Almost a year after Kevin Spacey was found not guilty of sex crimes, Channel 4 and Max in the U.S. are set to air testimony from more men detailing their experiences with the double-Oscar winner.
14.04.2024 - 17:49 / deadline.com
Led by Dune: Part Two and Godzilla x Kong: The New Empire, Warner Bros has crossed the $1B mark at the international box office, becoming the first studio to reach the milestone this year. Getting there in just 15 weeks, this also sets a new speed record for WB, besting the 17 weeks it took in 2018. The full international estimate through today is $1.04B.
The studio’s biggest releases this year so far are WB/Legendary Entertainment’s Dune: Part Two which has grossed $411.8M offshore through today, with the global cume at $683.9M. WB opened the Denis Villeneuve-directed sequel in 78 markets, with Legendary East handling distribution in China. Dune: Part Two was the No. 1 film both internationally and globally three weekends in a row.
Godzilla x Kong: The New Empire, also in partnership with Legendary, has grossed $278.6M offshore through today for a worldwide cume of $436.6M. The Adam Wingard-helmed monster mash has been the No. 1 movie overseas and globally for three frames. Another seven markets have yet to open including most of the Middle East (April 18) and Japan (April 16). GxK is distributed by Legendary East in China and Toho in Japan.
Other notable films whose international box office totals contributed to the milestone in 2024 are Wonka ($164.1M), Aquaman & The Lost Kingdom ($130M), Eine Million Minuten ($13.3M in Germany) and One Life ($12.7M in the UK).
Pam Abdy and Mike De Luca, Co-Chairs & CEOs, Warner Bros. Motion Picture Group said, “Crossing this incredible milestone at such an accelerated pace is a proud moment for the entire team at Warner Bros. It is a true testament to our best-in-class marketing and distribution teams around the globe, as well as our amazing creative teams and filmmakers who
Almost a year after Kevin Spacey was found not guilty of sex crimes, Channel 4 and Max in the U.S. are set to air testimony from more men detailing their experiences with the double-Oscar winner.
Carolyn Giardina “The Imaginary,” an upcoming hand-drawn animated fantasy film from Japan’s Studio Ponoc that will play in competition at this year’s Annecy International Animation Film Festival, is set to debut July 5 on Netflix. An Oscar-qualifying run is also planned.
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Refresh for latest…: For the fourth weekend in a row, Warner Bros/Legendary Entertainment’s Godzilla x Kong: The New Empire was the top studio movie at the global and international box office. While it’s true there have not been a whole lot of wide releases on a worldwide level since the start of the year, it’s heartening to see continued play for the big titles.
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Rebecca Rubin Senior Film and Media Reporter Box office sands continue to flow for “Dune: Part Two,” which is nearing $700 million worldwide. Director Denis Villeneuve’s sci-fi epic has grossed $276 million in North America and $419 million overseas, bringing its global tally to $695.8 million after eight weeks of release. It’s an impressive benchmark in post-COVID times; only five movies in 2023, eight in 2022 and five in 2021 managed to cross the $700 million mark.
EXCLUSIVE: London-based Dogwoof has locked a series of international deals on Eternal You, a documentary about AI startups set to screen at this month’s Hot Docs Fest following a debut bow at Sundance.
Holly Jones German sales outfit Patra Spanou Film (“Blue Moon”) has acquired international rights to “The Pleasure Is Mine” (“El Placer Es Mío”), the debut feature from Brazilian-born screenwriter and director Sacha Amaral, whose prior efforts on short “Billy Boy” earned him a slot at the Cannes Cinéfondation program in 2021. The boutique sales agency has also shared an exclusive first-look teaser with Variety ahead of the drama’s premiere in international competition at this year’s Bafici in Buenos Aires, running April 17-28.
official website, the organisers explained that “Challenging trading conditions coupled with significantly increasing costs in a very challenging economic climate has made it impossible to deliver the event to the standard our customers have become accustomed to.”They continued: “This is not a decision we have taken lightly and the whole team is devastated by this after all their hard work over the past 12 years since the festival’s inception.“It saddens us even further that unfortunately this situation does not only apply to us with a significant number of festivals like ours in the UK and internationally already cancelling or postponing their events for the same reasons.”The ended by saying “For us it’s important to prioritize the wellbeing and the long-term sustainability of the festival and by regrouping in this way we can deliver on our commitment to further high-quality experiences in the future.”Refunds will be available for ticketholders as well as the option to have tickets will roll over to the 2025 event. Plans for next year’s festival will be announced in the summer.Pennfest is the most recent festival to cancel in the UK, joining the likes of Barn On The Farm, Nottingham’s annual Splendour festival and more.Last month, it was revealed that 21 UK festivals have now been cancelled, postponed or scrapped – with 100 at permanent risk without action.“Without intervention, it’s expected that the UK could see over 100 festivals disappear in 2024 due to rising costs.
Naman Ramachandran Circle Women Doc Accelerator, an international training program dedicated to women and non-binary filmmakers, has unveiled the four projects that will take part in its showcase as part of the Cannes Docs program of the upcoming Cannes Film Market. For the fifth consecutive year, four alumnae of the program will present their works-in-progress during the market. “Dreamers” by Imam Hasanov, produced by Maria Ibrahimova for Cinex production (Azerbaijan), is set in rural Azerbaijan, where former football player Mamed coaches an all-girls football team.
Refresh for latest…: As it crossed the $1B international box office milestone this past weekend, Warner Bros again owned the frame with Godzilla x Kong: The New Empire and its third session haul of $33.7M from 71 markets. That was good for a 47% drop from the previous weekend and lifts the overseas cume to $278.6M and global to $436.6M. Meanwhile, WB and Legendary’s other major title in the marketplace, Dune: Part Two, now has a shot at getting to $700M worldwide.
Elsa Keslassy International Correspondent Federation Studios has acquired distribution rights to “The Morning After,” an eight-part comedy series headlined by up-and-coming British actor Amara Okereke (“In the Lost Lands”). It filmed on location in Cape Town in South Africa. The show is produced by Paris-based company Paradoxal and Cape Town-based outfit Both Worlds, which previously partnered on “Recipes for Love and Murder.” The series is co-produced by SWR, ARD FabFiction and Prime Video Africa.
Avatar actress CCH Pounder and Academy Award-nominated producer Paul Garnes will attend the inaugural Cross Continental International Co-production Forum (CCF) in Barbados.
Malaysia-Singapore-Taiwan co-production Snow in Midsummer and Swedish title Sons took top prizes in the Young Cinema Competition at the 48th Hong Kong International Film Festival (HKIFF).
Refresh for latest…: A busy holdover weekend for wide studio releases was led by the trio of Godzilla x Kong: The New Empire, Kung Fu Panda 4 and Dune: Part Two. And, in a soaring performance, Hayao Miyazaki’s Oscar winner The Boy and the Heron swooped into China helping the market set a new Qingming holiday record.
Following a slightly stronger than projected first quarter at the international box office, and with some titles added to the release calendar later in the year, Gower Street Analytics has increased its global box office projection for 2024 to $32.3B.
Patrick Frater Asia Bureau Chief Worldwide box office is headed for a marginal decline of 3% in 2024, a setback that follows three years of recovery from a pandemic era low in 2020. Gower Street Analytics, a distribution and exhibition industry consultancy, forecasts that worldwide box office this year will aggregate at $32.3 billion, down by more than $1 billion from the $33.9 billion earned in 2023. “A $32.3 billion global box office in 2024 would represent an approximate 5% decrease year-on-year (a 3% decrease at current exchange rates) from 2023. The 2024 revised estimate is 18% lower than an average of the last three pre-pandemic years (2017-2019),” Gower Street said. The forecast comes on the eve of CinemaCon, the annual National Association of Theater Owners convention, being held in Las Vegas April 8-11. While Gower Street’s forecast is for a marginal decline, it actually represents a more than $1 billion improvement on its previous $31.5 million forecast for 2024.
Tim Chan If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Spanish football crowns a new champion today as Athletic Club faces off against Mallorca in the 2024 Copa del Rey Final. The Copa del Rey Final takes place today, April 6 at 4 p.m.
Outlander fans will be relieved following the news that the time-travelling drama has found a new home in the UK.
Patrick Frater Asia Bureau Chief Romantic comedy series “Top End Bub” will begin production next month in Australia as a sequel to hit 2019 feature film “Top End Wedding.” Stars Miranda Tapsell (“The Sapphires”) and Gwilym Lee (“Bohemian Rhapsody”) will reprise their roles. The series is created, executive produced and written by “Top End Wedding” writers Joshua Tyler and Tapsell and produced by Goalpost Pictures.