EXCLUSIVE: The Bureau creator Eric Rochant is today formally unveiling his production banner, Maui Entertainment, which has quietly launched with backing from Federation Studios.
27.09.2023 - 18:31 / variety.com
Guy Lodge Film Critic The negotiations of adult sexual relationships, as well as the demands forced upon single women in society, are recurring fascinations in the work of Spanish writer-director Isabel Coixet, albeit to erratic effect: In recent years, particularly in such English-language efforts as “It Snows in Benidorm” and “The Bookshop,” her voice has felt unconfident, even a little stifled. But Coixet strikes with a renewed sense of conviction in “Un Amor,” an adaptation of Sara Mesa’s Spanish-language bestseller that plays to her unusual strengths as a full-blooded feminist filmmaker.
Making no cozy compromises in its portrayal of a young woman socially and sexually exploited by rural patriarchy — while still foregrounding the consuming strength and autonomy of her desire — it’s a tricky balancing act that mostly works, thanks also to a crackling lead performance by Laia Costa. The combined draws of Costa and popular, much-translated source material should ensure “Un Amor” many further festival dates and relatively widespread arthouse exposure following its premiere in the main competition at San Sebastián.
But this is not obviously crowdpleasing fare: “Un Amor’s” gender politics are commendably complex, and its study of sex as social currency both frank and occasionally disturbing. It’s a film that certainly invites keen post-screening debate over the motivations and moral standing of multiple characters, including those of Nat, Costa’s predominantly sympathetic but self-sabotaging heroine.
Coixet wrongfoots us at the outset, opening not on Nat but with vérité-style interview footage of a Sudanese refugee, recounting her arduous journey to Europe with plainly harrowed but unflinching candor. We come to
.EXCLUSIVE: The Bureau creator Eric Rochant is today formally unveiling his production banner, Maui Entertainment, which has quietly launched with backing from Federation Studios.
Criminal Minds is one of the most popular CBS shows of the 2000s and streaming service Paramount+ brought the show back for the revival series, Criminal Minds: Evolution.
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Valerie Wu Intern The Urbanworld Film Festival, based in New York City, has released its 2023 slate of screenings and presentations. With HBO and WBD as Founding Partner and Prestige Partner, respectively, the 27th annual festival will take place from Nov. 1 to Nov.
Nick Vivarelli International Correspondent Gael Garcia Bernal is set to preside over the jury of the upcoming Rome Film Festival. The Mexican actor, director and producer will be judging entries and bestowing prizes in the rebooted fest’s main section, which is now known as Progressive Cinema. Films competing for Rome prizes include Spanish director Isabel Coixet’s “Un Amor,” about a young woman socially and sexually exploited by a rural patriarchy; Iranian director Farhad Delaram, in which a former filmmaker turned medic decides to help a female political prisoner escape from a psych ward; and French director Mehdi Fikri’s “After The Fire,” which turns on a French woman of North African descent who seeks justice after her younger brother dies suspiciously after being stopped by the police.
The Evolution Mallorca International Film Festival, running from October 18 to 24 in the Spanish island’s capital of Palma, has unveiled its full line-up.
After losing his on-screen wife just four months ago, EastEnders actor Jamie Borthwick is diving head-first into another hard-hitting storyline. Lola’s death sparked a lot of hurt around Albert Square but none could compare to the pain that Jay Brown felt after losing his new wife. In recent scenes, Jay has turned to Lola’s lookalike, Nadine (Jazzy Phoenix), for comfort.
Guy Lodge Film Critic “Long-awaited” isn’t quite the term for Victor Erice’s “Close Your Eyes,” a film that dedicated admirers of the Spanish master may have hoped for, but didn’t dare expect. Instead, Erice’s first feature in 31 years — and only his fourth overall — arrives as something between a desert oasis and a mirage: a shimmery, nourishing culmination of ideas and ellipses in a career so elusive as to have taken on a mythic quality, to the point that his latest feels almost dreamed into being.
The San Sebastian Film Festival awarded O Corno (The Rye Horn) with the Golden Shell for Best Film. San Sebastián native Jaione Camborda took the top prize of the night for the feature she directed.
EXCLUSIVE: Freeform has opted not to proceed with While You Were Breeding, the upcoming Kristin Newman hourlong comedy series based on her memoir, Deadline has learned. Producers of the series, from Freeform Studios, will have the opportunity to shop it elsewhere.
In the murky realms of Grant Singer’s Reptile, audiences delve into a tale woven with intrigue, and mystery. Penned by Singer, Benjamin Brewer, and Benicio Del Toro, the film attempts to entangle the viewer in a web of murder and corruption, manifesting through the gritty lens of a small-town investigation. Del Toro is flanked by supporting actors including Alicia Silverstone, Michael Pitt, Ato Essandoh, Justin Timberlake, Matilda Anna Ingrid Lutz, Eric Bogosian, and Domenick Lombardozzi,. However, the atmospheric tension conjured by the film echoes of potential left unexplored, marking it as a journey through familiar terrains desperately grasping for an identity of its own.
Isabel Coixet recounts that she vowed to never to do another literary adaptation after her 2017 English-language feature The Bookshop based on Penelope Fitzgerald’s critically acclaimed 1978 novel of the same name.
Holly Jones Incendiary Spanish director Isabel Coixet (“The Secret Life of Words”) heads to San Sebastian for the international premiere of her latest drama “Un Amor,” a take on devouring love starring Laia Costa (“Lullaby”) and Hovik Keuchkerian (“Money Heist”) that sets Coixet up to compete on the festival’s main stage for the first time. “Un Amor” is produced by Buenapinta Media’s Marisa Fernández Armenteros (“The Mole Agent”) alongside “Society of the Snow” producers Sandra Hermida and Belén Atienza, here producing out of Perdición Films. World sales are handled by Film Constellation (“Return to Reason”).
Anna Marie de la Fuente “Yo no moriré de amor,” the feature debut of theatre actress Marta Matute, among the five titles selected by the Madrid Film School’s ECAM incubator program, has been boarded by Elastica Films, whose credits include Berlinale Golden Bear prize winner “Alcarràs” and “Creatura,” Elena Martin’s best European film winner at Cannes Directors’ Fortnight. The family drama is lead produced by José Esteban Alenda and César Esteban Alenda’s Solita Films, which saw their first international co-production, “El despertar de las hormigas,” by Costa Rican Antonella Sudasassi, world premiere at Berlinale’s Forum and become the first Central American film to be nominated for a Spanish Goya.
The first teaser trailer for Sofia Vergara‘s new limited series has been released.
Santa Claus has an arrival date. Disney+ revealed today that The Santa Clauses will debut with a two-episode premiere on Wednesday, November 8, followed by new episodes weekly.
Clayton Davis Senior Awards Editor “Poor Things” can win things. That’s a nugget of information we gleaned at the conclusion of Venice, Telluride and Toronto, the three major fall festivals. For starters, Yorgos Lanthimos’ sci-fi dramedy collected the Golden Lion at Venice.
Marvel Studios, over the course of its decade-plus history, has become a premier place for newer/indie directing talent looking to break into big-budget studio filmmaking. We saw this with folks like the Russo Brothers, James Gunn, Destin Daniel Cretton, and many more.
Callum McLennan A San Sebastian competition contender, Isabel Herguera’s awaited debut feature film, animated feature “Sultana’s Dream,” (“El sueño de la sultana”), has a first trailer, which Variety can share exclusively. Seen at Annecy as a work in progress, the feminist film will world premiere at Spain’s 71st San Sebastian, becoming the first animation feature directed by a woman to garner selection. Producers of “Unicorn Wars” Abano Producións and UniKo, join El Gatoverde Producciones, Sultana Films and Fabian & Fred, to bring this three-part animated feature, recounting the modern-day vicissitudes of a Spanish artist in India; the travails of real-life feminist thinker Rokeya Hossain; and the story she published remarkably as early as 1905 about Ladyland, where women hold the dominant power.
Vanna White is sticking with Wheel of Fortune!