laws in order to capture a shadowy counterfeiter (Willem Dafoe) in “To Live and Die in L.A.” The crime thriller was a return to form for Friedkin, who had summited the heights of the movie business with “The French Connection” and “The Exorcist,” only to suffer a string of disappointments. Petersen and Friedkin would later collaborate on a Showtime remake of “12 Angry Men” and two episodes of “CSI.” Friedkin died on Aug.

“The Exorcist” stars Ellen Burstyn and Linda Blair are remembering just how much of a powerful force of talent the late director William Friedkin was.

Linda Blair, whose performance as the demonically possessed Regan MacNeil in William Friedkin’s iconic 1973 horror film The Exorcist, is remembering the late director as a genius, a maverick, a game changer and the man who “changed my life forever.”

DJ Casper, who created the world-famous “Cha-Cha Slide”, has died. He was 58.

Francis Ford Coppola and William Friedkin went back more than half a century, including their days in the Directors Company, the short-lived production entity they and Peter Bogdanovich launched in the early 1970s.

EDITOR’S NOTE: William Friedkin’s passing is a gutting experience for anyone lucky enough to have sat as he reminisced over his classic movies, with measures of regret for the recklessness, humor, and keen observations of why Hollywood’s Auteur Era gave way to the global blockbuster, and whatever it is we have today as two guilds strike seeking transparency, and residuals for writers and actors. This interview was originally published August 6, 2015 under the title ’70s Maverick Revisits A Golden Era With Tales Of Glory And Reckless Abandon. I am feeling a bit gutted by Friedkin’s passing. I looked forward to a long interview with him for his Venice-bound Showtime remake of The Caine Mutiny Court-Martial. After spending time with Billy and his elegant wife Sherry Lansing at Peter Bart’s 90th birthday where the back and forth between them proved the highlight of the evening, I wanted them to write a column for Deadline. On anything. None of that can happen now, and Deadline can only offer condolences to Sherry. And to Deadline readers who are Friedkin fans, a replay of this bracingly honest look at his career, done as he got a reissue of Sorcerer, the adaptation of the Georges Arnaud novel that first was filmed as 1953’s The Wages of Fear. The whole interview is presented as originally published nearly a decade ago. 

Owen Gleiberman Chief Film Critic The saga of American movies in the 1970s is now a mythology. In the first half of the decade, the movies that emerged from the New Hollywood were unprecedented in their realism, their immersion in the gritty side pockets of everyday life, their perception of the darkness hidden in the American Dream. Then, of course, came Lucas and Spielberg, who kicked off the blockbuster revolution — the transformation of movies from reality into fantasy.

The French Connection and The Exorcist has died at the age of 87.Friedkin passed away today (August 7) at home in Los Angeles. His death was confirmed by Chapman University dean Stephen Galloway, who is a friend of Friedkin’s wife Sherry Lansing.The filmmaker rose to fame in the ’70s along with Peter Bogdanovich, Francis Ford Coppola and Hal Ashby, who were seen as a new generation of envelope-pushing directors.

Billy Friedkin remains a uniquely unforgettable figure to his friends and colleagues — an eternal contradiction, both cantankerous yet kindly, argumentative yet thoughtful. He was a brilliant creator of popular entertainment but, to his close friends, also was brooding and cerebral.

Oscar-winning film director William Friedkin has died aged 87 his family have announced. Mr Friedkin, whose work includes the classic horror film The Exorcist and crime thriller The French Connection - died in Los Angeles today (Monday). No cause of death has yet been confirmed.

Ellen Burstyn has paid her respects to William Friedkin, the filmmaker who guided her to a second Oscar nomination with his classic 1973 horror The Exorcist.

and, has died. He was 87.

Powerhouse horror producer Jason Blum has addressed the passing of William Friedkin, the iconic filmmaker whose 1973 classic The Exorcist is the basis for a forthcoming trilogy his company Blumhouse is producing for Universal.

Refresh for updates… Horror film director Eli Roth (Hostel, Cabin Fever) is among the colleagues, friends and fans paying tribute to the late William Friedkin, the great director of The Exorcist and The French Connection who died today.

The iconic filmmaker, William Friedkin, has passed away at the age of 87. One of the famous directors to spawn from the “New Hollywood” era of film is probably best known for his work on the legendary horror film, “The Exorcist.” That film was nominated for 10 Oscars after its release, including Best Director.

told the Los Angeles Times. “Winning the Academy Award [and the Directors Guild Award for 1971’s ‘The French Connection’] was an enormous honor.

Carmel Dagan Director William Friedkin, best known for his Oscar-winning “The French Connection” and blockbuster “The Exorcist,” died Monday in Los Angeles. He was 87.His death was confirmed by Chapman University dean Stephen Galloway, a friend of Friedkin’s wife Sherry Lansing.

William Friedkin, who won as Oscar for directing The French Connection, scored a nomination for The Exorcist and also helmed The Boys in the Band, To Live and Die in L.A., Rules of Engagement and others, died today in Los Angeles. He way 87.

The Exorcist: Believer – check it out below.Directed by David Gordon Green, who helmed the recent Halloween reboot trilogy, The Exorcist: Believer similarly serves as a direct sequel to William Friedkin’s 1973 original.As shown in the trailer, the connecting thread is the return of Ellen Burstyn as Chris MacNeil, who is tracked down by concerned father Victor (Leslie Odom Jr.) to help save his possessed daughter Angela (Lidya Jewett) and her friend Katherine (Olivia Marcum).A synopsis reads: “Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding has raised their daughter, Angela, on his own. But when Angela and her friend Katherine disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil.”Other confirmed cast members include Ann Dowd, Raphael Sbarge, Jennifer Nettles and Okwui Okpokwasili.The Exorcist: Believer is the first entry in a planned trilogy, with a follow-up titled The Exorcist: Deceiver scheduled to be released on April 18, 2025.The original Exorcist, based on the book by William Peter Blatty, was followed by sequels Exorcist II: The Heretic in 1977 and 1990’s The Exorcist III.

Leo Barraclough International Features Editor Recently restored versions of William Friedkin’s “The Exorcist,” Terrence Malick’s “Days of Heaven” and Francis Ford Coppola’s “One From the Heart” feature in the Venice Classics section of the 80th Venice Film Festival. The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday. “The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.

With the writers and actors on strike, well, who the hell knows what’s going on? You may not hear from any actors, writers or hell, even directors who are not doing press in solidarity. So, in a bid to still continue making things interesting for you and for us, we’re reintroducing an old Flashback Friday or Throwback Thursday feature and just calling it “Flashback”: a fun excuse to highlight old interviews, old stories, classic movie stories and more.