‘Wish’ Review: Ariana DeBose Shines In A Low-Stakes Fairytale That Sells The Disney Brand Short
17.11.2023 - 17:36
/ deadline.com
“Be careful what you wish for” is the moral of Disney’s latest animation, an odd sort of greatest hits package that ticks all the boxes for what passes as inspirational fare these days. Sadly, that message mostly applies to the studio bosses, who appear to have closed their eyes and blown out 100 candles in return for a 95-minute movie based on the company theme song: Pinocchio’s “When You Wish Upon a Star”.
Cliff Edwards’ haunting, seven-note refrain is referenced throughout the entire movie, but in a weirdly mutated version that, whenever it chimes in, sounds like whoever’s playing it has forgotten how it actually goes, or might be playing it with a rubber spoon. Similarly, on closer examination (which is not at all advised), the plot comes to resemble a similarly wonky A.I. meditation on the song’s lyrics, which served Pinocchio’s themes very well with its talk of hearts’ desires, fate stepping in like a bolt from the blue, and dreams coming true. In Wish, however, that’s mostly lip-service, leaving big, gaping holes where subtlety and the subtext ought to be.
Disney used to make this kind of film all the time, but now the studio seems a bit bamboozled as to how to do it in the modern age, which might explain why it lifts quite a lot from DreamWorks’ Shrek — starting with a tongue-in-cheek fairytale-book opening — and takes its musical direction from The Greatest Showman, which means lots of tub-thumping numbers that sound like variations on a theme from a Y.A. adaptation of Les Misérables. Like that film’s bombastic “This is Me”, every song here feels like an overreaction, and the verbosity of the lyrics (“hesitations” rhymes with “reservations”) jars with the simplicity of the animation and its Snow White palet
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