For the first time since his pre-emptive video posted before multiple allegations of sexual misconduct against him were published in the British media, Russell Brand has reacted to those reports.
05.09.2023 - 09:47 / nme.com
Woody Allen has maintained his innocence regarding longstanding sexual abuse allegations from his adopted daughter Dylan Farrow.The film director was asked about the allegations during an interview with Variety ahead of his appearance at the Venice Film Festival on Monday (September 4), where he premiered his 50th feature film Coup de Chance.Asked about the allegations that he molested Dylan as a child, detailed in the 2021 series Allen v. Farrow, Allen said: “My reaction has always been the same. The situation has been investigated by two people, two major bodies, not people, but two major investigative bodies.
And both, after long detailed investigations, concluded there was no merit to these charges.”He added: “There was nothing to it. The fact that it lingers on always makes me think that maybe people like the idea that it lingers on. You know, maybe there’s something appealing to people.
But why? Why? I don’t know what you can do besides having it investigated, which they did so meticulously. One was less than a year and the other one was many months. And they spoke to everybody concerned and, you know, both came to the exact same conclusion.”Asked whether he has seen Dylan or her brother Ronan Farrow in recent years, Allen said: “No.
Always willing to but no, no.”Dylan first raised the allegations in 1992 during Allen’s breakup with her adopted mother, Mia Farrow. The claims were investigated at the time, but a Connecticut prosecutor decided not to pursue charges because Dylan, who was seven at the time, was too “fragile” to withstand a trial. The director has always denied the charges.
For the first time since his pre-emptive video posted before multiple allegations of sexual misconduct against him were published in the British media, Russell Brand has reacted to those reports.
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At this point in his career, moviegoers know Woody Allen more for his notoriety than his ability to make good films. Let’s face it: Allen’s late-career period has been waning since at least 2017’s “Wonder Wheel,” but arguably earlier than that.
Channel 4 aired a documentary called Russell Brand: In Plain Sight, a 90-minute catalogue of allegations against the comedian turned influencer, including rape, sexual assault and abusive, controlling and predatory behaviour.
Russell Brand faces accusations of rape, sexual assault and emotional abuse from a string of women.
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Lily Allen has told a theatre critic to “get in the bin” over their comments about her West End show The Pillowman.The play, which recently came to the end of its run at the Duke of York’s Theatre in London, saw Allen play Katurian, a writer who is questioned by the authorities about a spate of murders that bear similarities to her short stories.Written by The Banshees of Inisherin director Martin McDonagh, The Pillowman also starred Steve Pemberton and Paul Kaye.Following a string of mixed reviews for the show, Allen has found herself involved in an online spat with theatre critic Mark Shenton.It all started when Shenton took exception to a positive review quote from All That Dazzles, which read: “Undoubtedly one of the best plays of the year.”In a blog post, Shenton branded the review “utterly meaningless” as it came from a “blog that calls just about every show they see as ‘potentially’ or ‘undoubtedly’ one of the best of the year”.Shenton then took aim at the The Pillowman director Matthew Dunster on X (formerly Twitter), stating that he was “relieved” that he missed the show.In response, Allen fired back: “This is such a bizarre stance for a so called theatre enthusiast. 60000 people bought tickets to come and see this show and I’d say 90% of them were up on their feet at the curtain.“It’s insane that a quote on a poster is what stopped you from coming to see something that you profess to care so much about.
Woody Allen is attending the Venice International Film Festival for the premiere of his latest film, “Coup de Chance”.
Woody Allen‘s film Coup de Chance was interrupted by protesters, who urged the Venice Film Festival to “turn the spotlight off on rapists”.As reported by The Hollywood Reporter, a group of around 20 people began demonstrating at the event on Monday (September 4) just as Allen stepped onto the red carpet. As they lined up just beyond the carpet, the group took off their shirts and chanted slogans like “no rape culture” and “no spotlight for rapist directors”.As documented by film journalist Luke Hearfield on X, the protesters handed out fliers headlined “turn the spotlight off on rapists”.
While promoting his 50th – and quite possibly, last — movie at the Venice Film Festival, Woody Allen weighed in cancel culture, the #MeToo Movement, and whether any woman has ever complained about his behavior on set.
after being dogged by decades-old sex abuse allegations from his adopted daughter, Dylan Farrow.The 87-year-old filmmaker made the statement Sunday in an interview with Variety at the Venice Film Festival, where he is promoting his new movie, “Coup de Chance.”“I feel if you’re going to be canceled, this is the culture to be canceled by. I just find that all so silly,” Allen told the outlet, after the interviewer asked if he felt like he had been “canceled.” “I don’t think about it,” he added.
Woody Allen is speaking out about cancel culture in a new interview with Variety.
Woody Allen received a three-minute standing ovation at the Venice premiere of “Coup de Chance” on Monday night, which would have gone on longer had the filmmaker not started to exit. After two minutes and 30 seconds of sustained applause once the film finished, Allen began to make his way toward the door, cutting the standing ovation short.
Woody Allen’s Coup de Chance premiered at the Venice Film Festival on Monday. The film, which was directed and written by Allen himself, received a five-minute ovation from the audience.
Woody Allen isn’t concerned about being cancelled.
I remember reading years ago that whenever the time comes for Woody Allen to make a new film, he opens a drawer in his desk and picks at random from the piles of scripts he has written over the years.
Exactly who are these people? They’re rich, obviously. They’re Parisian, which means that they are already fantasy figurines in the European curiosity shop of Woody Allen’s imagination. But does any actual modern man, no matter how rich and unfathomably French, come home from work in 2023 to request a cognac from his wife, who then calls out to the maid to bring Monsieur a cognac while she configures herself into a glamour position on the couch? Is this actually 1953? Or maybe 1923 – the Gatsby era, where Woody Allen is clearly a very enthusiastic visitor?
Owen Gleiberman Chief Film Critic If you’re looking for an inviolable law of cinema, one that you can more or less can take to the bank, the Venice Film Festival just confirmed an ironically delightful one. It is this: Murder agrees with Woody Allen. We already knew that, of course.