A new Netflix documentary about freediving has had viewers 'stressed' and many 'in bits'. But people have been quick to recommend The Deepest Breath, which premiered on the streaming giant earlier this week.
03.07.2023 - 17:21 / thefader.com
Spoiler alert: This review contains key plot points for the final episode of The Idol. When it was first announced, The Idol seemed like a natural progression for the Weeknd.
A series for HBO co-created by Reza Fahim and Sam Levinson, director and writer of the unwieldy smash hit Euphoria, was logical for the long-avowed cinephile born Abel Tesfaye, once an unhoused citizen of Toronto who would wander the aisles of indie video stores. The show’s subject matter was a fit, too: Jocelyn, a troubled pop star on the edge of career dissolution played by Lily-Rose Depp, falls under the sway of the Weeknd’s Tedros Tedros, music manager and sort-of cult leader; all this, set in the spawning pool of depravity that is modern Los Angeles.
The Weeknd’s entire discography is a blow-caked showcase of excess with Tesfaye at the helm as its by-turns reluctant and indiscriminate anti-hero. Along with a cinematic flair found in his music videos and the intricate visual eras that made Tesfaye one of pop’s most compelling figures, everything about his association with the show tracked.
The Idol’s journey towards last Sunday’s finale was an ouroboros of controversy, allegations, and blowback. It began with a Rolling Stone report alleging a toxic and chaotic on-set environment where original director Amy Seimetz was constantly on her back foot with on-set rewrites and a budget too skinny to accommodate HBO’s lavish demands.
Most explosively, RS claimed that Seimetz was fired over the Weeknd's dissatisfaction with her direction; instead of documenting a troubled woman’s journey to personal empowerment, Tesfaye and Levinson were allegedly interested in something more degrading and with less focus on Lily-Rose Depp’s character. On-set sources
.A new Netflix documentary about freediving has had viewers 'stressed' and many 'in bits'. But people have been quick to recommend The Deepest Breath, which premiered on the streaming giant earlier this week.
It is probably no accident that Apple has chosen this week to launch its own legendary toy biopic, The Beanie Bubble, in the shadow of Warner Bros. about-to-be blockbuster Barbie. It can only benefit from the obvious connections and themes of female empowerment bubbling under the surface of both.
Miranda Lambert has been through several public highs and lows since rising to fame on the competition series Nashville Star in 2003.
Peter Debruge Chief Film Critic “The Miracle Club” may not be a faith-based movie in the traditional sense (that is, a film made with an explicitly evangelical Christian agenda), but this Ireland-set art-house offering is a movie about faith all the same — specifically, about the conviction that drives four women to make the pilgrimage from Ireland all the way to Lourdes, France, where the waters are believed to have holy healing powers. If “The Miracle Club” were an overtly religious film, audiences would know from the outset what to expect from the trip (namely, a miracle), whereas director Thaddeus O’Sullivan doesn’t presume to play God, focusing more on mending the relationship between his main characters.
Naman Ramachandran Jennie Kim of immensely popular girl group Blackpink has opened up about her acting debut in HBO’s “The Idol” and the pressures of being a K-Pop idol. Kim was born in Korea, but moved to and studied in Auckland, New Zealand when she was 10, for five years before returning to Korea and joining YG’s talent academy. The four-member group was formed in 2016 and has gone on to enjoy global success. They were the first music group and Korean female act to have five music videos accumulate one billion views each on YouTube and are the most-followed girl group on Spotify. in “The Idol,” created by Sam Levinson, Kim acts under the stage name Jennie Ruby Jane and plays a backup singer and dancer to Lily-Rose Depp’s pop star who gets the opportunity to break out on her own.
The Weeknd has another record to add to his trophy shelf.
Thania Garcia Playboi Carti has announced his upcoming fall 2023 “Antagonist Tour,” set to kick off in Denver on Sept. 6. Carti will be joined by rapper-producers Ken Carson, Destroy Lonely, and Homixide Gang — who together make up the roster for Carti’s Opium label. Fresh off numerous festival appearances across the world, Carti will continue to add to his global repertoire with planned performances in major cities and arenas across the world including Las Vegas, Los Angeles, Chicago, Boston, Atlanta, New York, London, Paris, Amsterdam and more. Fans can purchase general on-sale tickets starting July 14 at noon local time (U.S.) and 5 p.m. (EU).
Anything that brings Maggie Smith, Kathy Bates and Laura Linney together for a smart and engaging movie that will lift your spirits these days is a miracle all by itself. Indeed, The Miracle Club is a reason to celebrate this summer, if only for the chance to see a sterling and beloved cast get roles worthy of their many talents.
The 1975 have stepped into the breach to replace Lewis Capaldi in his headline slots at the Leeds and Reading Festivals. The Wilmslow lads, who are good friends with Capaldi, announced the news to their fans late last night, while on stage at the TRNSMT Festival in the Scottish singer’s hometown of Glasgow.
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Zack Sharf Digital News Director “The Idol” actor Jane Adams called out “feminists” in a recent Vanity Fair interview for persisting that the controversial HBO series exploited its female actors on set when many of them, from Lily-Rose Depp to Da’Vine Joy Randolph and Adams herself, have stressed otherwise. “What is amazing to me is no one’s listening—I’ve not seen that before in all my days, such a dogged ‘We refuse to change the narrative,’” Adams said. “I especially want to say to all the feminists, ‘Go fuck yourself.’ All these women that I’m working with are talking about their experience and you’re not listening. You’re not listening!”
Murtada Elfadl What if you managed a bank, and your fiancée’s folks turned out to be notorious bank robbers who saw their prospective son-in-law as the perfect patsy for their next hit? Not a bad setup for hijinks and hilarity. That’s what the filmmakers behind “The Out-Laws” are hoping, anyway. Produced by Adam Sandler (among others) and directed by Tyler Spindel, the not-so-original Netflix original plays like “Meet the Parents” crossed with “Fun with Dick and Jane.” Seeing as how the former inspired several sequels and the latter a remake, the situational comedy on offer is hardly fresh, though it still could (and should) have been funnier. As Owen Browning, Adam Devine takes the mantle from Sandler to play a schlubby everyman partnered with a gorgeous woman (Nina Dobrev) out of his league. Naturally, he’s kind-hearted and willing to sacrifice all for his one true love. And that’s how the audience knows he’s worthy of her. On the week of their wedding, her long-absent parents (Ellen Barkin and Pierce Brosnan) show up after many years of estrangement. It’s quickly revealed that they were in hiding from their former partner (Poorna Jagannathan), after relieving her of large sums of money. Conveniently, their future son-in-law manages a bank, and so a scheme is set in motion. This being a comedy, no one will get hurt and the sweet guy will keep his beautiful woman.
In 1979 Peter Falk and the late great Alan Arkin made the perfect odd couple in the classic action comedy, The In-Laws. It even spawned a not-bad remake with Michael Douglas and Albert Brooks in 2003. The difference between those films, and a bit of an attempt to do something similar in the cleverly-titled The Out-Laws, which starts streaming on Netflix today, is that those movies were genuinely funny, particularly the Arkin-Falk teaming, but this one, also a kind of Meet The Parents on steroids, relies far too heavily on non-stop and incessant action scenes to carry us through its 95 minute running time.
Jazz Tangcay Artisans Editor It took over 555 musicians with sessions around Europe — including in Rome, Vienna, Venice, Switzerland and London — to put together the score for “Mission: Impossible – Dead Reckoning Part One,” composer Lorne Balfe tells Variety. The composer started writing the music almost three years ago, and “at last count, there was over 14 hours of music recorded,” Balfe says. However, only two-and-a-half hours or so made it into the final cut of the film. The storyline sees Tom Cruise’s Ethan Hunt take on a new villain, The Entity, a sentient Artificial Intelligence. Ethan’s mission is to defeat The Entity with a metal key. And while the film features an array of mind-blowing stunts, including Ethan driving a motorcycle off a cliff or a climatic fight atop a moving steam engine train, there was also plenty of emotion for Balfe to root his score in.
The Idol might be one of HBO’s most talked-about shows of the year.Created by Euphoria’s Sam Levinson, Abel “The Weeknd” Tesfaye and Reza Fahim, the series follows aspiring pop idol Jocelyn (Lily-Rose Depp) as she begins a complex relationship with a self-help guru and cult leader, Tedros (Tesfaye).In April last year, the series underwent a creative overhaul where original director, Amy Seimetz, departed the project. Levinson took over to direct all five episodes.HBO has not announced whether The Idol will return.
Tom Holland is thankful for his relationship with Zendaya.
Note: This story contains spoilers from the “The Idol” episode 5.HBO’s “The Idol” wrapped up its five-episode season Sunday night with a surprise ending — that was evidently spoiled to The Weeknd fans who attended his Los Angeles concert this fall.On the finale: As the twisted relationship between rebounding pop star Jocelyn (Lily-Rose Depp) and shady nightclub owner Tedros (Abel “The Weeknd” Tesfaye) sunk even deeper into dangerous territory as Tedros attempts to control every part of Jocelyn’s life and career, Jocelyn decides to get rid of Tedros once and for all by bringing her manager Chaim into the mix. When Tedros refuses to take a check for half a million dollars to stay away from Jocelyn, Chaim moves to Plan B — tipping off a Vanity Fair journalist to write a scathing exposé of Tedros’ past exploits that would ruin him forever.Weeks later, in an unexpected turn of events, Tedros shows up at Jocelyn’s concert at SoFi Stadium in Los Angeles, and the pop star takes him back.
Watch What Happens Live” with Andy Cohen this week, Cynthia Nixon revealed that her character, Miranda Hobbes, was the subject of a sex scene that was cut from the third season of “Sex and the City.”“Was there a storyline in the early years that was cut out that you wish would’ve stayed in?” host Cohen asked her during the show. “Miranda dated a really hot detective who she was very intimidated by and thought he was really out of her league, so she got wildly drunk,” Nixon claimed in response.
is opening its doors for season 2!As filming gets underway for the new season of the popular Korean survival drama later this year, Netflix is gearing up for the anticipated nine-episode follow-up to the breakout 2021 season.After being crowned its most-watched series ever with 1.6 billion total hours watched during its opening month, Netflix co-CEO and chief content officer Ted Sarandos revealed in January 2022 that «the universe has begun.» A season 2 greenlight was made official by Netflix in June 2022, nine months after the series premiered, with creator/writer/director Hwang Dong-hyuk back to oversee the entire thing. follows ordinary people forced to enter a secret competition, where they could either win a massive cash prize or lose their life.
Da’Vine Joy Randolph, who stars as Destiny in “The Idol” — Jocelyn’s (Lily-Rose Depp) manager — opens up on why co-creator Sam Levinson took over the much-discussed series and the likelihood of a second season.