It was a tale of two coasts today, as WGA picketers and their allies targeted Disney’s upfront presentation in New York and also the company’s Burbank lot in Los Angeles. And the two scenes were very different.
27.04.2023 - 10:05 / variety.com
Elsa Keslassy International Correspondent Frédéric Corvez’s Paris-based Urban Sales has boarded “Pictures of Ghosts”, the latest film of renowned Brazilian director Kleber Mendonça Filho (“Aquarius”, “Bacurau”). The movie, which marks Mendonça Filho’s fifth feature film, will world premiere at Cannes in the Special Screenings section. “Pictures of Ghosts” will mark the director’s third film to bow at Cannes, following two competition entries, “Bacurau” (co-directed by Juliano Dornelles) which won the Jury Prize n 2019, and “Aquarius” in 2016. “Pictures of Ghosts” combines archive documentary, mystery, film clips and personal memories. The film is produced by Emilie Lesclaux at CinemaScópio Produções and co-produced by Silvia Cruz and Felipe Lopes’ Vitrine Filmes.
Described as a multidimensional journey through time, sound, architecture and filmmaking, “Pictures of Ghosts” is set in the urban landscape of Recife, located in the Brazilian coastal capital of Pernambuco. Having hosted dreams and progress, these places have also embodied a major transformation on social practices. “Cinemas in city centers are common to many other places in the world, but it so happens that I am from Pernambuco, from Recife, and I set out to show this city’s geography from a personal point of view,” said Kleber. “Recife is also a city that still enjoys a spectacular cinema like São Luiz, a palace from 1952. Today, there are few cities in the world that still know what that represents,” Kleber continued. Emilie Lesclaux, said “It is a joy and an honor to be back in the Official Selection of the Cannes Film Festival with a project that is a different kind of work from the fiction films we have already presented there, from the production point
It was a tale of two coasts today, as WGA picketers and their allies targeted Disney’s upfront presentation in New York and also the company’s Burbank lot in Los Angeles. And the two scenes were very different.
Peter Nicks’ Anthem and Gabriel Francis Paz Goodenough’s The Body Politic are among the non-fiction highlights in this year’s DC/DOX documentary film festival in Washington, D.C. next month.
Leo Barraclough International Features Editor Berlin-based sales agency M-Appeal has released the first-look trailer (below) for the suspense filled drama “Power Alley,” from Brazilian director Lillah Halla, ahead of its world premiere in Cannes’ Critics’ Week sidebar. The gripping drama is set in Brazil, where abortion is illegal. Talented volleyball player Sofia (Ayomi Domenica Dias) discovers she is pregnant at a crucial moment, jeopardizing her career plans. Intent on deciding her own fate, Sophia tries everything possible to get an illegal abortion, but has to contend with an increasingly sinister fundamentalist group determined to stop her — but Sophia, her team and all those who love her, refuse to give up.
EXCLUSIVE: Cinephil has come aboard to represent worldwide sales rights to Polish director Maciek Hamela’s In The Rearview, which will make its debut in the Cannes Film Festival next week as part of the ACID (Association for the Diffusion of Independent Cinema) program.
Elsa Keslassy International Correspondent Sales banner Best Friend Forever has unveiled the teaser for Ramata Toulaye-Sy’s buzzed-about Senegalese drama “Banel & Adama,” which is the sole feature debut slated for the competition at the Cannes Film Festival. The lushly lensed female emancipation drama, set to bow on May 20, takes place in a remote village of Northern Senegal where Banel and Adama are fiercely in love. Longing for a home of their own, they have decided to live apart from their families. When Adama refuses his blood duty as future chief and informs the village council of his intentions, the whole community is disrupted and chaos ensues. The film was shot in Pulaar language with a cast of local non-professional actors, including Khady Mane, Mamadou Diallo, Binta Racine Sy and Moussa Sow.
Requests by scripted TV production companies to film on location in Los Angeles plummeted 51% in the first week of the Writers Guild’s strike compared to the same week a year ago, according to FilmLA, the city and county film permit office.
EXCLUSIVE: Film Seekers has acquired international sales rights to dark-comedy-thriller ClearMind about a virtual reality therapy experiment that takes a deadly turn for a Cannes sales launch.
Elsa Keslassy International Correspondent Paris-based company Indie Sales has acquired Teddy Lussi-Modeste’s topical third feature, “The Good Teacher,” co-written by “Happening” filmmaker Audrey Diwan. François Civil, the French star of “The Three Musketeers” and “The Wolf’s Call,” stars as a young teacher wrongfully accused of sexual misconduct by a teenage girl from his class. As he faces mounting pressures from the girl’s older brother and her classmates, the situation spirals out of control: Allegations spread, the entire school is thrown into turmoil, and the teacher has to fight to clear his name. “The Good Teacher” marks the second collaboration between Indie Sales and Lussi-Modeste following “The Price of Success” which screened at Toronto and San Sebastián New Directors’ competition. “The Price of Success was picked up by Netflix for a multi-territory deal including the US.
When you look at the state of the “Star Wars” franchise, there are two different stories to be told. On the one hand, you have the TV side of things over on Disney+, which seems to be thriving.
Ever since joining as GoJo CEO Lukas Matsson in season 3, Alexander Skarsgård has been an enigmatic presence on creator Jesse Armstrong's Emmy-winning HBO drama. And in the fourth and final season, the character has only become more maniacal as his dealings with Waystar Royco and the Roy family get more and more complicated. And after the recent revelation about Lukas' penchant for sending bricks of his frozen blood to his ex-girlfriend and head of communications for GoJo, Ebba (Eili Harboe), something that could lead to a sexual harassment scandal for everyone involved, episode seven doubled down on the CEO's unethical behavior and questionable business practices. As it turns out, «he's not even a real coder,» Ebba tells Kendall (Jeremy Strong) and Roman (Kieran Culkin) after Lukas made his harassment of her public when he threatened to have Greg (Nicholaus Braun) fire her during Shiv (Sarah Snook) and Tom's (Matthew Macfadyen) pre-election day party.
Christopher Vourlias On April 14, just hours after the Cannes Film Festival unveiled the full line-up of its 76th edition, Sudanese filmmaker Mohamed Kordofani took to Facebook to express his gratitude for the well wishes pouring in. His debut feature, “Goodbye Julia,” had been selected to world premiere in the festival’s Un Certain Regard section, marking the first time a Sudanese film will bow on the Croisette. “I do not know if faith and hard work alone make dreams come true,” he wrote, describing the challenge of making movies in Sudan as an “almost impossible” task. “One needs a little luck and a lot of people’s support and faith.”
Michael Schneider Variety Editor at Large Paramount+ has sealed a multi-year deal with New York’s Bryant Park to take over its Monday evening summer movie series, the streamer announced on Wednesday. Dubbed “Paramount+ Movie Nights at Bryant Park,” the deal is timed to the 30th anniversary of Bryant Park’s “Movie Nights” franchise. This year’s “Paramount+ Movie Nights at Bryant Park” will run from June 12 to August 14. The event is also paired with the pop-up Hester Street Fair, which features a rotating line-up of artisanal vendors from the five boroughs on the park’s Fountain Terrace each Monday. “Movie Nights is one of Bryant Park’s most popular series and with the support of Paramount+, we can continue to provide free high quality outdoor movie screenings for New Yorkers and visitors for many more years to come,” said Bryant Park Corp. president Dan Biederman in a statement.
Do you folks remember, not that long ago, during Star Wars Celebration, when Kathleen Kennedy told the press that Kevin Feige was never really attached to a “Star Wars” film and it was just the fandom that made it all up? She actually said, “We never discussed an idea,” and basically, gaslit everyone into thinking it was all a rumor. Of course, we know that’s not true because Feige talked about it, Michael Waldron talked about being hired to write a script, and now, we have the Russo Brothers, who not only confirm that Feige was working on a “Star Wars” film with Lucasfilm but that they were discussing possibly signing on to direct.
Netflix's said goodbye to Tully and Kate, dropping the series' emotional final episodes on Thursday.Picking up where Part 1 left off, the back half of season 2 chronicled Kate's harrowing journey as she battled an aggressive form of breast cancer and finally mended fences with her best friend, Tully. But when Kate's cancer returned, she was faced with the reality that her life was coming to an unexpected close.
Ellise Shafer Aubrey “Drake” Graham and Sean “Diddy” Combs have signed on as executive producers of Grammy-nominated rapper French Montana’s documentary “For Khadija,” which is set to premiere at the Tribeca Film Festival on June 16. Directed by Mandon Lovett, “For Khadija” follows “the unlikely rise of Moroccan-born, multi-platinum recording artist French Montana, as his single mother she sacrifices everything to raise her three young sons in the Bronx, after being abandoned by their father and left destitute,” according to the doc’s official description. “The film spans the globe as it depicts the family’s unique immigrant journey, a son’s perseverance in the face of insurmountable obstacles, and a mother’s unwavering faith — all in pursuit of the American dream.”
Elsa Keslassy International Correspondent Films Boutique, the Berlin-based company behind “Pacifiction” and “The Burdened,” has come on board three international movies slated for the Cannes Film Festival. These include a pair of films set for Cannes’ Un Certain Regard, “Terrestrial Verses” and “The Buriti Flower,” as well as “Tiger Stripes” which will bow at Critics’ Week. “Terrestrial Verses,” directed by Alireza Khatami and Ali Asgari, is the sole Iranian film premiering in the Official Selection. The movie marks the first collaboration between these two critically acclaimed directors. Khatami previously wrote and directed “Oblivion Verses” which won best screenplay and the Fipresci prizes at Venice in 2017. Asgari, meanwhile, previously directed “Until Tomorrow” which premiered at Berlin last year, and presented two shorts at Cannes, “More Than Two Hours” in 2013 et “Il Silenzio” in 2016.
Leo Barraclough International Features Editor Berlin-based sales agent M-Appeal has come on board to sell “Power Alley,” the debut film by Brazilian filmmaker Lillah Halla, which will world premiere in Cannes’ Critics’ Week, it was announced Tuesday. Set in Brazil, where abortion is illegal, “Power Alley” is a suspense-filled drama tackling one of society’s most divisive issues. The story follows star volleyball player Sofia who is faced with an impossible scenario on the eve of her championship game. Pregnant and panicked, Sofia seeks an illegal abortion but unwittingly becomes a target instead. As the town’s herd-mentality turns violent, Sofia risks being consumed by the fervor – but neither Sofia nor those who love her are willing to surrender.
Anna Marie de la Fuente After 25 years, Susana Gimenez, Argentina’s celebrated TV host, actress, model and entrepreneur, is set to make her hotly anticipated return to the big screen in a new Diego Kaplan (“2+2,” “My Boyfriend’s Meds”) comedy. The still untitled film, penned by Kaplan and Pablo Minces, centers on a preeminent child psychologist who has her own struggles with her 43-year-old son who is reluctant to leave home. Principal photography is slated for October in Buenos Aires. “I can’t believe I’m making a movie after all these years; I certainly wasn’t planning for it,” said Gimenez. “But Diego is a force of nature and a visionary. When he pitched the project to me, I just couldn’t resist it and jumped right in,” she added. Aside from starring in a host of film and TV series, Gimenez hosted a top-rated talk show likened to that of Oprah Winfrey or Italy’s Raffaella Carrà.
Dark Star Pictures has acquired North American rights to Australian queer horror film “Bad Girl Boogey,” the second film from writer-director Alice Maio Mackay,“Bad Girl Boogey”, per the official description, tells the story of “Angel, whose mother was brutally murdered one Halloween night, when blood was shed by a deranged killer wearing a parasitic mask cursed with black magic and bigotry. Sixteen years later, when Angel’s best friend is slaughtered by a killer with the same mask, they must overcome their personal struggles, fight their fear, and find the masked killer before he, or it, slaughters everyone they hold dear.”Cowritten with Ben Pahl Robinson when Mackey was just 17, the film features a cast of queer and trans actors.
Lise Pedersen Sales company Deckert Distribution has boarded “Pure Unknown,” by Italy’s Mattia Colombo (“Il Posto”) and Valentina Cicogna, and Venezuelan filmmaker Iván Simonovis Pertíñez’s debut feature “My Father’s Prison,” both selected in the main International Competition at Swiss international documentary film festival Visions du Réel. “Pure Unknown” follows the story of Italian forensic pathologist Cristina Cattaneo in her battle to put a name to each nameless body that lands in her autopsy room. She calls them the Pure Unknown. Many belong to the fringes of society: they are homeless, sex workers or runaway teenagers. More recently, they have been mostly migrants drowned at sea trying to reach Europe’s shores.