Lydia Tar Latest Celebrity News & Gossip

Cate Blanchett’s fictional conductor Lydia Tár.Blanchett played the character in director Todd Field’s 2022 film Tár, a psychological drama about a world-renowned Berlin conductor who faces allegations of misconduct.Mallwitz, who was inaugurated as chief conductor of the orchestra last month, has since been widely compared to the character due to her appearance.Speaking to The Guardian, Mallwitz described the comparisons as “ridiculous” but explained that she hasn’t managed to see the film yet.“I know it’s ridiculous,” Mallwitz said. “I really want to see the film and I adore Cate Blanchett, but it’s been such a whirlwind, I’ve had no time.“But the comparisons between me and her – well, it’s just the hair, right? To be honest, people have been saying to me for the past 20 years that I and Blanchett look a little bit alike.

“Tár” director Todd Field says he may never make another feature film — despite rave reviews for the recent Cate Blanchett drama, which he also penned and produced. Field, 59, got candid about the next stage of his career in a recent interview with Cinema Scope, revealing that it’s “highly likely” he’s done with directing. “There’s a real challenge in making a film of any size,” he explained.

@LydiaTarReal has been openly operating as parody since launching in November, picking up nearly 27,000 followers in a few short months. Then during the Oscars, @LydiaTarReal tweeted a clumsy Photoshop of a “light tumble” she said she took down the stairs at the Dolby:Please, stop sharing this image. Yes, I took a very light tumble down the stairs after being disrespectfully rejected from the venue.

Oscars. However, the actress firmly has family on her mind after a "painful" time away from them. The 53-year-old recently spent months living apart from her loved ones while making psychological drama Tár.

Emily Longeretta Young Hollywood is ready for Oscars week. On Wednesday night, some of the biggest young stars in the industry celebrated at Vanity Fair and TikTok’s Vanities: A Night for Young Hollywood at Mes Amis. The star-studded evening was co-hosted by Halle Bailey, Julia Garner and Paul Mescal, the latter of which is nominated for his performance in “Aftersun” at this weekend’s Academy Awards. Garner, who walked the red carpet with husband Mark Foster, was excited to be out and about during one of the biggest weeks of the year. “This is for the young, new talent that’s in the industry right now. It’s such an honor to be here — it’s nice to be out of the house outside of this bubble we’ve all been living in,” she told Variety. “Not via zoom!”

Oscars race for Best Actress, which referred to fellow nominee Cate Blanchett.The actor, who is in the running for her performance in Everything Everywhere All At Once, spotlighted the Vogue article “It’s Been Over Two Decades Since We’ve Had A Non-White Best Actress Winner. Will That Change in 2023?” on Tuesday (March 7).While most of the article highlights the lack of representation at the Academy Awards, a paragraph – included in Yeoh’s Instagram post – specifically refers to Blanchett who is nominated for her performance in Tár.“Detractors would say that Blanchett’s is the stronger performance – the acting veteran is, indisputably, incredible as the prolific conductor Lydia Tár – but it should be noted that she already has two Oscars,” the article reads.

Michelle Yeoh is gaining attention for something she posted and deleted online, and it might have gone against the Academy rules as a nominee in the Best Actress category.

References to Other Nominees” rule after reportedly posting a photo of a Vogue article, which suggested Blanchett doesn’t need a third Oscar. The “Everything Everywhere All at Once” actress posted the photo on her Instagram account mere hours before official Oscar voting ended and then promptly deleted it, according to the Daily Beast.

Clayton Davis Senior Awards Editor During the final hours of Oscars voting on Tuesday, “Everything Everywhere All at Once” nominee Michelle Yeoh caused a stir when snippets of a Vogue article were shared on her Instagram account. Yeoh shared each paragraph in multiple images of the article titled — “It’s Been Over Two Decades Since We’ve Had a Non-White Best Actress Winner. Will That Change in 2023?” One of the slides references her fellow best actress nominee Cate Blanchett of “Tár.” It reads: “Detractors would say that Blanchett’s is the stronger performance — the acting veteran is, indisputably, incredible as the prolific conductor Lydia Tár — but it should be noted that she already has two Oscars (for best supporting actress for The Aviator in 2005, and best actress for Blue Jasmine in 2014). A third would perhaps confirm her status as an industry titan but, considering her expansive and unparalleled body of work, are we still in need of yet more confirmation?”

Oscar voting is about to close on an awards season has been one of the most volatile in years. Even though a consensus may seem to have formed around certain titles, there is still a nagging sense that anything could happen — and well might. It’s entirely appropriate, then, that Todd Field’s Tár — a film about a mercurial artist holding on through a turbulent time — is still holding a dogged course through these choppy seas, with a campaign driven by Cate Blanchett’s universally acclaimed performance as the troubled conductor Lydia Tár. Here, Field discusses (and declines to discuss) the strengths and the strangeness of a film that has somehow come to mean all things to all people.

Which queer film do you want to see win big at the upcoming Oscars? We take a look at the contenders.

Clayton Davis Senior Awards Editor Will Cate Blanchett fulfill the awards prophecy of winning an Academy Award every nine years? The two-time Academy Award winner of “The Aviator” (2004) and “Blue Jasmine” (2003) is a favorite to possibly win her third for Todd Field’s psychological drama “Tár,” in which she plays a lesbian conductor who begins to lose her grip on power and reality. On this week’s episode of the Variety Awards Circuit Podcast, we sit down with Blanchett to discuss her work stunning transformation into Lydia Tár. In addition, she talks about working with co-star Nina Hoss and more. Listen below: From Focus Features, “Tár” is set to a rhythmic beat of classical orchestration, marking writer and director Todd Field’s return to the director’s chair, 16 years after “Little Children” (2006) and 21 years after his debut “In the Bedroom” (2001).

Jazz Tangcay Artisans Editor SPOILER ALERT: This story contains major spoilers for “Tár.” Todd Field’s “Tár” ends with disgraced conductor Lydia Tár (Cate Blanchett) conducting the score of “Monster Hunter,” a fantasy video game series, for a group of cosplayers in Southeast Asia. It’s a huge fall from grace from her previous post as head of the Berlin Philharmonic. Countless theories exist on the internet about the character’s ending. Is she hallucinating? Is Tár herself a monster who has been hunted, as her downfall comes as a result of allegations of misconduct and abuse of power. Or is it something else?

Cate Blanchett opened up about her latest Oscar-nominated role in a revealing new interview.

Cate Blanchett hit the red carpet in a chic turtleneck look for the premiere of her newest movie, TÁR, held during the 2023 Berlinale Film Festival in Germany on Thursday (February 23).

Cate Blanchett won at the Critics Choice Awards on Sunday, where she took the Best Actress trophy for her role in Tár. In the film, Blanchett plays Lydia Tár, a fiercely independent and world-renowned composer whose esteemed career comes crashing down around her after being accused of sexual harassment.

The New York Film Critics Circle Best Picture Winner Tár by Todd Field has drawn accolades since its Venice premiere, the latest a major rave by Martin Scorsese last night: “The clouds lifted when I experienced Todd’s film.”

In Todd Field’s Tár, we meet Lydia Tár, a revered composer-conductor heading up the Berlin Philharmonic, played by Cate Blanchett. Nina Hoss, as Lydia’s wife Sharon, is concertmaster and first chair violin, and together they navigate the politics of their musical life while parenting their daughter Petra. But Lydia, who is at the top of her game, and readying for her career-pinnacle live recording, begins to self-destruct, forming an obsessive attachment to Olga, a young cellist, just as a troubling past entanglement comes to light. The target of criticism from her students and a New York Post article, Lydia’s staff and Olga desert her. Then Sharon takes flight with Petra, and Lydia finally slides into the demise of both her personal and professional life. In conversation with Antonia Blyth, Blanchett and Hoss discuss the absence of objective truth, how change is built on open-hearted discussion, and the emergence of art from the raw, painful edge of experience.

The Palm Springs International Film Awards announced on Monday that Cate Blanchett will receive the Desert Palm Achievement Award, Actress for Todd Field’s “Tár,” in which she plays a driven orchestra conductor.“Cate Blanchett is truly one of the best actresses of this generation, whose performances are always extraordinary no matter the role. In her latest film ‘Tár,’ Cate perfectly embodies Lydia Tár as an orchestra conductor at the height of her career whose life begins to unravel,” Palm Springs Film Festival chairman Harold Matzner said.

The Florian Hoffmeister lensed thriller Tár from director Todd Field topped the Camerimage main competition, collecting the Golden Frog during the closing ceremony of the cinematography film festival Saturday.

Clayton Davis After Nina Hoss received the role as Sharon in “Tár,” she happened to be in Budapest shooting Amazon Prime’s “Jack Ryan” — where her eventual co-star Cate Blanchett was also on location shooting Eli Roth’s “Borderland.” Hoss and Blanchett soon built a rapport and friendship that would become the foundation of their characters. After that, the German actress felt even more prepared to show her character’s strength: “You can easily make her the victim, but that’s too easy,” Hoss tells Variety’s Awards Circuit Podcast. “Especially when you’re a phenomenal musician in your own right.” Listen below: On this episode of the award-winning Variety Awards Circuit Podcast, we sit down with actress Nina Hoss to discuss her work in the inventive drama “Tár,” working with her co-star Blanchett, her adorations in classic cinema (such as Bette Davis, who helped inspire her career in acting) and reading the incredible script for the first time. “I put it down and I think I only got half of it,” she shares. “It evoked something in you. It invites you and fascinates you.”

In connection with the release of blockbuster queer drama “Tar,” Tracy E. Gilchrist of Advocate Today sat down with film stars Cate Blanchett and Nina Hoss to discuss the significance of narratives that feature LGBTQ+ women.

Introduced at the height of her powers, the world-renowned composer-conductor who lends Tár (★★★★☆) its brusque title is meticulous in every detail of how she conducts her life. Lydia Tár strives for perfection in her work, her image, and her bespoke suits, and demands the best from her musicians, students, and staff.But Lydia, portrayed with leonine intensity by Cate Blanchett, has grown increasingly sloppy in one area of her well-tended life.

Hulu is now searching for a new director and star for its upcoming limited series The Devil In The White City. Director Todd Field is the latest to depart the project, sources confirmed to Deadline. Hulu declined comment.

Focus Features’Tár opened in limited release to strong results with $160,000 at four locations in New York and Los Angles for a $40,000 per theater average, one of the best PTAs since Covid and not bad for a 2-hour and 38-minute arthouse film pre-pandemic.

After a pandemic recovery year in which Focus has started many of its releases with larger theater counts, “Tár” is starting with a return to the traditional four-screen launch in New York and Los Angeles, earning $160,000 for a per-theater average of $40,000. With the LA theaters that first got platform releases, the Arclight Hollywood and Landmark Pico, both now closed, Focus has turned to the AMC locations in Century City and the Grove on Fairfax to release “Tár,” while releasing it at the Angelika and AMC Lincoln Square in New York.

Today Focus Features opens Tár, the strikingly original return of Todd Field, in four locations in NY and LA. The film premiered at Venice winning star Cate Blanchett Best Actress as musician and conductor Lydia Tár. Early this week, it seemed to mesmerize a sold-out Allice Tully Hall at the New York Film Festival.