Alexander Payne Latest Celebrity News & Gossip

Andrew Haigh’s drama All of Us Strangers has landed nine London Critics’ Circle Awards nominations, ahead of Christopher Nolan’s Oppenheimer, which has scored seven.

Jazz Tangcay Artisans Editor Alexander Payne calls editor Kevin Tent his filmmaking partner. The two first met running in the same L.A. film school circles.

Da’Vine Joy Randolph and Alden Ehrenreich haven’t taken many vacation days recently. She’s the breakout star of Alexander Payne’s heartwarming comedy “The Holdovers,” where she portrays Mary, the head cook of a boarding school in the 1970s. (She also showed her range as the jaded manager to a troubled pop star in HBO’s controversial summer series “The Idol.”) He’s the familiar face who played a young Han Solo in the “Star Wars” franchise and, this year, shows off his dramatic chops as a toxic boyfriend and financial analyst in Chloe Domont’s Sundance darling “Fair Play.” Here, they compare notes on preparation, keeping momentum and dating other actors.

Barbie has broken the Critics Choice Award Nomination this year, after scoring 18 nominations.The 29th annual Critics Choice Awards, which are due to take place next January in LA, will see Barbie nominated in all the major categories including Best Picture, Best Director, Best Comedy, Best Screenplay, Best Actress, Best Supporting Actor and Best Young Actor/Actress.It was also nominated in categories for acting ensemble, cinematography, editing, production design, costume design, hair and makeup and score. It also has three out of the six nominations in the Best Original Song category.The previous record for Critics Choice film nominations was 14, set by last year’s Best Picture winner, Everything Everywhere All at Once.Christopher Nolan’s Oppenheimer and Yorgos Lanthimos’ Poor Things received 13 nominations each, while Martin Scorsese’s Killers of the Flower Moon received 12.Meanwhile, Bradley Cooper’s Maestro and Alexander Payne’s The Holdovers received eight nominations each.The nominations for the awards are made by members of the Critics Choice Association, which is made up of more than 650 critics and journalists.Check out the full list of nominations below:BEST PICTUREAmerican FictionBarbieThe Color PurpleThe HoldoversKillers of the Flower MoonMaestroOppenheimerPast LivesPoor ThingsSaltburnBEST ACTOR Bradley Cooper – Maestro Leonardo DiCaprio – Killers of the Flower Moon Colman Domingo – Rustin Paul Giamatti – The Holdovers Cillian Murphy – Oppenheimer Jeffrey Wright – American FictionBEST ACTRESS Lily Gladstone – Killers of the Flower Moon Sandra Hüller – Anatomy of a Fall Greta Lee – Past Lives Carey Mulligan – Maestro Margot Robbie – Barbie Emma Stone – Poor ThingsBEST SUPPORTING ACTOR Sterling K.

If you watch Paul Giamatti in the new movie The Holdovers, you might be left wondering: is that his real eye?

Clayton Davis Senior Awards Editor The “Barbenheimer” craze continues with Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” being named among AFI Awards 2023 top 10 best films of the year. Netflix led studios with two movies making the list — Bradley Cooper’s Leonard Bernstein biopic “Maestro” and Todd Haynes’ black comedy “May December.” With an eclectic mix of critically acclaimed and consumer friendly titles, the list of top movies also includes films by newcomers (Cord Jefferson’s “American Fiction” and Celine Song’s “Past Lives”), veterans (Martin Scorsese’s “Killers of the Flower Moon” and Alexander Payne’s “The Holdovers”) and stylish visionaries (Yorgos Lanthimos’ “Poor Things” and Joaquim Dos Santos, Kemp Powers and Justin K.

Martin Scorsese‘s Western historical epic Killers of the Flower Moon on Wednesday was named Best Film by the National Board of Review, the second major awards honor for the Apple Original Films pic this week after it also won the top prize from the New York Film Critics Circle.

Three very different movies, original, with arthouse cred and in theaters for weeks, are drawing audiences showing welcome depth and breadth in the specialty market as awards season kicks off. Nicolas Cage’s nerdy character sees his life collapse when he randomly starts appearing in people’s dreamsas Dream Scenario has a solid expansion, Saltburn is attracting young crowds on the coasts, The Holdovers drawing elusive older demos to theaters.

Focus Features‘ second movie with filmmaker Robert Eggers, Nosferatu, will be hitting cinemas on Wednesday, Dec. 25, 2024.

Amazon/MGM’s Saltburn, the dark-comedy sendoff of British upper class, expanded nicely in a big jump from seven screens to 1,566, nabbing a spot in the top ten. The film by Emerald Fennell (Promising Young Woman) grossed $1.73 million for the three-day weekend and $2.7 million for the five-day Thanksgiving frame thanks to a strong core group of theaters.

Matthew Lillard has signed With Verve for representation.

In case you were wondering, there was no beef between Paul Giamatti and Alexander Payne. The actor and filmmaker collaborated on 2004’s “Sideways,” an art-house breakout that earned over $100 million worldwide and five Oscar nominations including Best Picture (Payne and Jim Taylor won for Adapted Screenplay).

Rebecca Rubin Film and Media Reporter It’s become a holiday tradition for Disney to release an animated movie around Thanksgiving, and this year is no different. “Wish,” a musical origin story for the Wishing Star that so many Disney characters have wished upon before, is expected to lead box office charts over the busy weekend. But it won’t be all Disney, all the time, like it was last year when two of the studio’s offerings, “Black Panther: Wakanda Forever” and “Strange World,” topped the box office.

In a super weekend for specialty, Saltburn had a lofty open on seven screens and The Holdovers a nice $2.7 million in a major week-three expansion that put it at no. 6 at the domestic box office. Actors are once again out promoting their films and indie/original fare continues to benefit from fewer studio releases in the aftermath of the SAG-AFTRA strike.

Alexander Payne, director of The Holdovers, said he gets pushback for the kinds of films that he makes but he plans to persevere and hopes there will be more space for “human” stories in theaters.

If you watch Paul Giamatti in the new movie The Holdovers, you might be left wondering: is that his real eye?

Clayton Davis Senior Awards Editor It could have been easy for Da’Vine Joy Randolph’s role in “The Holdovers” to be yet another stereotypical trope for Black women that Hollywood has lazily thrown out throughout history. If that had been the case, the actress tells Variety that would have passed. “When I meet with these studio execs and they ask ‘What is it you would like to do next?’ she says.

Festival and specialty fare crowded the top ten this weekend with Priscilla (A24) and The Holdovers (Focus Features) expanding to hit nos. 4 and 6 respectively. Yash Raj Films’ Bollywood thriller Tiger 3 is at no. 8, and world of mouth continued to buoy Radical (Pantelion/Participant) with Eugenio Derbez, rounding out the list at no. 10.

Owen Gleiberman Chief Film Critic In the most shockingly funny moment of Alexander Payne’s “Sideways,” Miles Raymond, the desperate English teacher and wine aficionado (that is, alcoholic with good taste) played by Paul Giamatti, has just learned that his book was turned down by the publisher he had his hopes pinned on. It’s more than a rejection; it’s the death of his dream. Miles is in the middle a chi-chi Napa Valley wine tasting, and suddenly he’s in dire need of a drink.

Jazz Tangcay Artisans Editor Director Alexander Payne’s “The Holdovers” roots itself in 1970s nostalgia, right down to the main title design and the studio logos. However, neither company existed at the time. Distributor Focus Features was founded in 2002, while the film’s production company Miramax got started in 1979.

As you probably have heard by now, writer Tom Perrota, the author of 1998’s novel “Election,” which was adapted into a very successful feature film by filmmaker Alexander Payne, has written the sequel, 2022’s book “Tracy Flick Can’t Win.” And some years back, it was announced that Payne and Reese Witherspoon would reunite to adapt that book into a movie. READ MORE: ‘The Holdovers’ Review: Alexander Payne & Paul Giamatti Reunite For A ’70s Nostalgia Dramedy [Telluride] Some thought it would be Payne’s next movie.

Savina Petkova Hollywood might have ground to a halt in recent months during the recent labor strikes, with the role of artificial intelligence in the moviemaking business a key stumbling block between studio bosses and both the writers and actors guilds. But two-time Academy Award winner Alexander Payne (“Sideways”) quipped at the Thessaloniki Film Festival this week that when it comes to AI, he’s all for it. “If AI could write a script for me, I would be so happy,” Payne joked.

Radical with Eugenio Derbez built on its smash opening in Mexico to hit no. 5 at the U.S. box office with a super $2.7 million at 416 theaters. The Pantelion film had delayed its debut Stateside by two weeks to skirt The Eras Tour juggernaut, allowing word of mouth to build for the drama about a dedicated teacher in a troubled Mexican border town.   

Born in Omaha, Nebraska, to two parents of Greek heritage, two-time Oscar winner Alexander Payne was awarded Greek citizenship last year around the time he was working on his latest feature, The Holdovers. 

A24’s Priscilla by Sofia Coppola catapults from four screens to 1,300, Alexander Payne’s The Holdovers from Focus Features expands to 60 from six and two new indies have wide debuts — What Happens Later from Bleecker Street, directed by and starring Meg Ryan, opens at 1,400 locations and Daisy Ridley-starring The Marsh King’s Daughter from Roadside Attractions at over 1,000.

In celebration of “The Holdovers” hitting theaters this weekend, filmmaker Alexander Payne (“Sideways”) has teamed up with Alamo Drafthouse for a special “Guest Selects” conversation. In the video (which you can watch below), Payne gives five film recommendations when people ask him what they should watch.

Nick Vivarelli International Correspondent Richard Linklater’s action comedy “Hit Man” is set to open the Marrakech International Film Festival, which has announced its lineup of more than 70 films mixing known titles and fresh fare. The fest is forging ahead with its 20th edition, which will run Nov.

Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start.

Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there.

Valerie Wu Intern The 2023 annual Newport Beach Film Festival (NBFF), hosted from Oct. 12 to Oct. 19, has announced its slate of awards winners.