Miramax Loved ‘The Holdovers’ ’70s-Style Logo Design So Much It Ended Up Using It on Other Releases

's bob haircut like it was yesterday, but in fact, this hair change was more than a year ago. Since then, the daughter of has been growing her hair out and it has already reached a length that is almost longer than a midi hairstyle.Klum recently showed off her blonde tresses in her Instagram story, and surprised us with a hairstyle that is definitely inspired by the '90s.For a collaboration with hair styling brand Ghd, she recorded an Instagram story for which she styled her hair straight.

Jazz Tangcay Artisans Editor With a few weeks to go until the original song for Oscars shortlist is released, Aotearoa, New Zealand-based Māori Artist Stan Walker (Tūhoe, Ngāi TeRangi, Ngāti Ranginui, Ngāti Pūkenga, Tūhourangi Ngāti Wāhiao, Ngāti Porou, Ngāti Whakaue and Ngai Tahu) has released the video for the haunting original song created for Ava DuVernay‘s searing drama “Origin,” “This summer, I was talking with my producing partner Paul Garnes about wanting something unexpected for an original song to end our film, ‘Origin.’ The next day, he showed me Stan’s ‘Ultralight Beam’ interpretation and I watched it four times, back to back. I jumped online and blessedly, we had a producer pal of mine, Chelsea Winstanley in common.

Ringo Starr, entertained fans when shutting down any possibility of forming a supergroup with other children of The Beatles members.The discussion first arose when Starkey posted an image of himself with Sean Lennon – the son of Yoko Ono and John Lennon – on his Instagram page, recalling how the two had a great time hanging out together.“What a guy (although he looks completely insane here and he is and so are we),” he wrote in the caption. “It was so great that Sean invited us to hang at the Dakota and actually get to know each other a bit.

Matthew Lillard has signed With Verve for representation.

Jazz Tangcay Artisans Editor SPOILER ALERT: This story discusses major plot points, including the ending for “Saltburn.” Singer-songwriter Sophie Ellis-Bextor was already a fan of Emerald Fennell when she was approached about the use of her 2001 hit “Murder on the Dancefloor” in “Saltburn.” “I loved ‘Promising Young Woman,’” Ellis-Bextor says. But what really sold it to her was the pitch: “A naked man dancing through the rooms of a stately home…I’ve got a quirky sense of humor, and my main thing was, ‘I’ve got to see that.’” Set in 2006, Oliver is a student at Oxford University who becomes dangerously obsessed with the suave and good-looking aristocratic classmate Felix, played by Jacob Elordi.

In a super weekend for specialty, Saltburn had a lofty open on seven screens and The Holdovers a nice $2.7 million in a major week-three expansion that put it at no. 6 at the domestic box office. Actors are once again out promoting their films and indie/original fare continues to benefit from fewer studio releases in the aftermath of the SAG-AFTRA strike.

Alexander Payne, director of The Holdovers, said he gets pushback for the kinds of films that he makes but he plans to persevere and hopes there will be more space for “human” stories in theaters.

Jazz Tangcay Artisans Editor “You may know me from other stuff, but I don’t use a lot of colors, except when necessary,” says renowned costume designer Trish Summerville. So, when it came to designing the main outfit worn by Rachel Zegler’s Lucy Gray in “The Hunger Games: The Ballad of Songbirds and Snakes,” Summerville, whose credits include “The Girl With the Dragon Tattoo,” “Mank” and “Gone Girl,” had to wrap her head around “a rainbow dress with ruffles and things she keeps in her pockets.” The rainbow dress was one of the first outfits Summerville tackled.

Victoria Beckham has opened up on how her family ‘loves the energy that radiates from crystals’. The former Spice Girl, 49, spoke of how she believes ‘a lot in crystal energy’ after learning about it in Los Angeles following the Beckhams move to the US in 2007. She went on to say that her children carry crystals and husband - football legend David - has done so at times too.

If you watch Paul Giamatti in the new movie The Holdovers, you might be left wondering: is that his real eye?

Clayton Davis Senior Awards Editor It could have been easy for Da’Vine Joy Randolph’s role in “The Holdovers” to be yet another stereotypical trope for Black women that Hollywood has lazily thrown out throughout history. If that had been the case, the actress tells Variety that would have passed. “When I meet with these studio execs and they ask ‘What is it you would like to do next?’ she says.

Jazz Tangcay Artisans Editor Bradley Cooper had a problem. The Oscar-nominated actor was gearing up to play Leonard Bernstein, the musical genius behind “West Side Story” and “Candide” and one of the driving cultural forces of the 20th century. Except, Cooper looked nothing like the distinctive composer and conductor.

Elle Fanning and Nicholas Hoult are opening up about the end of an era now that the strike is over.

Festival and specialty fare crowded the top ten this weekend with Priscilla (A24) and The Holdovers (Focus Features) expanding to hit nos. 4 and 6 respectively. Yash Raj Films’ Bollywood thriller Tiger 3 is at no. 8, and world of mouth continued to buoy Radical (Pantelion/Participant) with Eugenio Derbez, rounding out the list at no. 10.

Owen Gleiberman Chief Film Critic In the most shockingly funny moment of Alexander Payne’s “Sideways,” Miles Raymond, the desperate English teacher and wine aficionado (that is, alcoholic with good taste) played by Paul Giamatti, has just learned that his book was turned down by the publisher he had his hopes pinned on. It’s more than a rejection; it’s the death of his dream. Miles is in the middle a chi-chi Napa Valley wine tasting, and suddenly he’s in dire need of a drink.

When you think about food associated with ITV's iconic soap opera Coronation Street, you probably think of Betty's legendary hotpot at the Rovers, a fry up at Roy's Rolls, or maybe a tasty curry at Speed Dahl. You probably do not think of a limp sandwich and ultra-processed muffin.

As you probably have heard by now, writer Tom Perrota, the author of 1998’s novel “Election,” which was adapted into a very successful feature film by filmmaker Alexander Payne, has written the sequel, 2022’s book “Tracy Flick Can’t Win.” And some years back, it was announced that Payne and Reese Witherspoon would reunite to adapt that book into a movie. READ MORE: ‘The Holdovers’ Review: Alexander Payne & Paul Giamatti Reunite For A ’70s Nostalgia Dramedy [Telluride] Some thought it would be Payne’s next movie.

Jaden Thompson The Emmy-nominated creatives behind Prime Video‘s shows have sat down for another series of Master Crafts conversations with Variety‘s senior artisans editor Jazz Tangcay, drawing back the curtain on the complex process of bringing these wide-ranging series to the small screen. In five separate conversations, Tangcay spoke with the teams behind “The Marvelous Mrs.

Savina Petkova Hollywood might have ground to a halt in recent months during the recent labor strikes, with the role of artificial intelligence in the moviemaking business a key stumbling block between studio bosses and both the writers and actors guilds. But two-time Academy Award winner Alexander Payne (“Sideways”) quipped at the Thessaloniki Film Festival this week that when it comes to AI, he’s all for it. “If AI could write a script for me, I would be so happy,” Payne joked.

Born in Omaha, Nebraska, to two parents of Greek heritage, two-time Oscar winner Alexander Payne was awarded Greek citizenship last year around the time he was working on his latest feature, The Holdovers.