Writers Guild Members Approve Pattern of Demands by Overwhelming 98.4% Margin

Ben Croll Mixing two parts maternal melodrama, one part fugitive thriller, and finishing with a precocious, child-actor twist, Nippon TV’s “Mother” format has proven an irresistible international cocktail, driving remake rights and series exports across the globe. Taking a victory lap of sorts at this week’s Series Mania Forum, Nippon TV’s director of international business development Yuki Akehi joined Spanish producer Eduardo Galdo to unpack this format-sales phenomenon. Created by Yuji Sakamoto and initially commissioned for broadcast in 2010, “Mother” follows a thirtysomething schoolteacher who feels her first ever pangs of maternal instinct when confronted with an 8-year-old pupil from an abusive home. Instinctively absconding with the girl and heading out on the lam, the new fugitive and her willing charge forge deep bonds beyond a legal framework.

Manori Ravindran Executive Editor of International Lisa Joy, showrunner of “Westworld” and “The Peripheral,” says the Writers’ Guild of America is “acting for [writers’] collective good” in its negotiations with studios, even if it could potentially lead to a strike in May. Joy, who runs production company Kilter Films, is being honored at French TV drama festival Series Mania this week. She took part in a keynote conversation on Wednesday, at which she quipped that a strike will mean “more time with my kids.” “It’s a little stressful because I’ve reached a point where I can manage without work for a while,” said Joy. “As it is, we have shows coming out and we’re in the editing process. We have a rotation of shows that aren’t dependent on writing at the phase they’re in. But I always stand by the decision of the Writers’ Guild — I know they’re acting for our collective good.”

In the super-sequel “Shazam! Fury of the Gods,” mild-mannered teen Billy Batson (Asher Angel, who transforms into Zachary Levi when powered up) learns the importance of togetherness as he and his team of hero pals save Philadelphia from a triumvirate of titanettes (Helen Mirren, Lucy Liu, and Rachel Zegler). Paired for the first time, screenwriters Chris Morgan and Henry Gayden got their own lesson in the fine art of teamwork as they joined forces for a lighter spin on the capes-and-tights picture.

Ann Summers founder Jacqueline Gold has died at the age of 62, her family said. The businesswoman died on Thursday evening, 16 March, after seven years of treatment for breast cancer – which her sister Vanessa said she was an "absolute warrior" throughout. Her family's statement read: “It is with unspeakable sadness that Ann Summers confirm our amazing executive chair Jacqueline Gold CBE passed away yesterday evening with her husband Dan, daughter Scarlett, sister Vanessa, and brother-in-law Nick, by her side.

After an iconic career that revolutionised the sex positivity movement, Ann Summers CEO Jacqueline Gold sadly lost her battle with cancer on Thursday March 16th. Described by her sister as an “absolute warrior” for bravely taking on 7 years worth of treatment to combat breast cancer, the pioneering businesswoman tragically succumbed to the disease on Thursday evening.

breast cancer. A family statement said: "It is with unspeakable sadness that Ann Summers confirm our amazing executive chair Jacqueline Gold CBE passed away yesterday evening with her husband Dan, daughter Scarlett, sister Vanessa, and brother-in-law Nick, by her side.

has T.J. Holmes and Amy Robach's replacements in mind.

contract negotiation website that Hollywood “remains highly profitable” and vowing to ensure that writers get their fair share of that profit in upcoming contract negotiations with studios.“Gloomy stories about business model uncertainty, company layoffs and the industry’s impending downturn are both standard refrains during union contract negotiations and the predictable result of Wall Street’s narrow focus on stock price and short-term profits,” the WGA wrote. “Such coverage distracts from a fundamental truth: the content created for this industry has tremendous value, and the companies have demonstrated time and time again that they can and will capture that value.”The WGA’s new “State of the Industry” report argued the guild’s case, pointing to the combined annual operating profits of Netflix, Paramount, Warner Bros., Comcast, Fox and Disney.

Piers Morgan has joined a chorus of criticism against the BBC’s decision to suspend Gary Lineker after he compared British government rhetoric to Nazi Germany.

As expected, WGA members have voted overwhelmingly to approve a Pattern of Demands for the guild’s upcoming film and TV contract negotiations, which are set to begin March 20. The combined vote of the WGA West and the WGA East was 5,553 (98.4%) voting yes, and 90 (1.6%) voting no. The WGA’s current contract with the Alliance of Motion Picture & Television Producers expires May 1 amid growing concerns about a possible writers’ strike.

Gene Maddaus Senior Media Writer The WGA announced Tuesday that 98.4% of members had voted in favor of the “pattern of demands,” a loose outline of topics for discussion in upcoming negotiations. The vote was not unexpected, but does signal a broad consensus around issues like wages, streaming residuals and “mini-rooms.” The negotiations are set to begin on March 20, ahead of the May 1 expiration of the current contract.

The stars of Shazam! Fury Of The Gods bring their superpowers to London!

*WINNER.   ORIGINAL SCREENPLAY “Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert *WINNER“The Fabelmans,” Written by Steven Spielberg & Tony Kushner “The Menu,” Written by Seth Reiss & Will Tracy “Nope,” Written by Jordan Peele “Tár,” Written by Todd Field   ADAPTED SCREENPLAY “Black Panther: Wakanda Forever,” Screenplay by Ryan Coogler & Joe Robert Cole, Story by Ryan Coogler, Based on the Marvel Comics “Glass Onion: A Knives Out Mystery,” Written by Rian Johnson “She Said,” Screenplay by Rebecca Lenkiewicz, Based on the New York Times Investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and the Book She Said by Jodi Kantor and Megan Twohey “Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Story by Peter Craig and Justin Marks, Based on Characters Created by Jim Cash & Jack Epps, Jr.

*WINNER.   ORIGINAL SCREENPLAY “Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert “The Fabelmans,” Written by Steven Spielberg & Tony Kushner “The Menu,” Written by Seth Reiss & Will Tracy “Nope,” Written by Jordan Peele “Tár,” Written by Todd Field   ADAPTED SCREENPLAY “Black Panther: Wakanda Forever,” Screenplay by Ryan Coogler & Joe Robert Cole, Story by Ryan Coogler, Based on the Marvel Comics “Glass Onion: A Knives Out Mystery,” Written by Rian Johnson “She Said,” Screenplay by Rebecca Lenkiewicz, Based on the New York Times Investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and the Book She Said by Jodi Kantor and Megan Twohey “Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Story by Peter Craig and Justin Marks, Based on Characters Created by Jim Cash & Jack Epps, Jr.

Ethan Shanfeld The writers of this season’s top films and series face off tonight at the Writers Guild of America Awards, the final awards ceremony before next week’s 95th Oscars. The WGAs are not televised but rather held at concurrent ceremonies in Los Angeles and New York City. “Abbott Elementary” star Janelle James hosted the West Coast edition, while comedian Michelle Buteau (“First Wives Club,” “The Circle”) is leading the New York festivities. A bellwether for the Academy Awards, the WGAs may indicate which film will take home statuettes for the Oscars’ original and adapted screenplay categories. Daniels’ awards frontrunner “Everything Everywhere All at Once,” which recently picked up awards from the Directors Guild, Producers Guild and Screen Actors Guild, will once again battle it out with Steven Spielberg and Tony Kushner’s “The Fabelmans” and Todd Field’s “Tár.” The guild also celebrates the year’s finest in television, with nominations for top dramas “Severance” and “Better Call Saul” and comedy favorites “Abbott Elementary” and “Only Murders in the Building.”

Writers are preparing to celebrate or commiserate at the WGA Awards and there’s plenty of talk of the looming negotiations with the AMPTP.

Refresh for latest… The 75th anniversary Writers Guild Awards are being handed out tonight in dual ceremonies on both coasts, and Deadline is posting the winners as they’re announced. See the list below

Writers Guild of America has completed its pattern of demands for its upcoming contract negotiations with the Alliance of Motion Picture and Television Producers, which represents studios in labor talks. The pattern of demands, which has been obtained by TheWrap and can be read below, has been sent to members WGA West and WGA East for an approval vote.

Katie Price and Peter Andre's epic love story of the early 2000s with an ending that left a trail of mystery and speculation in its wake.

Carla Renata Ingmar Bergman had Liv Ullmann. Woody Allen had Diane Keaton and Christopher Guest had Catherine O’Hara — that’s how actor John Michael Higgins summed up the stature of O’Hara’s work on screen with Guest and other top directors during a wide-ranging Q&A held Saturday as part of the sixth annual USC Comedy Festival. The Emmy-winning O’Hara was honored with the Jack Oakie and Victoria Horne Oakie Masters of Comedy Award at the festival, in recognition of her long, and often underrated, career in film, TV, stage and sketch comedy. The Okie Foundation honors the lives and work of two comedy legends, Jack Oakie and Victoria Horne Oakie. Jack Okie won a supporting actor Oscar for Charlie Chaplins’ 1940 satire “The Great Dictator.” Victoria Okie was a comedy trouper who had supporting roles (as Victoria Horne) in numerous films, most memorably opposite Jimmy Stewart in 1950’s “Harvey.”