TIFF People’s Choice Award Winner ‘American Fiction’ Moves To December

Out On Film, presented by GILEAD, has announced the filmmaker awards for the recently concluded 36th edition of the Atlanta-based LGBTQIA+ film festival. Olivier Peyon’s LIE WITH ME, based on the 2017 novel by Philippe Besson novel,  was a two-time winner, taking the audience award for Best Narrative Feature and tying for the jury award for Best Narrative Feature alongside Zeno Graton’s THE LOST BOYS.  Graton tied for the jury prize for Best Director along Babatunde Apolowo, whose ALL THE COLOURS OF THE WORLD ARE BETWEEN BLACK AND WHITE took home the award for Best International Film.

Carole Horst Tucked in the beautiful countryside north of San Francisco, Mill Valley has been home to artists, musicians, filmmakers, writers, and all sorts of dreamers. Thus it makes sense that the local film festival, celebrating 46 years, has programmed the best of the fest circuit and buzzy premieres — and mixed it up with art and music events. The event runs Oct.

Following critically acclaimed films like “Asako I & II” (2018) and the one-two punch of two 2021 films, “Wheel Of Fortune And Fantasy” and “Drive My Car” Japanese filmmaker Ryusuke Hamaguchi’s reputation was sealed as a name that merited international recognition. But it wasn’t until the latter film, “Drive My Car,” which won three awards at Cannes that year, including Best Screenplay, and Hamaguchi received two Academy Awards nominations for Best Director and Best Adapted Screenplay that he really became an international filmmaking star (he was the third Japanese director ever to be nominated for Oscar’s Best Director).

The Inside Soap Awards 2023 have officially crowned their winners as the ceremony gets underway, and it's an incredible year for EastEnders who have officially won Best Soap. The fan-voted awards show sees viewers having their say, and the most dramatic storylines and performances always cause a stir. But with the return of Albert Square icon Cindy Beale, played by Michelle Collins, who was one of the most legendary soap characters ever, it's no surprise that the BBC One serial drama won best overall this year.

Michael Schneider Variety Editor at Large Oxygen’s “911 Crisis Center” and A&E’s “Secrets of the Chippendales Murders” were among the winners Saturday night at the second annual Clue Awards, held at the CrimeCon event in Orlando, Fla. Hosted by ABC News legal analyst Matt Murphy, the event included presenters Nancy Grace, Kelly Siegler, Camille Vasquez and Paul Holes.

Michaela Zee After winning this year’s Toronto International Film Festival’s people’s choice award, “American Fiction” has pushed back its limited release to Dec. 15 and will expand in theaters on Dec. 22.

Clayton Davis Senior Awards Editor “Poor Things” can win things. That’s a nugget of information we gleaned at the conclusion of Venice, Telluride and Toronto, the three major fall festivals. For starters, Yorgos Lanthimos’ sci-fi dramedy collected the Golden Lion at Venice.

Director Tarsem Singh Dhandwar ominously warned audiences at the world premiere of his Punjabi-language debut that it was a much more serious affair than they might be expecting. After all, the Romeo and Juliet framing in the festival notes and the film’s title pointed towards a young-love romantic melodrama.

TORONTO – “American Fiction,” the directorial debut from Cord Jefferson, is genuinely a very, very funny movie. And that’s hyperbole on our part.

Trends change and ebb and flow, but in years past, winning the Toronto International Film Festival audience award used to be a surefire way to mean you were getting an Oscar nomination for Best Picture and, and many instances, winning the big Academy Award prize. And while the winning element of that trend has somewhat waned in recent years, the power of the prize is still there.

The People’s Choice Award from the just-wrapped 2023 Toronto Film Festival has gone to American Fiction . First Runner Up is Alexander Payne’s The Holdovers. Second Runner Up was Hayao Miyazaki’s The Boy And The Heron . The Documentary Award went to Mr. Dressup: The Magic Of Make-Believe, ,and the Midnight Madness winner was Dicks: The Musical.

Brent Lang Executive Editor “American Fiction,” Cord Jefferson’s satire of race and media, captured the Toronto International Film Festival’s people’s choice award, bolstering its Oscars chances. TIFF’s people’s choice award is considered to be among the best predictors of eventual awards success, though the 2023 festival hosted a weaker lineup than most years due to the writers and actors strikes that saw some prominent contenders skip a Canadian premiere. In the past, winners of the prize such as “Green Book,” “12 Years a Slave” and “Nomadland” went on to be named best picture at the Academy Awards.

Variety, but the cause was not announced. His rep described him to People as, “A Red Sox fanatic, bourbon connoisseur, devoted husband and father and friend to anyone who met him.”Born in Worcester, Massachusetts, McGrath starred in over a dozen Broadway plays, including “Plaza Suite,” “Tootsie,” “Spamalot” and “Nice Work if You Can Get It,” the later of which earned his Tony in 2012 (for “Best Performance by a Featured Actor in a Musical.”)He also played Patsy in the 2005 Broadway musical “Spamalot,” which also earned him a Tony nomination. His other accolades included Drama Desk Award nominations, Outer Critics Circle nominations and a Theatre World Award.

Patrick Frater Asia Bureau Chief Oscar-winning Korean actor Youn Yuh-jung (“Minari,” “Pachinko”) will headline the Actors’ House section of the upcoming Busan International Film Festival, it was announced on Thursday. Introduced in 2021, Actors’ House is a special series that connects audiences and film enthusiasts with iconic actors from the current generation through its in-depth discussions. “There’s much anticipation to hear her words of wisdom, as she’s known for her insightful observations,” said the festival. Others this year include: Han Hyo-joo, Song Joong-ki and Korean-American actor and author John Cho.

EXCLUSIVE: Filmmaker Cord Jefferson has, in recent years, made two life-changing decisions.

Brent Lang Executive Editor It’s been a Toronto Film Festival like few others. The writers and actors strikes meant that many A-listers opted not to touch down in Canada this year, depriving the gathering of film lovers of the star-studded red carpets and Q&As that make Toronto so memorable. Even if this year’s festival was starved for glamour, it was still a good opportunity to get a clearer picture of the awards race — and to check the pulse of Hollywood at a tumultuous time for the industry.

Shakira was honored at the MTV VMAs 2023 with the Video Vanguard Award for her career in music. Ahead of accepting the special Moon Person trophy, the Colombian superstar performed a medley of her greatest hits.

Peter Debruge Chief Film Critic Does it count as a white savior movie if the white character is the one who needs saving? In “Next Goal Wins,” the world’s top-grossing indigenous director, Taika Waititi, retells the story of how American Samoa went from having the world’s worst soccer team to, well, not the worst. While a white man was involved, the movie — which suggests how a film like “Cool Runnings” might be made with 30 years’ more cultural enlightenment — is mostly about how their coach (Michael Fassbender) needs an attitude adjustment. Come to think of it, that’s essentially the formula for most white savior movies.

Taika Waititi returned to TIFF tonight with his underdog soccer story about the American Samoa team, Next Goal Wins, which received great cheers and a heartfelt response.

Peter Debruge Chief Film Critic In Cord Jefferson’s idea-dense “American Fiction,” no one wants to publish literary professor Thelonious Ellison’s latest novel. Thelonious — or “Monk” to his friends — has delivered a modern reworking of Aeschylus’ “The Persians” (hardly bestseller material to begin with), but all the industry can see is the color of his skin.