The Upshaws are back in June for an eight-episode second season on Netflix, as audiences take yet another visit with a working-class African American family in Indiana struggling to make it work and make it right without the blueprints to do it.
19.04.2022 - 16:07 / variety.com
Jennifer Maas TV Business WriterIt should come as no surprise that cost is the main reason given for why someone will likely cancel a streaming service subscription — but what might be surprising is what those consumers feel is actually a fair price for Netflix, Disney+ and more platforms.According to Fandom’s second annual State of Streaming report, which was released on Tuesday by the mega-fan platform, 61% of those surveyed believe their streaming subs are too expensive and value the average streamer at $7.46 monthly.Here are the “average prices” consumers want to pay for top SVODs, per the Fandom study, in descending order: Netflix ($10.60), HBO Max ($9.30), Disney+ ($9.20), Hulu ($8.60), Amazon Prime Video ($8.60), Apple TV+ ($6.9), Paramount+ ($6.8) and Peacock ($5.5). The same report also revealed that 62% of surveyed consumers think “genre is the key differentiator” between streaming platforms, “with Disney+ being acknowledged as the genre-leader to date.”“I always look at originals and the way that they market originals is really the key to not only capturing audience, but keeping audience,” Anthony Iaffaldano, Fandom’s vice president of insights, told Variety.
“And it turns out that’ll get you in the door and get you a credit card down. But once in the platforms, a lot of subscribers really feel that they don’t know what’s coming.
They feel overwhelmed. They don’t feel that the platforms do a great job of telling them.”He continued: “While you’ll always know when the core property for you has something new coming out, because you’ll hear about it in the market, when someone watches the show that they subscribed for, their next move is to figure out if there is other stuff like it.
The Upshaws are back in June for an eight-episode second season on Netflix, as audiences take yet another visit with a working-class African American family in Indiana struggling to make it work and make it right without the blueprints to do it.
Netflix series The Fall of the House of Usher.The actor is no longer involved in Mike Flanagan’s series, adapting the works of Edgar Allan Poe, after he was accused of misconduct on set.According to Deadline, the actor was subject to an investigation which determined “he had been involved in unacceptable conduct on set”. His role is now set to be recast, with scenes already filmed featuring Langella reshot.The actor has since released a lengthy statement responding to his dismissal and to the allegations, in a guest column for Deadline.Langella denies published statements claiming he was inappropriate with a female co-star during a “fully clothed” love scene, alleging he only “touched” her leg.He also claims he was fired for calling his co-star “baby or honey” and giving her “a hug or touch” on the shoulder.“I have been canceled.
Editor’s Note: On April 13, Deadline broke the story that Frank Langella had been fired as the lead of the Netflix limited series The Fall of the House of Usher after an investigation into an alleged unacceptable conduct on set, including sexual harassment toward the actress playing his wife. At the time, we reached out to the Oscar-nominated actor for comment. Here is his reaction to the dismissal, written as a guest column.
Nick Vivarelli International CorrespondentA nationwide referendum is to be held in Switzerland on May 15 on a proposed law that would force streamers like Netflix and Amazon Prime Video to re-invest 4% of their local revenues in Swiss film and TV productions.Dubbed “Lex Netflix,” the Swiss law –– which is modeled on European regulations that don’t apply in the country as it’s not part of the E.U. –– is sparking plenty of controversy.“Lex Netflix” is being opposed by Swiss groups of different political stripes who say it goes against the principles of the country’s fiercely free-market economy.
Jennifer Maas TV Business WriterNetflix has ordered a docuseries from Shawn Levy, Vox Media Studios and The Verge about how technology will affect the basic aspects of our lives in the future, Variety has learned exclusively.Titled “The Future Of…,” the show asks: “What if we could look into the future to see how every aspect of our daily lives — from raising pets and house plants to what we eat and how we date — will be impacted by technology?” Per Netflix, “We can, and should, expect more from the future than the dystopia promised in current science fiction. ‘The Future Of…’ will reveal surprising and personal predictions about the rest of our lives — and the lives of generations to come.”The series will be released globally in two batches, with the first six episodes premiering Tuesday, June 21, and the remaining six episodes on Tuesday, June 28.
Cristela Alonzo is returning to Netflix for her second comedy special. Middle Classy, a follow-up to her 2016 comedy special, Lower Classy, will premiere globally on Netflix on June 28.
Fox News. “Let’s just say a piece of material were to come across my desk, which has happened plenty of times over the last 22 years, that I don’t necessarily feel is what I believe or what I’m selling — then that’s not for me.”The “Cinderella Story” actor went on, “I don’t want to step in something that I don’t believe in any way because it’s going to destroy it for everybody else involved.”“If you don’t fully love and embrace the character that you are inhabiting, it will show on screen. I always want to give the people that I’m working with and the people who are going to watch the movie, the most of me,” he said.Murray added that he likes to keep his Christian faith close to him by putting on his “spiritual armor” every morning.
Chad Michael Murray doesn't back down from his religious beliefs. Murray, 40, admitted he's turned down projects that he didn't feel were compatible with his beliefs in a recent interview with Fox News Digital.
Jennifer Maas TV Business WriterNetflix’s reboot of the “Iron Chef” franchise is bringing former “Iron Chef America” host Alton Brown and Mark Dacascos, who played the iconic role of “The Chairman” on the competition, back into Kitchen Stadium for another round.The streaming service’s “Iron Chef: Quest for an Iron Legend” will see Brown return to host along with “Top Chef” winner Kristen Kish, and Dacascos reprise the part of The Chairman.Here is the official description for the “reimagining” of “Iron Chef,” which will launch on June 15: The legendary Iron Chef series is reborn with a supersized approach to the ground-breaking culinary competition that started it all. It’s been called the toughest culinary challenge a chef will ever experience.
Bill Murray had a lot to say about those “inappropriate behavior” allegations on the set of Being Mortal.
Elon Musk has an agreement to buy Twitter. But no one can agree on what that means, and Bill Maher’s HBO show Real Time spent a good portion of Friday’s run trying to make sense of it.
Jennifer Maas TV Business WriterSteve Carell’s “Space Force” has been canceled after two seasons at Netflix.The second season of the comedy, which re-teamed Carell and “The Office” creator Greg Daniels, debuted on Feb. 18.
Chad Michael Murray is giving us hope of a “One Tree Hill” revival.
Jennifer Maas TV Business WriterLimited series “Anatomy of a Scandal” has ended “Bridgerton” Season 2’s reign as the No. 1 English-language TV series on Netflix, according to the streaming service’s newly release Top 10 rankings.For the week of April 18-April 24, “Anatomy of a Scandal” was viewed for 75.6 million hours in its second week of availability, while “Bridgerton” racked up 46 million and landed in the No.
Jennifer Maas TV Business WriterIn the wake of big spender Netflix’s Q1 shocking subscriber loss news, David Zaslav made a point to say Warner Bros. Discovery “will not overspend to drive subscriber growth” during Discovery’s first-quarter earnings call Tuesday.“As you’ve heard me say, we are not trying to win the direct-to-consumer spending war,” the WBD CEO said, instead promising that the newly combined WarnerMedia-Discovery company would “invest in scale smartly.”Warner Bros.
new film being shut down for an investigation into his alleged “inappropriate behavior” is taking on a darker tone amid a resurfaced on-set horror story that’s kept Hollywood whispering for decades.Disney was allegedly forced to hire bodyguards to protect the cast and crew of 1991’s “What About Bob?” after the actor hurled a glass ashtray at co-star Richard Dreyfuss and threatened to “throw” the film’s female producer “across a parking lot.”The bombshell accusation was dropped Thursday night by Dreyfuss’ son, Ben, just hours after Murray’s latest movie, “Being Mortal,” was suspended following a complaint about his conduct. Despite his enduring status as a beloved Hollywood bad boy, Murray has repeatedly been accused of violently clashing with co-stars — from alleged head-butting to “inexcusable and unacceptable” language — on numerous sets stretching all the way back to the 1970s. After this week’s new Murray mayhem, Ben, 35, took to Twitter to reveal that professional muscle had to be deployed to the Virginia set of the cult classic “What About Bob?” following Murray’s alleged violent outburst.
Variety): “These findings are consistent with what our industry has known for years – authentic, inclusive representation drives our communities and business forward.
Jennifer Maas TV Business WriterHBO’s “House of the Dragon” cost under $20 million per episode to produce its 10-episode first season, which debuts Aug. 21, a source close to production told Variety.For comparison, “Game of Thrones” cost HBO around $100 million to per season.
Jennifer Maas TV Business WriterNetflix’s “Bridgerton” was viewed for more than 2.5 billion minutes during the week of its Season 2 debut, according to Nielsen’s newly released streaming Top 10 rankings.The Chris Van Dusen-created period romance was easily the No. 1 program on streaming for the week of March 21-27 on Nielsen’s charts, even though only its first season was available for the majority of that week, as Season 2 premiered on March 25.
Jennifer Maas TV Business WriterThe finale of CNN+’s “Land of the Giants: Titans of Tech,” titled “The Netflix Effect,” launches Thursday, perfect timing for an entertainment industry that is both reeling amid Netflix’s shocking Q1 subscriber miss, poor second-quarter outlook and the wait to see if CNN+ can find its groove as quickly as it might need to in order to survive.Based on the “Land of the Giants” podcast from Vox Media’s Recode, the CNN+ docuseries explores the complicated histories of Meta (a.k.a. Facebook), Apple, Amazon, Google and now Netflix.